Alan Hale

Guinn 'Big Boy' Williams

Ward Bond

Ann Sheridan

Dodge City

Dodge City (1939)

Rudolph Valentino

John George

Wallace Beery

The Four Horsemen of the Apocalypse

The Four Horsemen of the Apocalypse (1921)

Boris Karloff

Victor McLaglen

Wallace Ford

The Lost Patrol

The Lost Patrol (1934)

Patricia Barry

Martha Vickers

Dolores Moran

The Man I Love

The Man I Love (1946)

Dorothy Malone

Joel McCrea

Alexis Smith

South of St. Louis

South of St. Louis (1949)

Randolph Scott

Humphrey Bogart

Virginia City

Virginia City (1940)

Frank Faylen

Ned Glass

George Tobias

Brothers Paul and Joe Fabrini run a trucking business in California mainly shipping fruit from farms to the markets in Los Angeles. They struggle to make ends meet in the face of corrupt businessmen and intense competition. They are forced into driving long hours, and one night pick up waitress Cassie Hartley who's just quit her job at a truck stop. The three of them witness the death of a mutual acquaintance when he falls asleep at the wheel. This has a profound effect on Paul and Joe and they become determined to find a way to make the business pay so they can quit.—Col Needham

They Drive by Night

They Drive by Night (1940)

Alan Hale Jr.

Lee Van Cleef

Arthur Space

A gunfighter, stranded in the desert, comes across the aftermath of a stage robbery, in which all the passengers were killed. He takes one of the horses to ride to town to report the massacre, but finds himself accused of it. He also finds himself accused of the murder of the local banker, and winds up hiding in the basement of a house where the local sheriff, who is very sick, lives with his daughter.—frankfob2@yahoo.com

A Man Alone

A Man Alone (1955)

Barton MacLane

Elspeth Dudgeon

Eric Portman

On the same day two boys are born: the pauper Tom and prince Edward. As a kid, Tom sneaks into the palace garden and meets the prince. They change clothes with each other but the guards discover them and throw out the prince, since they are almost identical. Nobody believe them when they try to tell the truth. Soon after, the old king dies and the prince will inherit the throne. The evil earl of Hertford attempts to murder the prince to gain power for himself.—Mattias Thuresson

The Prince and the Pauper

The Prince and the Pauper (1937)

Charles Bickford

William Frawley

The setting is a small town in Pennsylvania in 1858-9. Sally Watterson and her father have stopped in town with their traveling medicine show, but when their wagon catches fire, they find themselves stranded. They're taken in by Mrs. Cortlandt and her grandson, Peter, who is trying to set up a pipeline that will supply oil throughout the state. Sally and Peter soon fall in love and marry. Neither their marriage nor Peter's pipe dreams flow too smoothly.—Daniel Bubbeo

High, Wide and Handsome

High, Wide and Handsome (1937)

Lon McCallister

Because boxing is a considered an illegal and disreputable enterprise in 1880's San Francisco, wealthy and influential members of the prestigious Olympic Club vow to make the sport a "gentlemanly" one. They sponsor a brash, extroverted young bank clerk named Jim Corbett, who quickly becomes an accomplished fighter under the new Marquis of Queensbury Rules. Despite his success, the young Irish-American's social pretensions and boastful manner soon estrange him from his benefactors, who plot to give their conceited former protégé a well-deserved comeuppance. Despite this, his dazzlingly innovative footwork helps him to beat a succession of bigger and stronger men, and he finally finds himself fighting for the world's championship against his childhood idol, John L. Sullivan.—duke1029

Gentleman Jim

Gentleman Jim (1942)

Cora Sue Collins

Iron Eyes Cody

Dorothea Wolbert

At the end of the 17th century a impetuous woman of noble birth but poor arrives in Boston when it was just a village rather than a city. As she is married to an old doctor she tries to change her life.—Volker Boehm

The Scarlet Letter

The Scarlet Letter (1934)

Lon Chaney

Lon Chaney Jr.

Stanley Goethals

A miner's happiness is destroyed when a rival steals his mine. He becomes obsessed with revenge, and plans a trap for the man who took his mine.

The Trap

The Trap (1922)

Tully Marshall

J. Warren Kerrigan

Lois Wilson

Two wagon caravans converge at what is now Kansas City, and combine for the westward push to Oregon. On their quest the pilgrims will experience desert heat, mountain snow, hunger, and Indian attacks. To complicate matters further, a love triangle develops, as pretty Molly must chose between Sam, a brute, and Will, the dashing captain of the other caravan. Can Will overcome the skeleton in his closet and win Molly's heart?—Thomas McWilliams

The Covered Wagon

The Covered Wagon (1923)

Bette Davis

Donald Crisp

Nanette Fabray

This period drama frames the tumultuous affair between Queen Elizabeth I and the man who would be King of England, Robert Devereux, the Earl of Essex. Ever the victor on the battlefield, Devereux returns to London after defeating Spanish forces at Cadiz. Middle-aged Elizabeth, so attracted to the younger Devereux but fearful of his influence and popularity, sends him on a new mission: a doomed campaign to Ireland. When he and his troops return in defeat, Devereux demands to share the throne with the heir-less queen, and Elizabeth, at first, intends to marry. Ultimately sensing the marriage would prove disastrous for England, Elizabeth sets in motion a merciless plan to protect her people and preserve her throne.—IMDb Editors

The Private Lives of Elizabeth and Essex

The Private Lives of Elizabeth and Essex (1939)

Robert Florey

Ann Doran

Amid big-budget medieval pageantry, King Richard goes on the Crusades leaving his brother Prince John as regent, who promptly emerges as a cruel, grasping, treacherous tyrant. Apprised of England's peril by message from his lady-love Marian, the dashing Earl of Huntingdon endangers his life and honor by returning to oppose John, but finds himself and his friends outlawed, and Marian apparently dead. Enter Robin Hood, acrobatic champion of the oppressed, laboring to set things right through swash buckling feats and cliffhanging perils!—Rod Crawford

Robin Hood

Robin Hood (1922)

Una O'Connor

Jack Carson

Biff Grimes is pugnacious but likable young man during the Gay 90's living with his ne'er-do-well father, noted for their scrappy personalities and quick tempers. Like every other young man in town, Biff has a crush on gorgeous and flirtatious 'strawberry blonde' Virginia Brush, who gets catcalls every time she walks past the all-male clientele of the neighborhood barber shop. Biff is joined in his admiration by his friends, Nick Pappalis, an immigrant Greek barber, and Hugo Barnsfeld, an unscrupulously ambitious young man who doesn't let anything stand in the way of what he wants, including Virginia. Utilizing both fair means and foul Hugo sweeps Virginia off her feet and frames Biff as the fall guy in a political graft scheme. However, every dog has his day, and, eight years later, Biff stands poised to take his revenge.—duke1029@aol.com

The Strawberry Blonde

The Strawberry Blonde (1941)

Jason Robards Sr.

Loretta Young

King Richard Coeur de Lion goes on the Third Crusade to avoid marrying Princess Alice of France; en route, he marries Berengaria to get food for his men. Berengaria is captured by Saladin, spurring Richard to attack and capture Acre. But Saladin, attracted to her, takes her on to Jerusalem, and Richard is in danger of assassination.—Rod Crawford

The Crusades

The Crusades (1935)

Priscilla Lane

John Garfield

Twenty-five-year old Joe Bell, a vagabond, just wants a break in life so that he can ultimately have a place to hang his hat. Making that goal more difficult is his mistrust in authority as he was incarcerated for sixteen months for a crime he didn't commit - in fact, coming to the aid of the victim - and only released after the true perpetrator was caught. That jail time was despite his profession of innocence, the system failing him, only making him more defiant. His desire to achieve that goal is strengthened after he meets nineteen-year-old Mabel Alden, who can see his humanity despite the outward problems. Because of his previous prison time, Joe decides to go on the run when he is implicated in murder that he again did not commit. He and Mabel end up getting married, she vowing to stay with him on the run, her only stipulation being that he stays on the right side of the law. Due to their basic decency, they are able to make some friends along the way, some who give those potential breaks that they so need to make it out of their vagrancy. However, the authorities after them always seem to set them back. The question that thus arises is if they will give the law a second chance to show them that the truth will literally and figuratively set them free.—Huggo

Dust Be My Destiny

Dust Be My Destiny (1939)

Margaret Sullavan

Paul Fix

Hedda Hopper

Hans Pinneberg is a young German clerk, who, in the troubled economic times, wants only to accept life peacefully. He and his sweetheart, Emma Merceau, whom he affectionately calls "Lammchen," marry after they confirm that she is pregnant. Hans brings Lammchen to his town but keeps their marriage secret because his boss, autocratic corn merchant Emil Kleinholz, employs only unmarried clerks, as he is looking for a husband for his immature daughter Marie. After Marie chooses Hans, the whole Kleinholz family, out for a Sunday outing, see Hans and Lammchen kissing in the park, and Hans quits when Kleinholz insults Lammchen. After three weeks of unemployment pass, Lammchen writes to Hans's stepmother Mia in Berlin, who answers promising Hans a job in a clothing store. In Berlin, they find Mia living with Holger Jachman, an underworld bon vivant , who develops an interest in Lammchen. Through Jachman's influence, Hans gets work as a salesman, but he spends most of his first salary on an expensive dressing table, which Lammchen has admired, rather than paying Mia for rent. However, during a party, Jachman, intoxicated, leaves 200 marks for the rent before passing out. When the store institutes a policy of paying salesmen on a percentage basis, Herr Heilbutt, the head salesman and a nudist whom Hans has come to like, resigns in protest. After Hans's colleague Kessler snidely informs him that Mia uses the apartment to introduce "lonely men to lovely women," Hans breaks up a breakfast party and takes Lammchen away from the apartment. They are offered a room by kindly furniture hauler Herr Puttbreese, but Hans loses his job after insulting screen actor Franz Schlüter, a customer who has used two hours of Hans's time without buying anything. After Jachman invites Hans and Lammchen to an expensive cafe and gets nowhere flirting with Lammchen, the police finally catch up with him and arrest him, leaving Hans and Lammchen with the bill, but an envelope from Jachman then arrives containing more than enough money to cover it. When Lammchen goes into labor, Herr Puttbreese takes her to the hospital because Hans cannot be found. After Hans is involved in a street riot, he comes home ashamed to look Lammchen in the face, but after seeing his son, Hans is encouraged to take care of him. Lammchen reminds Hans that "we created life, so why be afraid of it," and after Heilbutt arrives with a job offer for Hans in Amsterdam, the baby yawns amidst the adults' celebration.

Little Man, What Now?

Little Man, What Now? (1934)

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