Alberto Sordi

During the economic boom of Italy a man tries desperately to maintain a high standard of living for his family.

The Boom

The Boom (1963)

The Polish countess Eva Bolasky from Warsaw, aka Lady Eva, takes care of the correspondence column of the women's magazine Adamo and Eva, enjoying great success among her readers ranging from the ladies of the high aristocracy to the dressmakers.

Piccola posta

Piccola posta (1955)

Mario is in Hannover to work as a miner but after loosing his job he decides to go back to Italy. When Totonno steals his passport to avoid the police and later on he offers him a new job as "magliaro" (cloth seller), Mario changes his mind and decides to follow Totonno to Hamburg. In Hamburg, Totonno and his friends have to sell Mayer's cloth but they meet with the hostility of a Polish gang and Mario falls in love with Paula Mayer. —Baldinotto da Pistoia

I magliari (1959)

I magliari (1959) (1959)

Bepi is a gondolier and he wants to marry Nina. Bepi, however, likes exotic girls. So Nina, after a fight with Bepi, decides to marry Toni who is richer, who is liked by her family and who is the owner of a motor-boat. But when all the difficulties appear to be worked out and the marriage date is settled, a problem arises: Bepi is engaged at the same time to Nathalie, Janet and, of course, Nina. Will Bepi be able to wiggle out of his dangerous position, to marry the woman he really loves?

Venice, the Moon and You

Venice, the Moon and You (1958)

Vittorio De Sica

Maria Perschy

Augustino works as the General Secretary of Social Morality Union and takes fight to all kinds of mundane vices - striptease, nudity in movies and commercials. He is incorrupt and unyielding. Unfortunately, the rigid professional ethics sabotages his private life. Meanwhile, his boss plans to marry off his unattractive 29-year old daughter...to Augustino.

Il moralista

Il moralista (1959)

Antonio is a jolly and precise guy working for an auto factory in northern Italy. He decides to take his wife and two daughters on vacation to Sicily, so that they can finally see his hometown and meet his family. He's excited to show them around and dispel many of their negative stereotypes about Sicilians. He even dispels stereotypes about the mafia, saying that being a mafioso as a teen amounted to just being a messenger boy. But as Antonio reconnects with his past in Sicily, he finds out that there are more sides to being a Sicilian than he remembers. —krasnoludek

Mafioso

Mafioso (1962)

Caroline Munro

Fiona Lewis

Dana Gillespie

Dante Fontana is an antique dealer of Perugia, and is infatuated with British culture. But he is always thwarted by his wife and relatives, who see him as a silly dreamer who gets lost in stories rather than doing serious work.

Fumo di Londra

Fumo di Londra (1966)

Cencio, a roman pilferer, periodically is in prison. He meets Cesira that soon become his partner in crime. With Cesira's help Cencio try the big hit to a jewelery. But the lucky break is over.

He Thief, She Thief

He Thief, She Thief (1958)

James Robertson Justice

Gabriele Ferzetti

Three girls are on a hitchhiking trip through northern Italy, the riviera, Venice, Pisa and Rome.

Souvenir d'Italie

Souvenir d'Italie (1957)

Sophia Loren

Magistrate (Judge) Del Russo presides over four cases brough before him during a period of one day. "Adultery in 16mm" focus on Elena who brings her salesman husband to court on charges of abandonment where he springs surprise evidence involving her affair with her lawyer. In "The Priest and the Prostitute," Don Michele, a young priest, is charged with wrecking a pool room who claims he was robbed by Anna, a prostitute, and beaten by her pimp. In "Indecent Exposure," Meniconi is a man arrested for indecent exposure who claims he was swimming in the nude and his clothes where stolen. The last case "Lustful Lieutenant," involves Gloriana, a middle-aged prostitute, who's brought before Del Russo on charges of soliciting and who apparently knew Del Russo from a time years ago.

A Day in Court

A Day in Court (1954)

Giulietta Masina

Who would have thought that only moments after arriving at Rome for their honeymoon, the young and pure bride, Wanda, would sneak out of the room, leaving her fastidious groom, Ivan, all alone? Obsessed with the masculine Fernando Rivoli--the hero of her favourite romantic photo-novel, The White Sheik--Wanda plucks up the courage to meet him in person, only to be seduced by the arrogant protagonist, so far away from the hotel and her husband. As a result--perplexed by Wanda's strange disappearance, and unable to disclose the news to his family--Ivan meanders through the ill-lit Roman streets in search of his wife, on pins and needles, waiting for their eleven o'clock appointment with his uncle and the Papal Audience at the Vatican. What does the new day have in store for the separated newlyweds?

The White Sheik

The White Sheik (1952)

Fausto Moretti, having seduced Sandra Rubini, the sister of his friend and companion Moraldo Rubini, is forced to marry her. After their honeymoon, he takes a job as a salesman of religious objects in a small shop. He isn't changed by his marriage and still looks for women, with his friends, when and where they can find them. He even tries to seduce the wife of his boss and is fired. After each episode, Sandra forgives him. He and his friends of similar temperament are content to be idle, chase girls and leave the work and job-hunting to others. After spending the night away from home with a girl, Sandra cannot forgive anymore and runs off with their child. Fausto and his friends search all over for them, fearing the worst.

I Vitelloni

I Vitelloni (1953)

Silvana Mangano

Helmut Berger

Annie Girardot

Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife and mother. A man seeks revenge for a woman's honor. A bored housewife tries to explain to her husband that he's not as romantic as he used to be. —Samovarkov

The Witches

The Witches (1967)

Sergio Leone

Ricci, an unemployed man in the depressed post-WWII economy of Italy, gets at last a good job - for which he needs a bike - hanging up posters. But soon his bicycle is stolen. He and his son walk the streets of Rome, looking for the bicycle. Ricci finally manages to locate the thief but with no proof, he has to abandon his cause. But he and his son know perfectly well that without a bike, Ricci won't be able to keep his job. —jolusoma

14 YIFY Movies Found

7.2 / 10

Comedy

6.2 / 10

Comedy

6.7 / 10

Drama
Romance

6.2 / 10

Action
Comedy

6.6 / 10

Action
Comedy

7.7 / 10

Action
Comedy

5.8 / 10

Comedy

6.6 / 10

Action
Comedy

5.7 / 10

Comedy
Romance

6.5 / 10

Action
Comedy

7.2 / 10

Action
Comedy

7.9 / 10

Action
Comedy

6 / 10

Action
Comedy

8.3 / 10

Action
Drama

14 YIFY Movies Found

7.2 / 10

Comedy

6.2 / 10

Comedy

6.7 / 10

DramaRomance

6.2 / 10

ActionComedy

6.6 / 10

ActionComedy

7.7 / 10

ActionComedy

5.8 / 10

Comedy

6.6 / 10

ActionComedy

5.7 / 10

ComedyRomance

6.5 / 10

ActionComedy

7.2 / 10

ActionComedy

7.9 / 10

ActionComedy

6 / 10

ActionComedy

8.3 / 10

ActionDrama

Drama
Romance

Action
Comedy

Action
Comedy

Action
Comedy

Action
Comedy

Comedy
Romance

Action
Comedy

Action
Comedy

Action
Comedy

Action
Comedy

Action
Drama