Billy Dee Williams

Nina Foch

Anthony Perkins

Robert Townsend

Mahogany

Mahogany (1975)

Charles Bronson

Jill Ireland

Silvana Blasi

Dr. Laurence Jeffries, a neurosurgeon, intent on his research, neglects his wife Frances. The frustrated woman accordingly takes a lover, Paul Damien, a French journalist. When he realizes what is going on, Laurence has only one thing in mind, vengeance. A diabolical idea comes to him: why not use one of his patients, an amnesiac, as his instrument of revenge? He soon implements his plan, taking the amnesiac into his home and making him believe that Frances is HIS wife, that she cheats on him and that he has to eliminate her...—Guy Bellinger

Someone Behind the Door

Someone Behind the Door (1971)

Shirley Booth

Shirley MacLaine

Jon Lormer

It's 1884 in Yonkers, New York. Dolly Gallagher-Levi is a Jane-of-all-Trades, but her latest and most lucrative venture is as a matchmaker, setting men up with women with the intention of matrimony. This job is ironic as she was previously married herself, not enjoying the experience. Her latest client is older penny-pinching retail store owner, Horace Vandergelder, who works his two young meek clerks, Cornelius Hackl and Barnaby Tucker, to the bone. As Horace won't give them a day off, Cornelius and Barnaby plot to close the store and sneak into New York for the day, their mission to meet and kiss a girl. In New York, Cornelius spots Irene Molloy, a young female milliner upon who he sets his sights. On their meeting, Cornelius is unaware that she is also one of Horace's possible brides. Beyond what happens between Horace, Cornelius and Irene, Dolly herself may be ready for matrimony again despite her words to the contrary.—Huggo

The Matchmaker

The Matchmaker (1958)

Angela Thorne

Roger Moore

James Mason

A terrorist (Anthony Perkins) holds an offshore drilling rig and production platform for ransom in the North Sea. ffolkes (Roger Moore) a wealthy misogynistic eccentric, volunteers to send his crack team of soldiers in to stop the terrorists. With few other options available, the British Government reluctantly accepts his help.—Teresa E Tutt

North Sea Hijack

North Sea Hijack (1980)

Kitty Courbois

Bibi Andersson

Sarah Godbold

Woman (Laura) falls in love with girl (Sylvia). They have an affair, but suddenly Sylvia runs off with the ex-husband of Laura. Laura can't understand why, but Sylvia doesn't want to talk to her. Later it becomes clear why Sylvia did this and then it is the ex-husband to be upset. He takes revenge.—Marcel Bingley

Twice a Woman

Twice a Woman (1979)

Dee Wallace

Mädchen Amick

Mary Frann

An ancient Aztec cloth with a curse accidentally finds its way into the possession of a young woman. She decides to make a dress from the cloth. Whoever wears this cloth/dress comes under its spell; all inhibitions and moral responsibilities are lost.—Rob Hartill

I'm Dangerous Tonight

I'm Dangerous Tonight (1990)

Melina Mercouri

Phedon Papamichael

Raf Vallone

The powerful Greek ship-owner and constructor Thanos proposes to marry Phaedra during the baptism of a ship with her name. Phaedra, who is the daughter of Thanos' greatest competitor, is a bored woman. Thanos gives an expensive ring to Phaedra and soon she learns that his estranged son from his first marriage, Alexis, has left the London School of Economics (L.S.E.) in London to dedicate himself to painting. Thanos asks Phaedra to travel to London to bring Alexis to meet him in Greece. When Phaedra meets Alexis, she falls in love with her step-son and seduces him. Their doomed love affair leads the family to a tragedy.—Claudio Carvalho, Rio de Janeiro, Brazil

Phaedra

Phaedra (1962)

Heather Ames

Norma Moore

Karl Malden

Jim Piersall is groomed by his loving but hard-driving father (living vicariously through his son) to play major league baseball. His desire to succeed to please his father leads to mental illness and a nervous breakdown. Can he overcome those difficulties and return to the major leagues?—Jerry Milani

Fear Strikes Out

Fear Strikes Out (1957)

Romy Schneider

Orson Welles

Peter Sallis

Josef K wakes up in the morning and finds the police in his room. They tell him that he is on trial but nobody tells him what he is accused of. In order to find out about the reason of this accusation and to protest his innocence, he tries to look behind the facade of the judicial system. But since this remains fruitless, there seems to be no chance for him to escape from this Kafkaesque nightmare.—Joern Richts

The Trial

The Trial (1962)

Sophia Loren

Gig Young

Jean-Pierre Aumont

In Paris, Italian Lisa Macklin tells her husband, American Bob Macklin, just before he heads off on a business trip to Casablanca that she plans to divorce him in she classifying their relationship as a nurse mother taking care of a spoiled little boy. Their problems are punctuated by his abuse of her, both physical and emotional. That divorce does not occur as his flight crashes in southwest France killing all on board. Three days after the funeral, Lisa discovers that Bob, ejected from the plane as it crashed, survived, he, slightly injured, able to make his way back to their apartment without detection. The reason for the secrecy is that he wants her to collect his life insurance for him after which he will leave her life, ostensibly giving her that "divorce" while he gets rich in the process. His plan is to hide out in their apartment until the money arrives. But one delay after another in the process leads to both Lisa and Bob having to endure their time together much longer than anticipated. The pressures that build up between them is only exacerbated by the possibility of someone detecting him in the apartment, and American David Barnes, new to the neighborhood, wanting to get to know newly "widowed" Lisa in an intimate sense.—Huggo

Five Miles to Midnight

Five Miles to Midnight (1962)

Suzanne Lloyd

Yvonne Furneaux

Stéphane Audran

A champagne tycoon's (Furneaux) partner (Ronet) suspects his partner's gigolo husband (Perkins) of murders he's been framed for.

The Champagne Murders

The Champagne Murders (1967)

Harry Landis

Glynis Barber

Carolyn Cortez

When Henry Jekyll's experiments with cocaine have gotten out of control, he transforms into the hideous Jack Hyde. As Hyde he searches the London streets at night for his prey in whorehouses and opium dens. The police can't catch him, he has nothing to lose but his mind...—Mark J. Popp

Edge of Sanity

Edge of Sanity (1989)

Deborah Foreman

Clayton Rohner

Deborah Brown

A prison riot breaks out at the moment of a serial murderer's execution by electrocution, and his fate becomes indeterminate when the prison is shut down. 18 months later, a team of filmmakers converge on the prison to film a women-in-prison exploitation flick, but find that a certain somebody is disrupting their shooting schedule...—Brian J. Wright

Destroyer

Destroyer (1988)

Jeff Fahey

Diana Scarwid

Lee Garlington

Norman Bates is back again running his "quiet" little motel a month after the events in Psycho II. Norman meets three new people, one being a beautiful young nun with whom his budding relationship is beginning to make his "Mother" jealous. He also hires a young man in need of a job to take care of the motel. A snooping reporter is showing interest in Norman's case. What will these new friends do for Norman?—nxvaeh

Psycho III

Psycho III (1986)

John Randolph

Tuesday Weld

Beverly Garland

Dennis Pitt, now in young adulthood, has been conditionally released from the psychiatric hospital where he had been institutionalized for an incident that occurred when he was 15. Despite the doctors believing that he is rehabilitated because he no longer suffers from the fantasies that dominated his life, Dennis is still required to check in with his case officer, Morton Azenauer, once a week. Azenauer will do whatever he can to help Dennis survive in the outside world. A year after his release, Dennis violates the conditions of his release by moving without telling Azenauer, thus missing his weekly check-ins. He moves to Winslow, Massachusetts, where he has gotten a job at Sausenfeld Chemical Co. His boss Bud Munsch, the company, and his acquaintances in town are unaware of his history. In not being truly rehabilitated, Dennis believes the company is part of an alien conspiracy to poison the water supply, including openly discharging chemical waste into the lake next to the plant. Dennis spends much of his time gathering photographic evidence to support his belief. He also becomes infatuated with 17-year-old high-school student Sue Ann Stepanek at first sight. In his "investigative" work, Dennis is able to convince Sue Ann that he is a secret agent and co-opts the eager, admiring girl into his investigations as they begin a romantic relationship. But as Sue Ann deals with what she considers her repressed life, she, in her own slightly off-kilter mental state and using her relationship with Dennis, works toward her own agenda, leading to tragic consequences.—Huggo

Pretty Poison

Pretty Poison (1968)

Gregory Peck

Ava Gardner

Fred Astaire

In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other?—Rod Crawford

On the Beach

On the Beach (1959)

16 YIFY Movies Found

6.1 / 10

Drama
Romance

5.8 / 10

Crime
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6.8 / 10

Action
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6.3 / 10

Action
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5.5 / 10

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5 / 10

Horror
Thriller

6.8 / 10

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6.9 / 10

Action
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7.6 / 10

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6.2 / 10

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5.8 / 10

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5.5 / 10

Action
Horror

7 / 10

Action
Comedy

7.1 / 10

Action
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16 YIFY Movies Found

6.1 / 10

DramaRomance

5.8 / 10

CrimeDrama

6.8 / 10

ActionComedy

6.3 / 10

ActionAdventure

5.5 / 10

DramaRomance

5 / 10

HorrorThriller

6.8 / 10

ActionDrama

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ActionBiography

7.6 / 10

ActionDrama

6.2 / 10

ActionCrime

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ActionCrime

5.3 / 10

ActionDrama

4.8 / 10

ActionHorror

5.5 / 10

ActionHorror

7 / 10

ActionComedy

7.1 / 10

ActionDrama

Drama
Romance

Crime
Drama

Action
Comedy

Action
Adventure

Drama
Romance

Horror
Thriller

Action
Drama

Action
Biography

Action
Drama

Action
Crime

Action
Crime

Action
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Action
Horror

Action
Horror

Action
Comedy

Action
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