Ionut Grama

Bogdan Albulescu

Axel Moustache

Dana Marineci

Dismissed

Dismissed (2024)

Jan Révai

Dana Morávková

Marian Mitas

Jana Plodková

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Nemá tajemství (2023)

Radu Andrei Micu

Razvan Ilie

Dana Vulc

Ioana Marcoiu

Weekend de vis

Weekend de vis (2024)

Alin Moldovan

Dana Varga

Beniamin Lingurar

Dan Boga

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Our School (2011)

Tara Strong

Keram Malicki-Sánchez

Melanie Nicholls-King

Dana Brooks

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Skin Deep (1995)

Wally Kurth

Dana Sparks

Brittany Underwood

Camila Banus

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A Bride's Nightmare (2021)

Pierre Coffin

Dana Gaier

Nev Scharrel

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Minions & More 2 (2022)

Robin Williams

Tim Allen

Steve Carell

Bob Odenkirk

Too Funny to Fail: The Life & Death of The Dana Carvey Show

Too Funny to Fail: The Life & Death of The Dana Carvey Show (2017)

Donald Trump

Dana Perino

Seth Meyers

Yamiche Alcindor

A Closer Look with Seth Meyers: Primetime Live Election Special

A Closer Look with Seth Meyers: Primetime Live Election Special (2024)

Gabriel Spahiu

Andi Vasluianu

Dana Bunescu

Eusebiu Stefanescu

Exploratorul

Exploratorul (2013)

Dana Eskelson

Ingrid Jungermann

Michele Ann Suttile

Maria Wilson

See You Next Tuesday

See You Next Tuesday (2013)

Jack Black

James Duval

Cody Renee Cameron

Dana Gould

Free LSD

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Gede Robi

I Gusti Putu Kirana Dana

I Wayan Koster

Gus Norma

Pulau Plastik

Pulau Plastik (2021)

Steve Burton

Joseph Ruskin

Abby Dalton

Cyber Tracker

Cyber Tracker (1994)

Nancy Reagan

Danny Cooksey

Dana Plato

Howard Stern

Gary

Gary (2024)

Max Woertendyke

Dana Berger

Brightwood

Brightwood (2022)

Sean O'Bryan

Dean McDermott

BJ Tanner

Dana Powell

Nyctophobia

Nyctophobia (2024)

Saar Ben-Yossef

Dana Fried

Nadav Bossem

Lior Hashin

Formerly best-selling novelist Amitai Kariv's career started with a bang: his first four novels were award-winning best sellers. His great sacrifice - no wife, no kids, no life outside of writing - seemed to have paid off. But his next two novels were received less enthusiastically and the following two novels were received with a definite measure of derision. Soon, publishing houses lost interest in his literary output, academic circles dubbed him a mere literary footnote and within a few years, the collective memory of the book reading public declared him extinct.
Amitai's inevitable midlife crises was a particularly acute one as at this point his life's work seemed to have amounted to nothing. Desperate times call for desperate measures - the usually aboveboard Amitai felt that he has no choice but to put together a master plan - a perfect crime if you will - that will restore his fame and resurrect his fortune.
2
He puts out an ad seeking an assistant, interviews many qualified applicants but curiously settles on Margo May - a shapely fast talking young woman whose single distinction is the sheer amount of lies and falsehoods he discovers in her resume.
Margo becomes Amitai's accomplice, a post-modern and post-feminist very opinionated Galatea to his human wreck version of Pygmalion. She actually moves in with Amitai (who lives in a large delapuiteted mansion, just across a small zoo) in order to make the work-study procces quicker and more intense.
Their relationship goes through challenges and somewhat entertaining trials and tribulation but the narrative twists take a wide turn when Amir - a young documentary film director of Palestinian origin, who has studied in Rome and now works for RAI- comes to Israel in order to film a documentary about the discrepancy in narrative between Israeli and Palestinian authors.
Amir's chance encounter with Margo generates a possible romance but, even more importantly, exposes a story that is a filmmaker's dream.
Moreover, Amir just happens to know an aging Italian movie star who would kill for a comeback. This cinematic reinvention of "Amitai" and his story would make this comeback possible.
Amir realizes that this fantastic wedlock between literature, cinema, romance and mystery - all based on this true story - are the fodder great art is made of. If he can decipher Amiti's masterplan, he will have a vehicle that will carry him to success.
Margo has great ambitions as well. Amir can facilitate them but Amitai is sure to foil.
Just who far will Amiti go in order to have his day in the sun?
The plot swings from Tel Aviv to Jerusalem, to Rome and back.
Startling revelations are made. Amitai seems to be in control, but Margo is far from being guiled.
She knows that at some point she will have to tell Amir the truth about herself. She also knows Amitai will shortly take exception to anything that might put his scheme in danger.
This Danse Macabre between Amitai, Margo and Amir reaches its climax when Margo finally discovers Amitai's plan. Her equally daring counterplot will change their lives forever.

The Monkey House

The Monkey House (2023)

Dana Melanie

Simone Baldasseroni

Alessandro Bedetti

Orlando Cinque

Within the walls of the Grave, the orphanage where Nica grew up, a legend has always been told: that of the maker of tears, a mysterious craftsman, guilty of crafting all the fears and anxieties that inhabit the hearts of men. But at seventeen years old, the time has come for Nica to leave fairy tales behind. Her biggest dream is about to come true. Mr and Mrs Milligan have started the adoption process and are ready to give her the family she has always wanted. In her new home, however, Nica is not alone. Along with her, Rigel, a restless and mysterious orphan, the last person in the world Nica would want as an adoptive brother, is also taken from the Grave. Rigel is intelligent, smart, plays the piano like an enchanting demon and has a beauty that can enchant, but his angelic appearance conceals a dark nature. Even though Nica and Rigel are united by a common past of pain and hardship, living together seems impossible, but kindness and anger are two different ways of fighting pain to stay alive and to conceal the emotions that devastate their hearts, becoming for each other that tears-maker of legend. To the maker of tears you cannot lie: and they will have to find the courage to accept that desperate force that attract them towards each other called love.

The Tearsmith

The Tearsmith (2024)

Peter Whitney

Dana Andrews

June Havoc

Gene Tierney

Soviet soldier turned bureaucrat Igor Gouzenko is assigned to his first overseas posting in 1943 to Ottawa, Canada, as a cipher clerk for the military attaché, their offices in a secret wing of the Soviet embassy. Igor is not to tell anyone what he does for a living, he given a cover story which he is to recite even when questioned by his own people. He and his wife Anna Gouzenko are supposed to be cordial to their Canadian neighbors and associates, but not fraternize or befriend them, as they are still considered the enemy, despite both countries being on the same side in the war. Igor follows his instructions to a T, but it is more difficult for Anna, who does not have the distraction of work during the day, and who can see that their neighbors are not their enemies but good people much like themselves. Over the next few years, Igor sees that what is happening around him and the work in which he is involved will not result in a world in which he wants to raise his newborn son, Andrezj. As such, the Gouzenkos decide not to return to the Soviet Union. Besides defecting, Igor wants to expose what he is privy to, namely that there is a secret Soviet spy ring operating in Canada, which is comprised of people in authority, such as Canadian military personnel and elected officials. The spy ring's biggest project is to provide the Soviet government with secrets concerning the atomic bomb. Igor being able to get the necessary papers out of the embassy will be difficult enough, especially as he, Anna and Andrezj have been notified that the posting has concluded and that they are scheduled to return to the Soviet Union, but proving his claim to someone in authority in Canada who will listen before the Soviets discover what he is doing is a whole different matter.—Huggo

The Iron Curtain

The Iron Curtain (1948)

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