Anthony Quinn

Gina Lollobrigida

Robert Rietty

Paul Bonifas

Paris, 1482. Today is the festival of the fools, taking place like each year in the square outside Cathedral Notre Dame. Among jugglers and other entertainers, Esmeralda, a sensuous gypsy, performs a bewitching dance in front of delighted spectators. From up in a tower of the cathedral, Frollo, an alchemist, gazes at her lustfully. Later in the night, Frollo orders Quasimodo, the deformed bell ringer and his faithful servant, to kidnap Esmeralda. But when the ugly freak comes close to her, he is touched by the young woman's beauty.—Guy Bellinger

The Hunchback of Notre Dame

The Hunchback of Notre Dame (1956)

Geneviève Page

Gérard Buhr

Georgette Anys

Fanfan is a handsome young peasant. He joins the army to escape a forced marriage and because a gypsy girl predicted he will earn glory and the king's daughter as a wife. But the 'gypsy' girl was in fact Adeline, the daughter of the recruiting officer. Once he has discovered the stratagem, Fanfan refuses to forget this dream and decides to fulfill the destiny of the fake prediction. Fantastic swashbuckling adventures in a 18th Century setting, with a light criticism of the war and the mighty.—Yepok

Fanfan la Tulipe

Fanfan la Tulipe (1952)

Martine Carol

Chantal Tirède

Raymond Bussières

Young Claude, teacher by day, is a struggling composer by night. Alas, everyone around him seems to prefer noise to music. But in his dreams,he lives in other eras where he is appreciated, lionized, and the conqueror of delicious women (idealized forms of women he's seen in waking life). The dreams are suitably dreamlike, yet have a kind of reality, for he revisits them after waking. The conflict between waking and dream worlds leads to amusing, strange, even fantastic situations. Which world will prevail?—Rod Crawford

Beauties of the Night

Beauties of the Night (1952)

Raymond Burr

Orson Welles

Valentina Cortese

Novelist Alexander Dumas tells his writer-son of Joseph Balsamo, a gypsy boy in southern France who was embittered because his parents were wrongfully hanged and he himself was tortured by the order of Viscount de Montagne. Years later, the man, a carnival charlatan, attracts the attention of Dr. Mesmer, a pioneer in the study of hypnotism. Balsamo rejects Mesmer's plea that he use his power for healing and, instead, decides to use it to seek wealth and fame. He changes his name to Count Cagliostro, and achieves fame throughout Europe by mixing hypnotism with mysticism and showmanship. He is called to cure a girl, Lorenza, held by De Montagne, because she resembles Marie Antoinette, wife of the heir to the throne of France. Cagliostro decides to join De Montagne and Madame du Barry in a plot to seize the power by discrediting the future Queen. Cagliostro achieves his revenge on De Montagne by persuading him to hang himself. He makes Lorenza marry him but can never make her love him. Her love is for Gilbert de Rezel, the captain of Marie Antoinette's guard. In a dramatic court scene, Cagliostro's power of hypnotism is turned against him by Dr. Mesmer and he is seen as a madman. His faithful gypsy friends, Gitano and Zoraida, try to help him escape but he is killed by de Rezel in a roof-top duel.—Les Adams

Black Magic

Black Magic (1949)

Lionel Stander

Vittorio De Sica

Jacques Herlin

Plot of 320 min. version in 6 episodes (theatrical 134 min. version simply abridges most scenes)
First episode: Opens in about the middle of the 19th century, in a small mountain village in Tuscany, where at the end of winter the caravan theatre of a famous puppeteer, Mangiafoco, arrives before leaving for the "distant Americas" in the summer. While the puppeteer's two barkers, the Cat and the Fox make the announcement, a puppet of the show inspires Geppetto, a very poor widowed carpenter, to carve one of his own invention, in order to travel the world and get food, given the scarce work commissioned to him. Geppetto's neighbour, Ciliegia, a prosperous furniture maker, decides to make a table leg, but the log he intends to use speaks to him as he raises an axe, saying "do not hurt me". Alarmed, Ciliegia gives the log to Geppetto, who has come to ask him to lend him some wood for his puppet, but not before the log creates discord between the two, insulting and hitting Geppetto, who naturally blames Ciliegia. Back home, Geppetto works all evening to create the puppet, which he decides to call Pinocchio in honour of a friend, fitting it out with an old sack as clothing. When Geppetto realizes that the log can speak and move by itself, he blames it on his hunger and continues to work, believing he is only imagining himself interacting with the puppet, also speaking to the portrait of his deceased wife on the wall. During the night, the spirit of the woman appears, reincarnated as a Fairy, and, while the exhausted Geppetto sleeps, the Fairy proposes to the puppet a pact: that of making him temporarily become a real boy, if he behaves correctly, otherwise he will be returned to wood, until he proves his goodness, when he will become a child forever.
The next day, Geppetto realizes he has a young boy in the house. At first blaming fatigue and hunger, the carpenter discovers that the child is not only real, but also Pinocchio. The latter, however, leaves the house and, chased by Geppetto, runs around the village, even being pursued from the river and through a wash-house by a fisherman whose lunch he had stolen. After Pinocchio is stopped by the carabinieri, Geppetto explains to everyone that he had carved a puppet for himself and that a child had appeared in its place the next morning. Believing him to be crazy (as well as not suitable for keeping a child, as the barefoot boy is naked apart from wearing only an old sack), the carabinieri arrest the carpenter and entrust the child to the washerwomen, who lose him as soon as it starts to rain. Pinocchio returns home still hungry, but after searching in vain for something to eat indoors, finds an egg outside; however as he breaks it, he discovers that the egg has a chick inside. It is now night and going out again he knocks at a neighbouring house asking for food, only to have the householder pour a bowl of water over him from an upstairs window.
Second episode: Pinocchio returns home dripping wet and dries himself in front of the fire (using Geppetto's tools and a chair as fuel). He finds that he is not alone in the house: to keep him company there is also a centenarian talking cricket, which lectures him on his behaviour and says that the Fairy will not be quite happy with him. In response Pinocchio throws an ash-spreader fire-iron at it, apparently killing it and breaking the picture of Geppetto's wife at the same time. At that point Pinocchio returns to wood and his feet, too close to the fire, begin to burn.
The next morning, released from prison, Geppetto returns home, saddened by the fact that that Pinocchio has escaped from the washerwomen and perhaps has not returned home. Fortunately, Ciliegia tells him that he has heard a voice in his workshop, so that Pinocchio appears to be at home. As the door is barred and Pinocchio says he cannot walk, Geppetto climbs in through the window. Finding Pinocchio is made of wood he becomes even more confused and frightening Ciliegia, who was peering through the window. Pinocchio, wanting his feet restored, promises Geppetto that he will behave well from now on. Geppetto offers him another chance and Pinocchio instantly returns to normal (further alarming Ciliegia). After the boy eats three pears (dropped on the window sill by Ciliegia), Geppetto makes him a costume and a hat out of paper, then he sells his jacket to buy a "first reader" book for his son. Pinocchio kisses Geppetto goodbye and happily runs off to school, but on the way he is distracted by music coming from the theatre show of Mangiafoco and decides to go and see it. Having no money to enter, he decides to sell his book and pencil for the ticket money. Pinocchio enjoys the show, which the Cat and the Fox narrate, until hungry and tired, they entrust playing of the mechanical organ to a boy and go off to eat. Just then, the puppets notice Pinocchio and invite him to the stage. Pinocchio climbs up but is transformed again into a puppet just as Mangiafoco bursts onto the stage, capturing Pinocchio and locking him in the monkey's cage, ordering the others to resume the show. He is puzzled that this puppet has no strings.
Geppetto, accompanied by Ciliegia, goes to school to pick up Pinocchio, but not seeing him leave with the other boys, he asks the janitor if he has seen him, who says he had never entered. While Ciliegia consoles Geppetto, the latter realizes that another child has Pinocchio's book and discovers that it was bought by the child's father from Pinocchio to see the show. Geppetto runs to the Mangiafoco theatre, but it has departed with Pinocchio in the hands of Mangiafoco. Cold and broken hearted, Geppetto goes to the local tavern, where Ciliegia offers him a glass of wine by the fire to forget everything. Geppetto decides to follow the troupe to America and rescue Pinocchio. Meanwhile Mangiafoco's troupe halts to eat. Cat and Fox light a fire, but with the snow and rain of the previous days, the fire struggles to burn. Mangiafoco then decides to burn Pinocchio and orders the two to get him, but in the caravan they find only a child (transformed in time by the fairy, to save him from the flames). Mangiafoco, believing that the Cat and the Fox are playing a joke in bad taste, yells at them, while Fox replies that they quit (against Cat's will). Mangiafoco then fires a shotgun at them as they run away in terror. Pinocchio, finally getting his attention, tries explaining to him that he was the puppet but that he changes between puppet and boy because of the Fairy. Mangiafoco of course does not understand, but decides to resume cooking his dinner and orders the coachman to throw the broken Harlequin marionette onto the fire. Pinocchio asks for mercy for his fellow puppet and offers to throw himself into the fire, even if that means never seeing his father again. This moves Mangiafoco, who decides not to burn Harlequin.
Third episode: Pinocchio, still a boy, decides to tell Mangiafoco about his poverty-stricken father and the latter, pitying and moved, gives him new clothes and also five gold coins to take home to Geppetto, telling him not to lose them and not to show them to anyone. Pinocchio, on the way back home, meets the Cat and the Fox again, who, now unemployed, pretend to be blind and lame beggars. Discovering that Pinocchio (unable to heed good advice) has some coins, at first they induce him to buy them dinner and then convince him of the existence of a tree in the "field of miracles", where his gold coins, if buried and watered, would multiply like leaves on a tree. A hen, tries to warn him, but is silenced by the Cat wringing its neck.
After having dinner at a tavern, Pinocchio is awakened by the host late at night and after hiding his money, sets off in search of the Cat and the Fox, who had already left, disguising themselves with two (stolen) sheets and they chase him throughout the woods. Pinocchio flees these "assassins", but the next day they find him again and give chase. Seeing a house on a lake, he runs to ask for help. The house turns out to be inhabited by the Fairy, but as a punishment she refuses to help him. The Cat and the Fox catch Pinocchio and cover him with a sheet. As Pinocchio doesn't want to tell them where the coins are hidden, they decide to hang him from a tree. Cat lets go of the rope and Pinocchio seems to die from the fall, but it turns out that the Fairy has saved him by transforming him into the wooden puppet again. He runs to her house to the amazement of the two marauders.
After being seen by two doctors, Pinocchio turns out to be healthy, but they are torn between letting him remain a puppet or deciding whether he deserves to be a child again. The Fairy asks Pinocchio some questions, but as he tells many lies in answer his nose is lengthened until birds begin to settle on it. Finally, the Fairy transforms the puppet into a boy again and promises to reunite him with Geppetto. Pinocchio goes out to retrieve the money he had hidden, but he meets the Cat and the Fox again (to their amusement not realising they were the "assassins"), who manage to convince him to bury the money in the "field of miracles" to multiply it. While Pinocchio runs to get water, the two dig up the coins and run away laughing.
Fourth episode: Finding that he has been tricked, Pinocchio, at the suggestion of a passing farmer, reports the theft to a local judge, who puts him in prison, incredulous of his story. Meanwhile, Geppetto finds Pinocchio's costume at the seaport from which he decides to row a boat in pursuit, convinced that Mangiafoco has kidnapped his child to take him with him to the distant Americas.
Four months later Pinocchio is released from prison and decides to return to the Fairy's house. On the way, he runs into a monster in the form of a smoke-breathing dragon and runs away. After falling into the mud, he discovers that the "monster" was nothing more than a carnival joke of some children, who laugh out loud. Kicking the "monster" down, Pinocchio returns to the place where the Fairy's house should be found, but finds nothing but a tomb, on which it is written that she died of sorrow at being abandoned by Pinocchio. (As he cannot read Pinocchio has to ask a passerby what the inscription says.) After lying on the grave crying for a whole day, Pinocchio places a flower on it and walks until he finds a vineyard. Hungry, he picks a bunch of grapes, but is caught by the farmer, who metes out a cruel punishment, tying him to a chain to take the place of his dead dog Melampo. Pinocchio is freed only after barking one night when thieves attempt to steal the hens. He decides to go in search of his father and learning his name the farmer says he saw Geppetto at the seaport. Pinocchio happily runs to the sea just as Geppetto, having embarked on a rickety dinghy, is about to be overwhelmed by the waves. The two call out to each other from afar a moment before Geppetto and his boat sink. Pinocchio, not wanting to lose him again, throws himself into the sea to save him, but eventually is cast up on a far away beach. Pinocchio, learns from a traveller that his father, if he did not drown, may have been devoured by a sea monster. Crying, he is now convinced that he is left alone in the world. On the beach Pinocchio meets Lucignolo, a truant schoolboy who has run away from home, sought by his mother and the carabinieri who appear in the distance.. Pinocchio tells them he has not seen Lucignolo (who is hiding under an upturned boat smoking a cigar), whom he now follows into a town and becomes an accomplice in a theft of eight donuts. The episode ends as he chases after Lucignolo around the corner of a street.
Fifth episode: Lucignolo has run off to an abandoned storehouse to eat his loot and calls to Pinocchio who is running along the road searching for him. They eat and then sleep. Pinocchio wakes up to discover that he has been left alone by Lucignolo, so he returns to the village, begging for alms from various workers, who answer the same thing: "those who don't work don't eat" and that if he wants to earn a piece of bread, he will at least have to do something for them. Pinocchio is directed to a queue of poor people who are receiving handouts of food and agrees to help a blue-haired woman fill her jug with water and carry her bag home in exchange for a lavish lunch. On the way, Pinocchio realizes that the woman is actually the Fairy and that she has a new dwelling, also on a lake.
Pinocchio tells the Fairy what happened to him and she tells him that Geppetto is still alive and that she will bring him back as soon as the boy learns to behave correctly. Thus, Pinocchio decides to resume his studies seriously, becoming the model pupil of the class within a few months of hard work and study.
The Fairy is now inclined to bring back Geppetto and tells Pinocchio that she will organize a party, to which all his companions and even the teacher are invited, but the day this party is to take place, Lucignolo is returned to school by the carabinieri. Pinocchio, whom the teacher sits next to him, invites him to his party, but the bad boy declines the invitation and gets thrown out of the classroom for mimicking a sheep bleating. Pinocchio, who also gets sent out of class for the same reason, follows Lucignolo, and they both climb over the wall running away to the storehouse where they ate the donuts. Lucignolo explains that he is fed up with adults, who do nothing but force him to do stupid things like studying, so he will flee to a place where children can do whatever they want from morning to evening every day: the Land of Toys. Pinocchio is fascinated by the wonderful promise of this Land of Toys, but as he had worked hard for the school results he has just achieved, decides only to help his friend light a fire to stop the midnight cart that takes children to this fabulous country.
When Pinocchio returns to the lake-house late in the day, the party is over, the Fairy is sleeping and Lumaca ("Snail"), the waitress, will not let him in for several hours, until after Pinocchio has been soaked by rain. As if this is not bad enough, Pinocchio finds all the food has been eaten and is punished for running away from school, by being left only a fake dinner of plaster to eat. Upset, the boy runs away to join Lucignolo to go with him to the Land of Toys. He reaches the wagon, filled with sleeping children, just in time to go with his friend, both riding on the sad donkeys pulling the wagon.
After they arrive and all the children spend a whole day of playing and eating sweets (even if Lucignolo seems bored by the atmosphere, perhaps wanting cigars rather than sweets), all the children fall asleep, unaware of what awaits them the next day, convinced that they will see several promises fulfilled.
Sixth episode: Pinocchio wakes up the next day with donkey ears. Hiding them, Pinocchio finds Lucignolo in the same situation. Realizing the true nature of the Toyland, they try to escape before they turn into donkeys, but they are caught by the wagon-driver owner of the Land of Toys and all the children have now metamorphosed into donkeys. The playground has become a donkey sales market. A buyer is interested in Pinocchio and Lucignolo, but given Lucignolo's stubbornness, only Pinocchio is sold. Much to his regret, he becomes the new attraction of a circus. The equestrian trainer makes him jump and dance during his show but one evening, Pinocchio recognizes the Fairy in the audience, saddened to see him in that state. Surprised by the encounter, Pinocchio falls from the steps of the stand and is severely crippled. Not being able to dance anymore, the circus resells him. A drummer buys him, but first, the Fairy has a last meeting with him: disappointed she renounces her idea of transforming him into the son that Geppetto had always wanted, but decides to make one last miracle to ensure that he reunites with his father.
The drummer intends to throw him into the sea weighed down by rocks to drown him, then skin him and make a new drum with his skin. Thanks to the Fairy, Pinocchio, in the water, returns to being a wooden puppet as before, detaches himself from the rope and then swims out to sea, under the astonished gaze of the drummer. However, Pinocchio is swallowed by a sea monster resembling a whale. Inside, he first encounters a depressed Tuna waiting for his time to be digested, then he finds Geppetto, who has survived with the provisions of ships devoured by the monster.
Father and puppet-son finally find each other and Geppetto tenderly dries Pinocchio before putting him to bed. Not only that: Geppetto, now knowning the whole story, complains to himself about the Fairy causing so much concern and so much trouble, considering himself suitable to educate the boy with kinder methods, finally defining her as more of a witch than a fairy. In response, the Fairy appears to accept her mistake as Pinocchio definitively becomes a child and his soul comes out of the puppet. A boy again, he dances around the monster's belly dressed only in a white shirt and is hugged joyfully by the surprised Geppetto. Against Geppetto's decision to continue living inside the monster (which he considers a comfortable situation), Pinocchio instead tries to convince the carpenter to escape from that damp prison. Geppetto says he cannot swim and Pinocchio is no longer made of wood (and consequently will not float).
Pinocchio, in fact, every night climbs into the mouth of the monster which, having a cold, sleeps with his mouth open, allowing Pinocchio to enjoy the view of the stars. Geppetto, one night, discovers him there and joins him. Pinocchio then tells him that the Tuna has recently managed to escape and is happy to help them in their eventual escape. Geppetto is still reluctant to return to land, but as Pinocchio refuses to leave without him, eventually, Geppetto is convinced and the two get on the back of the Tuna. The next day, the three reach a beach and the Tuna leaves them on the shore. Seeing a house in the distance along the beach, Pinocchio invites Geppetto to run towards it, reassuring him that from now they will be together.

Le avventure di Pinocchio

Le avventure di Pinocchio (1972)

Lee Grant

Shelley Winters

Telly Savalas

Twenty years after their initial war-time visit three U.S. servicemen hold a reunion at an Italian village. They all have fond memories, especially of local girl Carla. But she has been telling each of them that they are the father of her daughter Gia, so they have all been paying well for her upbringing. As this dawns on the threesome old rivalries surface, but times have changed and complications such as wives, middle-age, and the need to protect Gia's future start to surface.—Jeremy Perkins {J-26}

Buona Sera, Mrs. Campbell

Buona Sera, Mrs. Campbell (1968)

Memmo Carotenuto

Saro Urzì

In a small Italian village, Maria De Ritis is engaged to army Lieutenant Pietro Stelluti. Stelluti's superior officer, Marshal Antonio Carotenuto, is contemplating marriage to Annarella Mirziano, but he will be forced to resign if he marries Annarella, since she has an illegitimate child and that is against regulations for army officers. When Stelluti leaves town for a few weeks, the town-gossips create an affair out of the innocent relationship between Maria and Antonio. Stelluti returns and accuses Maria of infidelity, and, she, in reprisal, runs off and joins a traveling theatrical troupe as a dancer. Antonio, after convincing Annarella that he has not betrayed her love, encounters more trouble when the father of Annarella's child shows up and asks that she and the child go away with him. Antonio tells Annarella that it is her decision to make, and she chooses the child's father and leaves with him. Maria arrives back in town, as does an earthquake that destroys her home, but she and Stelluti are reunited.—Les Adams

Frisky

Frisky (1954)

Ada Colangeli

Tina Pica

Marshal Antonio Carotenuto is sent to Sagliena, an imaginary little village in the center of 1950s Italy, to assume his new mandate. In the village he meets Maria (Frisky) AKA 'la Bersagliera', who is secretly in love with a policeman (Carabiniere) reporting to Antonio. But Paoletta, the priest's niece, also loves him. Things become more complicated when Annarella, the midwife, starts demonstrating her love to Antonio. She is hiding a secret and the Marshal soon will be in a predicament.—1felco

Bread, Love and Dreams

Bread, Love and Dreams (1953)

Sandra Dee

Joel Grey

Bobby Darin

Wealthy industrialist Robert Talbot arrives early for his annual vacation at his luxurious Italian villa to find three problems lying in wait for him. Firstly, his long-time girlfriend Lisa Fellini has given up waiting for him to pop the question and has decided to marry another man. Secondly, the major domo of his villa, Maurice Clavell, has turned the estate into a posh hotel to make some easy money while the boss isn't around. And, finally, the current guests of the "hotel" are a group of young American girls trying to fend off a gang of oversexed boys, led by Tony, who are 'laying siege' at the outer walls of the villa. Talbot, to his own surprise, finds himself becoming an overprotective chaperone.—Alfred Jingle

Come September

Come September (1961)

Tony Curtis

Katy Jurado

Burt Lancaster

Mike Ribble was once a great trapeze artist - and the only the sixth to have completed a triple somersault - before his accident. Tino joins the circus, and manages to convince Mike to teach him the 'triple'. Meanwhile Lola, a tumbler, wants to get in on the act.—Colin Tinto

Trapeze

Trapeze (1956)

Sean Connery

Alexander Knox

Ralph Richardson

Extremely wealthy and powerful Charles Richmond usually gets what he wants, and if he doesn't, he prevents others from getting it. Condescending, he seems to relish other people's pain. He treats everyone horribly, especially two of his black servants, brothers Thomas and Fenton who he treats literally worse than dogs. Beyond these issues, his nephew Tony Richmond, his closest living relative who works for the family company and acts as his personal secretary of sorts, hates him because of how he treated both his now deceased parents, Charles who he blames for the death of Tony's father, his own brother. Further, Charles has just revised his will following a terminal illness diagnosis which may kill him tomorrow or several years down the road and which has left him wheelchair-bound, he leaving Tony with a pittance with most of the money going to charity more as a matter of spite. Requiring a constant nurse, Charles sees her physical attractiveness a necessary attribute more than her capabilities as a health care provider. Vetted by him, Tony sees Charles' latest nurse, Maria Marcello, as the perfect person for his plan: to become the next Mrs. Charles Richmond so that he will revise his will leaving all his money to her, Tony and Maria to split the inheritance. While the two of them embark on a secret relationship on the side, Tony figures Maria cannot cut him out of the plan as he is the one who will manipulate the situation for Charles to want to marry her. While Maria realizes that this plan may be for the long haul and that putting up with Charles' abusive behavior will be something difficult to tolerate, the nature of the plan may turn on a dime as is often the case in matters of wealth versus poverty, of right versus wrong, of love versus hate, and of life versus the possibility of imminent death.—Huggo

Woman of Straw

Woman of Straw (1964)

Nicola Esposito

Fulvia De Priamo

Reginald Purdell

Agnes and Ellen Isit, two poor English sisters, unexpectedly inherit from their uncle a rich estate near Naples, complete with big villa and manly Italian majordomo. The latter, Salvatore, makes use of his Latin charm to seduce Agnes, who soon turns from prim spinster to passionate lover. Ellen observes the romance with amusement first, before realizing how less considerate Salvatore becomes after marrying Agnes. Worse, Agnes's health starts deteriorating. Worried about her sister, she contacts Dr. Ben Dench, a family friend.—Guy Bellinger

A Man About the House

A Man About the House (1947)

Ewa Aulin

Jean-Louis Trintignant

Angelo Casadei

A love triangle develops between three people who run a high tech chicken farm. It involves Anna (who owns the farm), her husband Marco (who kills prostitutes in his spare time) and Gabriella (the very beautiful secretary). Marco continues to kill as jealousy becomes more prevalent on the farm.—Count_Fistfuldollars

Death Laid an Egg

Death Laid an Egg (1968)

Peggy Rea

Les Tremayne

Nancy Kulp

In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry, but soon find that they disagree on everything; shortly afterward they separate. Seven years later, on the night before their divorce becomes final, they meet again; sparks are reignited and they spend the night together. Reality sets in when morning comes and they begin arguing again. Divorce proceedings are on again--until Carter finds out that an important promotion hinges on whether he's married. He schemes to win back Toni and eventually succeeds. But can he keep her from destroying his career by posing as Lady Godiva in a protest movement?

Strange Bedfellows

Strange Bedfellows (1965)

Peter Lorre

Peter Sellers

Jennifer Jones

A quartet of international crooks (Peterson, O'Hara, Ross, and Ravello) are stranded in Italy while their steamer is being repaired. With them are the an English couple, the Dannreuthers. The six are headed for Africa, presumably to sell vacuum cleaners but all is not as it seems. They are joined by others who apparently have similar designs.—Ed Stephan

Beat the Devil

Beat the Devil (1953)

Lee Van Cleef

James Mason

Ricardo Palacios

After Roy King's gang robs a train, the men split the loot and part ways. Unfortunately for Roy, he meets and falls in-love with beautiful temptress Alicia who agrees to marry him. However, she manages to double-cross Roy and run away with his loot. Roy escapes from his predicament and re-unites with his gang. At the Mexican border, Roy catches-up with Alicia who married yet another man, river-boat casino owner Francisco Montero. Roy is hungry for Alicia, for money and for revenge. Alicia convinces Roy and Montero to join forces and follow her into Mexico where a Revolutionary leader is offering one million dollars to any mercenary who can destroy a federal Mexican Army arsenal. Of course, Roy and Montero agree with Alicia's plan. They all head to Mexico, willing to risk their lives for one million dollars. Once arrived at their destination, the unlikely partners find that the Revolutionary leader is a bit loco and the task more difficult than imagined. The million dollar reward is real alright but crosses and double-crosses ensue.—nufs68

Bad Man's River

Bad Man's River (1971)

Velislav Pavlov

Antoaneta Yordanova

George Zlatarev

Box Office 3D: The Filmest of Films

Box Office 3D: The Filmest of Films (2011)

Julio Peña

George Sanders

Laurence Naismith

Shortly before his death in ancient Israel King David has a vision from God telling him that his younger son Solomon should succeed him as king. His other son Adonijah is unhappy and vows to attain the throne. Meanwhile the Egyptian Pharoah agrees to cede a Red Sea port to the Queen of Sheba if she can find a way to destroy Solomon, whose wisdom and benevolent rule is seen as a threat to more tyrannical monarchs in the region. Sheba, Pharoah, Adonijah, the leaders of the Twelve Tribes and his own God make life difficult for Solomon who is tempted by Sheba to stray.—Ron Kerrigan

Solomon and Sheba

Solomon and Sheba (1959)

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