Gloria Grahame

Shailar Coby

Billy Chapin

Sterling Hayden

In a California city, Lt. Fred Parks interrogates drunken baker Albert Willis about his possible connection to the recent east-side robberies. After repeatedly stating that he is innocent, Willis finally erupts in anger and punches Parks, who hits him back. Chief Joseph E. Conroy enters just in time to hear Willis threaten revenge, but is compelled to release him after he reads that councilman Edgar Goodwin is calling for an investigation of police brutality. Willis returns to his wife Helen, but slips out again that night, and hours later, Parks is shot at a police call box. Joe takes on the case, and immediately suspects Willis, but has only the fatal bullets from a Mauser pistol as evidence. When the police try again to arrest Willis, the baker runs away, falling on his head during the chase. Again, he swears he is innocent, and after his lawyer, wife and Goodwin hear about Willis' head injuries, they put pressure on Joe. Joe is forced to let Willis go, but instructs his men to follow him. That evening the baker slips into a church and disappears. Hours later, two more officers are killed, and this time Joe arrests Willis himself. When Willis provokes another fight, however, the altercation is witnessed by a reporter, and Joe is soon fired for brutality and labeled unbalanced. Undaunted, he asks his friend, private detective Matt Matthews, to help tail Willis. Over the next days, Willis grows more disturbed by the shadows following him, finally telling Helen that he must leave town to clear his head. He heads to Border City on the Mexican border with Joe close behind, and there watches his girl friend Marianna sing at a bar. Marianna knows nothing of Willis' other life, and accepts his rough treatment because she loves him deeply. That night, Joe shows Willis' photo around town, and is duped by a shyster, who with two other henchmen stab and rob him and leave him for dead. The next morning, you shoeshine boy Petey finds Joe and, along with his uncle Charlie, minister to him in their apartment. Marianna, who lives upstairs from Petey, helps them, pocketing Joe's newspaper clipping photo of Willis, which is captioned with the question "Killer or family man?" Later, at Willis' party, Marianna asks him to marry her, but he refuses. Marianna is then horrified to witness Willis throwing a waiter over an indoor balcony. She heads for home, followed by Willis, and while Joe watches from the window, Willis grabs her roughly and threatens her. Marianna runs inside, where she attempts to extract information out of Joe about Willis by flirting with him. He tells her nothing, however, and in retaliation, she puts sleeping powder in his coffee. When she leaves, Joe follows, not realizing he has been drugged. He hides in the alley behind the bar, where he hears Willis threaten Marianna once again, and attracts Willis' attention briefly when he stumbles as he leaves. In the morning, Joe readies to go, stopping only to say goodbye to Marianna, who tells him quietly that she has made a big mistake. Meanwhile, Willis begins to believe that Marianna has a lover and jealously storms into her dressing room. When she admits she knows he is married, Willis realizes that she's spoken to Joe and beats up Marianna. She runs to Joe's hotel room to warn him, and, seeing her bruises, Joe explains that he must prove Willis guilty in order to clear his own reputation. He shows her a telegram that reveals Willis' participation in a local hijacking ring. When Joe steps outside to bring the telegram to the police, Willis and his goons ambush them and bring them to the bar. Willis first tries to force Marianna to kiss Joe, then plans with his goons to create a ruckus and kill them. Joe, meanwhile, learns from Marianna that Willis never attends church, and deduces that Willis must have entered church only to hide the gun. Just then, the goons start a fight and the bar erupts in confusion, allowing Joe and Marianna to race out the back door. Willis follows, and in the back alley, Joe knocks him out and drags him into his car which Marianna has retrieved. The goons see the car and report the "kidnapping" to the police. In order to return to his home city to find the gun that will prove Willis' culpability, Joe and Marianna abandon his car and force Willis into the back of a truck, but as soon as they reach Joe's hometown, Willis manages to escape. Knowing he will run to the church, Joe tries to follow him, but is arrested along the way. Marianna goes to the church, where Willis has retrieved his gun and takes Marianna hostage. When Joe arrives with the policemen, Willis drags Marianna into his bakery and onto the rooftop. A chase ensues, during which Willis shoots Marianna and is then shot in an exchange of gunfire with the police and falls to the ground. Joe takes Marianna in his arms, and she whispers that they should have met sooner. He then carries her dead body downstairs to the ambulance, and walks alone down the dark city street into the park.

Naked Alibi

Naked Alibi (1954)

John Dehner

Richard Boone

Terry Moore

In 1950s Czechoslovakia circus manager Karel Cernik is planning an escape from Communism to freedom.His idea is to force his way across the guarded border using his entire circus.Three years in the making his idea is ready to be tested when he's suddenly summoned to a Secret Police routine questioning about his circus' program.To Cernik it's clear that he has an informer among his staff who reports his activities and private talks to the Secret Police. The Americans are just across the river in a nearby border village but Cernik needs a special permit from the Secret Police allowing his circus freedom of movement in the border areas to perform his shows.This hard to get permit is vital to his escape plan.To make matters worse his wife is being unfaithful, his daughter has fallen in love with the new stables boy,his circus is falling apart and his longtime rival, Barovik, wants to take over Cernik's circus.—nufs68

Man on a Tightrope

Man on a Tightrope (1953)

Lauren Bacall

Alvin Greenman

Fay Wray

At an exclusive psychiatric clinic, the doctors and staff are about as crazy as the patients. The clinic head, Dr. Stewart McIver, thinks that it would be good therapy for his patients to design and make new drapes for the library. Mrs. Karen McIver, who is neglected by her hardworking husband (and a bit unbalanced herself), wants to make her mark on the clinic, so she orders new drapes. Miss Inch, the business manager, who has been with the clinic longer than anyone, sees this as an intrusion into her territory, and she too orders drapes. All this puts everyone in a dither, as they fight over drapes and clinic politics.—John Oswalt

The Cobweb

The Cobweb (1955)

Dean Stockwell

Scott Brady

Todd Susman

On his motorcycle Stein, a half-blood Indian, tries to stay out of the hands of the police, who are chasing him for accidentally killing a cop. Together with his friend Alan and a beautiful but desperate girl Stein will get involved in a robbery and more death. The police intensify the search, but the three won't give up that easily...

The Loners

The Loners (1972)

Frank Sinatra

Peter Lawford

Bill Hickman

Danny has been in the army for four years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he finds that Brooklyn is not so nice after all. He is able to share a place with Nick, the janitor of his old high school and get a job as a singer in a music store. He also meets Leo, a talented pianist, and his teacher Anne, whose dream is to sing Opera. When Jamie arrives from England, Danny tries to show him the Brooklyn experience and help him compose modern swing music. Together, these four also try to help Leo get the Brooklyn Music Scholarship.

It Happened in Brooklyn

It Happened in Brooklyn (1947)

Vic Tayback

Richard Basehart

Lance Henriksen

An insane surgeon finds himself up to his armpits in eyeballs after guilt prompts him to begin removing the eyes of abducted people in hopes of performing transplants on his daughter who lost her own in a car-accident he caused. —Ørnås

Mansion of the Doomed

Mansion of the Doomed (1976)

John Carradine

Jery Hewitt

Gothic mystery writer Lauren Cochran leaves New York to move into an eerie Victorian mansion, once a brothel haunted by the ghost of a madam Florinda Costello. The ex-brothel is the scene of several gore killings, witnessed by Lauren. With John Carradine. —alfiehitchie

The Nesting

The Nesting (1981)

Robert Mitchum

Robert Ryan

Robert Young

Homicide Capt. Finlay finds evidence that one or more of a group of demobilized soldiers is involved in the death of Joseph Samuels. In flashbacks, we see the night's events from different viewpoints as army Sgt. Keeley investigates on his own, trying to clear Mitchell, to whom circumstantial evidence points. Then the real, ugly motive for the killing begins to dawn on both Finlay and Keeley.

Crossfire

Crossfire (1947)

James Stewart

Charlton Heston

Beverly Washburn

To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground. Subplots involve the secret past of Buttons the Clown and the efforts of racketeers to move in on the game concessions. Let the show begin!

The Greatest Show on Earth

The Greatest Show on Earth (1952)

Cyril Cusack

Peter Sellers

Michael Hordern

British Intelligence during World War II is trying to get the German High Command to shift its forces away from Italy prior to the invasion. To create the illusion that Britain is in fact planning to invade Greece, they plan to procure a dead body, plant secret papers on it, and arrange for the Spanish authorities to find it and send the papers on to the Germans. That's the plan, anyway. First they have to find a body that will look drowned, then create an identity for it that will pass German scrutiny. Based on a true story.

The Man Who Never Was

The Man Who Never Was (1956)

Sondra Currie

Paul Lambert

Mama loves men, but she loves money even more. She's trained her three teenage daughters to meet, marry and murder men for their money. But soon they meet Harold and he's got other plans.

Mama's Dirty Girls

Mama's Dirty Girls (1974)

Joan Collins

Margaret Leighton

Patricia Owens

Three good men - a broken boxer, an American veteran trying to win back his mother-dominated wife, and an Air Force Sergeant married to a faithless actress - are corrupted by Miles "Rave" Ravenscourt (Laurence Harvey), an amoral "gentleman". Because they need money, they let Miles lure them into his scheme to rob a postal van with a large cash cargo.

The Good Die Young

The Good Die Young (1954)

Katharine Hepburn

Lucille Ball

Patricia Morison

In WWII Pat Jamieson is a scientist working, with Government support, on a high-altitude oxygen mask for fighter pilots. But he has nowhere to conduct his research in secret until he meets Jamie Rowan, a woman with an unused house with a scientist's basement. Jamie has no hopes of marrying for love (and neither does Pat) but Jamie wants to help the war effort and she likes this quirky scientist and his dog, so to satisfy the proprieties they agree on a business arrangement: a marriage of convenience and partnership. They happily work on oxygen mixes instead of honeymooning. But as the footing of their relationship begins warm up, Jamie is courted by another man and the old flame that broke Pat's heart is back in his life. It will take a sleepwalking ruse, dodging in and out of doors, and a working oxygen mask to get them together again. —Kathy Li

Without Love

Without Love (1945)

James Arness

Humphrey Bogart

Martha Stewart

Screenwriter Dixon Steele, faced with the odious task of scripting a trashy bestseller, has hat-check girl Mildred Atkinson tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humor tell against him. Fortunately, lovely neighbor Laurel Gray gives him an alibi. Laurel proves to be just what Steele needed, and their friendship ripens into love. Will suspicion, doubt, and Steele's inner demons come between them?

In a Lonely Place

In a Lonely Place (1950)

John Glover

Mary Steenburgen

Michael J. Pollard

This movie tells the possibly true story of Melvin E. Dummar. Melvin is a nice guy, but he is a total loser: unlucky, impractical and can't keep a job. One night, however, he helps an old man who has had a motorcycle accident in the desert. Melvin laughs when the old man says he is Howard Hughes, the eccentric multimillionaire. But when Howard Hughes dies, Melvin is mailed a will leaving him part of the estate!

Melvin and Howard

Melvin and Howard (1980)

Kirk Douglas

Dick Powell

Steve Forrest

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers. —alfiehitchie

The Bad and the Beautiful

The Bad and the Beautiful (1952)

Bruce Bennett

Joan Crawford

Amzie Strickland

Actor Lester Blaine has all but landed the lead in Myra Hudson's new play when Myra vetoes him because, to her, he doesn't look like a "romantic leading man." On a train from New York to San Francisco, Blaine sets out to prove Myra wrong...by romancing her. Is he sincere, or does he have a dark ulterior motive? The answer brings on a game of cat and mouse; but who's the cat and who's the mouse? —Rod Crawford

Sudden Fear

Sudden Fear (1952)

Zohra Lampert

Kim Hamilton

Shelley Winters

Dave Burke is looking to hire two men to assist him in a bank raid: Earle Slater, a white ex-convict, and Johnny Ingram, a black gambler. Both are reluctant; but Burke arranges for Ingram's creditors to put pressure on him, while Slater feels humiliated by his failure to provide for his girlfriend; they eventually accept. But Slater loathes and despises blacks, and the tensions in the gang rapidly mount.

Odds Against Tomorrow

Odds Against Tomorrow (1959)

Glenn Ford

Edgar Buchanan

Broderick Crawford

Jeff Warren, a Korean War vet just returning to his railroad engineer's job, boards at the home of co-worker Alec Simmons and is charmed by Alec's beautiful daughter. Vicki Buckley is the sultry wife of brutish railroad supervisor Carl Buckley, an alcoholic wife beater with a hair trigger temper and penchant for explosive violence. After Buckley is fired for insubordination, he begs Vicki to intercede on his behalf with John Owens, a rich and powerful businessman who Vicki's mother used to keep house for, and whose influence can get him reinstated. When Buckley suspects she has used sexual favors to persuade Owens, he beats Vicki and develops a plan to meet Owen on the train and stabs him to death in a jealous rage in a his compartment. Jeff, who is deadheading after a trip, is on the train and meets Vicki without knowing who she is when Buckley needs her to get him out of the way so he can get back to their compartment without being seen as he is covered in blood. Jeff is a potential witness to the homicide, and becomes an accessory after the fact due to his attraction for Vicki. Jeff and Vicki begin an affair while Vicki plots to get away from her abusive husband and recover the evidence that links her to the murder. —duke1029

Human Desire

Human Desire (1954)

Carolyn Jones

Peter Whitney

Jocelyn Brando

Dave Bannion is an upright cop on the trail of a vicious gang he suspects holds power over the police force. Bannion is tipped off after a colleague's suicide and his fellow officers' suspicious silence lead him to believe that they are on the gangsters' payroll. When a bomb meant for him kills his wife instead, Bannion becomes a furious force of vengeance and justice, aided along the way by the gangster's spurned girlfriend Debby. As Bannion and Debby fall further and further into the Gangland's insidious and brutal trap, they must use any means necessary (including murder) to get to the truth. —alfiehitchie

Gangsterikuningas

Gangsterikuningas (1953)

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