Gloria Grahame

Shailar Coby

Billy Chapin

Gene Barry

Questioned as a murder suspect, solid (but drunk) citizen Al Willis attacks his police questioners, is beaten, and swears vengeance against them. Next night, Lieut. Parks is murdered; Willis is the only suspect in the eyes of tough Chief Conroy, who pursues him doggedly despite lack of evidence. The obsessed Conroy is dismissed from the force, but continues to harass Willis, who flees to a sleazy town on the Mexican border. Of course, Conroy follows. But which is crazy, Conroy or Willis?—Rod Crawford

Naked Alibi

Naked Alibi (1954)

John Dehner

Cameron Mitchell

Fess Parker

In 1950s Czechoslovakia circus manager Karel Cernik is planning an escape from Communism to freedom.His idea is to force his way across the guarded border using his entire circus.Three years in the making his idea is ready to be tested when he's suddenly summoned to a Secret Police routine questioning about his circus' program.To Cernik it's clear that he has an informer among his staff who reports his activities and private talks to the Secret Police. The Americans are just across the river in a nearby border village but Cernik needs a special permit from the Secret Police allowing his circus freedom of movement in the border areas to perform his shows.This hard to get permit is vital to his escape plan.To make matters worse his wife is being unfaithful, his daughter has fallen in love with the new stables boy,his circus is falling apart and his longtime rival, Barovik, wants to take over Cernik's circus.—nufs68

Man on a Tightrope

Man on a Tightrope (1953)

Susan Strasberg

Fay Wray

Alvin Greenman

At an exclusive psychiatric clinic, the doctors and staff are about as crazy as the patients. The clinic head, Dr. Stewart McIver, thinks that it would be good therapy for his patients to design and make new drapes for the library. Mrs. Karen McIver, who is neglected by her hardworking husband (and a bit unbalanced herself), wants to make her mark on the clinic, so she orders new drapes. Miss Inch, the business manager, who has been with the clinic longer than anyone, sees this as an intrusion into her territory, and she too orders drapes. All this puts everyone in a dither, as they fight over drapes and clinic politics.—John Oswalt

The Cobweb

The Cobweb (1955)

Robert J. Anderson

Todd Karns

Virginia Patton

George Bailey has spent his entire life giving of himself to the people of Bedford Falls. He has always longed to travel but never had the opportunity in order to prevent rich skinflint Mr. Potter from taking over the entire town. All that prevents him from doing so is George's modest building and loan company, which was founded by his generous father. But on Christmas Eve, George's Uncle Billy loses the business's $8,000 while intending to deposit it in the bank. Mr. Potter finds the misplaced money and hides it from Uncle Billy. When the bank examiner discovers the shortage later that night, George realizes that he will be held responsible and sent to jail and the company will collapse, finally allowing Mr. Potter to take over the town. Thinking of his wife, Mary, their four children, and others he loves will be better off with him dead, he contemplates suicide. But the prayers of his loved ones result in his guardian angel named Clarence Odbody coming to Earth to help him, with the promise of earning his wings. He shows him what things would have been like if he had never been born.—alfiehitchie

It's a Wonderful Life

It's a Wonderful Life (1946)

Dean Stockwell

Todd Susman

Scott Brady

On his motorcycle Stein, a half-blood Indian, tries to stay out of the hands of the police, who are chasing him for accidentally killing a cop. Together with his friend Alan and a beautiful but desperate girl Stein will get involved in a robbery and more death. The police intensify the search, but the three won't give up that easily...—Anonymous

The Loners

The Loners (1972)

Frank Sinatra

Kathryn Grayson

Peter Lawford

Danny has been in the army for four years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he finds that Brooklyn is not so nice after all. He is able to share a place with Nick, the janitor of his old high school and get a job as a singer in a music store. He also meets Leo, a talented pianist, and his teacher Anne, whose dream is to sing opera. After Jamie arrives from England, Danny tries to show him the Brooklyn experience and help him compose modern swing music. Together, these four also try to help Leo get the Brooklyn Music Scholarship.—Tony Fontana

It Happened in Brooklyn

It Happened in Brooklyn (1947)

William Powell

Myrna Loy

Marie Windsor

Nick and Nora Charles are asked by Phil Brant and Janet Thayar, who have just eloped, to help them after band leader Tommy Drake is killed at a society dance which Nick and Nora also attended. The police are looking to arrest Brant for the murder and while he claims he's innocent, Nick isn't too keen on having him in the house and turns him over to the police. As they look into the case, Nick and Nora learn that Drake wasn't very well liked and there are actually several people who benefited from his death. Drake owed money to loan shark Al Amboy, and Janet's father disliked Brant and may have set him up. Drake's girlfriend may have been having a fling with clarinetist Buddy Hollis, and he and Drake had a fist fight on stage during the festivities. Nick arranges for another party on the same boat where Nora notices something quite peculiar about one of the guest's jewelry.—garykmcd

Song of the Thin Man

Song of the Thin Man (1947)

Lance Henriksen

Arthur Space

Richard Basehart

Burdened with insufferable guilt, renowned Los Angeles ophthalmologist Dr Leonard Chaney becomes obsessed with restoring the eyesight of his only daughter Nancy after surviving a nearly fatal car crash. But with time running out, Dr Chaney has no other choice but to resort to a radical, groundbreaking approach to see results. Now, all that Chaney needs is a willing and compatible donor. However, second chances are hard to come by, and Dr Leonard's dark basement is a painful reminder of his unethical, brutal human experimentation. What horrible secrets lie behind the closed doors of the Mansion of the Doomed?—Nick Riganas

Mansion of the Doomed

Mansion of the Doomed (1976)

Kenneth McMillan

John Heard

Peter Riegert

Working for the Utah state government as a report writer, Charles Richardson reminisces about his past love affair with Laura Connolly, with who he was immediately attracted upon first sight when she worked in the file section of his office. Their relationship was despite Laura then being married to ex-football player Jim, nicknamed Ox, he bringing an adolescent daughter, Rebecca, into their blended family. When she and Charlie met, Laura was already on a trial separation from Ox, which always tainted Laura and Charlie's relationship in her sense of guilt as Ox never did anything bad to precipitate that separation. Charlie can't help but think about Laura as he is still in love with her and wants to get back together with her, their relationship which ended when she returned to Ox, who never knew about Charlie in her life. Charlie's thoughts about Laura are only one complication in his life, those other complicating people being: his perpetually "glass-half-full" sister Susan, who shares the house he inherited from their grandmother; his longtime best friend Sam Maguire, a men's garment salesman who is even less motivated with work than Charlie; his mother Clara, whose eccentricities and suicidal tendencies may solely be a cry for attention; Clara's current husband Pete, who wants a bromance with Charlie despite knowing Charlie doesn't much like him; his boss, Mr. Patterson, who continually uses him as a guidance counselor in issues related to his teenage son; and his typist Betty, who is attracted to Charlie herself not knowing about his and Laura's past relationship, and who Charlie consciously and unconsciously uses in knowing she still is in touch with Laura.—Huggo

Chilly Scenes of Winter

Chilly Scenes of Winter (1979)

Irene Tedrow

King Donovan

Charles Bickford

Intern Lucas Marsh is intent upon becoming not just a successful doctor but a first-class one. He courts and marries the warm-hearted Kristina, not out of love but because she is highly knowledgeable in the skills of the operating room, and because she has frugally put aside her savings through the years. He shrewdly knows that she will be a supportive wife in every way. She helps make him the success he wants to be and cheerfully moves with him to the small town in which he starts his practice. But as much as he tries to be a good husband to the undemanding Kristina, Marsh easily falls into the arms of a local siren and the patience of long-sorrowing Kristina wears thin. She reasons he no longer needs her and asks for a divorce. A calamity now brings Marsh to his senses. Dr. Runkleman, Marsh's gruff and wise employer, is stricken with a heart attack and requires emergency surgery. Marsh is forced to operate.—alfiehitchie

Not as a Stranger

Not as a Stranger (1955)

John Carradine

Jery Hewitt

Bill Rowley

Gothic mystery writer Lauren Cochran leaves New York to move into an eerie Victorian mansion, once a brothel haunted by the ghost of a madam Florinda Costello. The ex-brothel is the scene of several gore killings, witnessed by Lauren. With John Carradine.—alfiehitchie

The Nesting

The Nesting (1981)

Steve Brodie

Lex Barker

Robert Mitchum

Homicide Capt. Finlay finds evidence that one or more of a group of demobilized soldiers is involved in the death of Joseph Samuels. In flashbacks, we see the night's events from different viewpoints as army Sgt. Keeley investigates on his own, trying to clear Mitchell, to whom circumstantial evidence points. Then the real, ugly motive for the killing begins to dawn on both Finlay and Keeley.—Rod Crawford

Crossfire

Crossfire (1947)

Edmond O'Brien

Cornel Wilde

Charlton Heston

To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground. Subplots involve the secret past of Buttons the Clown and the efforts of racketeers to move in on the game concessions. Let the show begin!—Rod Crawford

The Greatest Show on Earth

The Greatest Show on Earth (1952)

Peter Sellers

Laurence Naismith

Clifton Webb

British Intelligence during World War II is trying to get the German High Command to shift its forces away from Italy prior to the invasion. To create the illusion that Britain is in fact planning to invade Greece, they plan to procure a dead body, plant secret papers on it, and arrange for the Spanish authorities to find it and send the papers on to the Germans. That's the plan, anyway. First they have to find a body that will look drowned, then create an identity for it that will pass German scrutiny. Based on a true story.—John Vogel

The Man Who Never Was

The Man Who Never Was (1956)

Sondra Currie

Candice Rialson

Christopher Lofton

Mama loves men, but she loves money even more. She's trained her three teenage daughters to meet, marry, and murder men for their money. But soon they meet Harold and he's got other plans.

Mama's Dirty Girls

Mama's Dirty Girls (1974)

Joan Collins

Sandra Dorne

John Ireland

Three good men - a broken boxer, an American veteran trying to win back his mother-dominated wife, and an Air Force Sergeant married to a faithless actress - are corrupted by Miles "Rave" Ravenscourt (Laurence Harvey), an amoral "gentleman". Because they need money, they let Miles lure them into his scheme to rob a postal van with a large cash cargo.—Mike Rogers

The Good Die Young

The Good Die Young (1954)

Hazel Brooks

Patricia Morison

Lucille Ball

In WWII Pat Jamieson is a scientist working, with Government support, on a high-altitude oxygen mask for fighter pilots. But he has nowhere to conduct his research in secret until he meets Jamie Rowan, a woman with an unused house with a scientist's basement. Jamie has no hopes of marrying for love (and neither does Pat) but Jamie wants to help the war effort and she likes this quirky scientist and his dog, so to satisfy the proprieties they agree on a business arrangement: a marriage of convenience and partnership. They happily work on oxygen mixes instead of honeymooning. But as the footing of their relationship begins warm up, Jamie is courted by another man and the old flame that broke Pat's heart is back in his life. It will take a sleepwalking ruse, dodging in and out of doors, and a working oxygen mask to get them together again.—Kathy Li

Without Love

Without Love (1945)

James Arness

John Mitchum

June Vincent

Screenwriter Dixon Steele, faced with the odious task of scripting a trashy bestseller, has hat-check girl Mildred Atkinson tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humor tell against him. Fortunately, lovely neighbor Laurel Gray gives him an alibi. Laurel proves to be just what Steele needed, and their friendship ripens into love. Will suspicion, doubt, and Steele's inner demons come between them?—Rod Crawford

In a Lonely Place

In a Lonely Place (1950)

Joe Spinell

Robert Ridgely

John Glover

This movie tells the possibly true story of Melvin E. Dummar. Melvin is a nice guy, but he is a total loser: unlucky, impractical and can't keep a job. One night, however, he helps an old man who has had a motorcycle accident in the desert. Melvin laughs when the old man says he is Howard Hughes, the eccentric multimillionaire. But when Howard Hughes dies, Melvin is mailed a will leaving him part of the estate!—Reid Gagle

Melvin and Howard

Melvin and Howard (1980)

Walter Pidgeon

Ned Glass

Kirk Douglas

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers.—alfiehitchie

The Bad and the Beautiful

The Bad and the Beautiful (1952)

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