Marlon Brando

Ingrid Bergman

Lauren Bacall

Humphrey Bogart

Bogart: Life Comes in Flashes

Bogart: Life Comes in Flashes (2024)

Leslie Howard

Cecil Kellaway

Ann E. Todd

Intermezzo

Intermezzo (1939)

Orson Welles

Charles Gray

Laurence Harvey

Orson Welles: The One-Man Band

Orson Welles: The One-Man Band (1995)

Fay Wray

June Lockhart

Susan Hayward

Adam Had Four Sons

Adam Had Four Sons (1941)

Klaus Kinski

Right under the nose of her prominent German scientist husband, Professor Albert Wagner, Irene has been having an intense extramarital affair with ambitious nobody Erich Baumann. But little by little, as guilt and fear creep up on her, months of endless fabrications take a toll on her clandestine relationship; unable to keep living a lie, Irene decides that she wants out. Nevertheless, the unscrupulous, opportunistic, insolent redhead, Johanna Schultze, has other plans for Irene: she is bent on destroying her perfect marriage unless she pays her in cash to keep her mouth shut. There is no turning back, and Irene finds herself caught between a rock and a hard place. Can Irene afford to give in to fear?—Nick Riganas

Fear

Fear (1954)

Barry Foster

Tiffany Brissette

Leonard Nimoy

A Woman Called Golda

A Woman Called Golda (1982)

Young Kerstin Norbäck lives in a small town. She has a relationship with a sailor, but when she tries to leave him, he shoots her. She survives and begins a new life in Stockholm. There she meets kind people and new friends but the newspapers find her and start to write about her.—Mattias Thuresson

June Night

June Night (1940)

Martin Scorsese

Woody Allen

Lars von Trier

Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.

...But Film is My Mistress

...But Film is My Mistress (2010)

Lana Turner

Spencer Tracy

C. Aubrey Smith

Dr. Jekyll believes good and evil exist in everyone. Experiments reveal his evil side, named Hyde. Experience teaches him how evil Hyde can be: he pursues Ivy who earlier expressed interest in Jekyll and Sir Charles, Jekyll's fiancée's father.

Dr. Jekyll and Mr. Hyde

Dr. Jekyll and Mr. Hyde (1941)

Ingrid Bergman talks about Swedish Americans.

Swedes in America

Swedes in America (1943)

The world-famous violinist Holger Brandt comes back to his family after a tour. He and his wife have been married for many years, but their love has gone. Their young daughter gets a new piano teacher, Anita Hoffman. Mr. Brandt fall in love with her and together they go on a world tour. But he soon discovers that the feelings for his wife that he thought were dead return.

Intermezzo (1936)

Mel Ferrer

Polish countess Elena falls in love to a French radical party's candidate, a general, in pre-World War I Paris, but another officer pines for her. —Stephan Eichenberg

Elena and Her Men

Elena and Her Men (1956)

Cary Grant

Anna Kalman is a London based actress. She has been unable to find love in her life. The reason why she came home early from a vacation to Majorca fits into that theme, as the man she met there and was initially attracted to ended up not being who she thought he was as a man. Upon her arrival home, she meets the suave Philip Adams, a financier who is a work acquaintance of her brother-in-law, diplomat Alfred Munson. Philip initially states that there is no Mrs. Adams in his life. But when Anna later asks him out, he clarifies that statement in that there is no Mrs. Adams in London, as she is at home in San Francisco. Regardless, Anna decides still to ask him on the date she had intended to the ballet. He accepts, letting her know that whatever happens between the two of them that he will never be able to leave his wife. As time goes on, the two fall in love, their happiness which can only be sustained as long as Philip has his Paris-based contract with NATO. So when Philip announces that he is being transferred to New York for five months, Anna comes to the realization that she truly cannot live without him and wants to marry him. Shortly thereafter, Anna learns something about Philip's background, which not only threatens their relationship, but leads to a night that Anna wants to give him that he will never forget, and not in a good way. But the best laid plans may have a bumpy road to being executed effectively... —Huggo

Hätävalhe

Hätävalhe (1958)

Living in an Italian refugee camp in 1948, the beautiful Karin meets Antonio, a resident of the men's camp. Though not in love with him, Karin marries him and they soon head for his home village, Stromboli. The village is on a remote island at the foot of an active volcano. When they arrive Karin despairs of the barren land and the absence of people, as many have left, mostly for the United States. She doesn't speak the local dialect and is treated with disdain by locals who see her as an exotic foreigner and a loose woman. After Antonio beats her and locks her in their house, she sets off across the mountains to seek her freedom and a better future.

Stromboli

Stromboli (1950)

Ingmar Bergman

John Huston

Federico Fellini

A collection of radio and television interviews with director Federico Fellini, recorded from February 1952, up to 1967, as he worked on the never-completed film "The Journey of Mastorna."

Federico Fellinin leikekirja

Federico Fellinin leikekirja (2000)

Lena Bergström works in an office and is unhappily in love with her boss, Johan Borg. She decides to quit. Borg's wife won't have any children, and when she becomes pregnant she has an illegal abortion. For some reason, Lena's father believes that it is Lena who has had an abortion.

Walpurgis Night

Walpurgis Night (1935)

In one of the narrow streets of the Old town of Stockholm lies hotel City. It's inhabited by mysterious characters such as 'Greven', 'Blomman' and others. The police inspector Göransson is chasing a jewel thief, 'Diamond-Lasse'. —Mattias Thuresson

The Count of the Old Town

The Count of the Old Town (1935)

Alfred Hitchcock

Gregory Peck

Rhonda Fleming

Dr. Constance Petersen (Ingrid Bergman) is a psychiatrist at Green Manors mental asylum. The head of Green Manors has just been replaced, with his replacement being the renowned Dr. Anthony Edwardes (Gregory Peck). Romance blossoms between Dr. Petersen and Dr. Edwards, but Dr. Edwards starts to show odd aversions and personality traits... —grantss

Spellbound

Spellbound (1945)

Robert Donat

Curd Jürgens

Tsai Chin

All her life Englishwoman Gladys Aylward knew that China was the place where she belonged. Not qualified to be sent there as a missionary, Gladys works as a domestic to earn the money to send herself to a poor, remote village. There she eventually lives a full and happy life: running the inn, acting as "foot inspector", advising the local Mandarin. and even winning the heart of mixed-race Captain Lin Nan. But Gladys discovers her real destiny when the country is invaded by Japan and the Chinese children need her to save their lives.

The Inn of the Sixth Happiness

The Inn of the Sixth Happiness (1958)

Shirley MacLaine

Alain Delon

Omar Sharif

Three stories about the lives and loves of those who own a certain yellow Rolls-Royce: **First purchased by Lord Charles Frinton - The Marquess of Frinton (Sir Rex Harrison) for his wife as a belated anniversary present. Lady Eloise Frinton - The Marchioness of Frinton (Jeanne Moreau) finds her own use for the vehicle, one which prompts her husband to sell the car in disgust. **Gangster Paolo Maltese's (George C. Scott's) moll, Mae Jenkins (Shirley MacLaine), thinks the Rolls is a "classy" car in which to tour Paolo's home town in Italy. When Paolo is called away to the U.S. to finish some "business", a bored Mae takes the Rolls-Royce on a spin through the country, enjoying both the sights and handsome Italian photographer Stefano (Alain Delon), who crosses her path. **By the outbreak of World War II, the car has come into the possession of socialite Gerda Millett (Ingrid Bergman). While on her way to visit Yugoslavian royalty, Gerda and the Rolls-Royce become (at first) unwitting and...

The Yellow Rolls-Royce

The Yellow Rolls-Royce (1964)

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