Yves Montand

Geneviève Bujold

Michel Piccoli

Ingrid Thulin

The War Is Over

The War Is Over (1966)

Barbara Bach

Mario Adorf

Veriano Ginesi

Greg Moore, an American journalist, who is visiting Prague with his girlfriend, is found dead. However, he's actually only temporarily paralyzed, but the coroner fails to realize this, and proceeds to prepare him for autopsy. While Moore awaits his doom, he tries to recollect what has happened to him. It all starts when his girlfriend disappears. He asks his friend, a local journalist, for help. They discover that this was just the latest in a series of disappearances of young pretty girls in the area. Their investigation leads them to a strange high profile private club, whose affluent members practice odd ritualistic orgies and bizarre dark rites.

Short Night of Glass Dolls

Short Night of Glass Dolls (1971)

Mai Zetterling

Harriet Andersson

Bibi Andersson

A documentary on the theater and film of Swedish actress and director Mai Zettering, whose career took her to Britain ,Hollywood and France.

Vielleicht bin ich wirklich eine Zauberin

Vielleicht bin ich wirklich eine Zauberin (1989)

Samantha Eggar

Maximilian Schell

Vernon Dobtcheff

Stanislaus Pilgrin, a Polish chess master and handsome gigolo, marries wealthy Jewish widow Dr. Michele Wolf, an X-ray technician, has an affair with her stepdaughter Fabienne, then plots to murder them both in a scheme in which he will inherit their money.—alfiehitchie

Return from the Ashes

Return from the Ashes (1965)

Jörgen Lindström

Lissi Alandh

Georg Årlin

The story about a man who's trying to get rid of his memories from his past. He grew up in an upper-class family in a castle and now revisits the castle with his fiancee.

Night Games

Night Games (1966)

Kate Nelligan

Burt Lancaster

Ben Gazzara

An experiment of psychological effects under stressfull conditions in a shelter. When fifteen strangers are put into a nuclear shelter to see how long they can survive without interaction with the outside, things work out fine.—Marcos Eduardo Acosta Aldrete

Control

Control (1987)

Robert Mitchum

Geneviève Page

John Vidborg

Millionaire Victor Danemore, living on the French Riviera, dies suddenly of a heart attack. His secretary, Dave Bishop, wants to know more about his employer's life. Surprisingly, not even his young wife knows anything about her husband's background or how he earned his fortune. Clues lead Bishop to Vienna and Stockholm, where he learns that Danemore was black-mailing people who cooperated with the Nazis during WW2.—Mattias Thuresson

Foreign Intrigue

Foreign Intrigue (1956)

Charlotte Rampling

Karl-Otto Alberty

Dirk Bogarde

The power and fortune of the Von Essenbeck family remained intact even when Germany lost World War I, and during the depression that followed. Now it's 1934, and the baron has summoned his family to a dinner that also brings a cousin rising in the Nazi party to the great house accompanied by a rising manager at the baron's company. Two little girls recite poetry in the parlor and then play hide-and-seek with their cousin Martin (Helmut Berger). Suddenly there is a scream. The baron has been shot with their father's gun and the father flees the country.—Dale O'Connor

The Damned

The Damned (1969)

Dominique Zardi

Lino Ventura

Sophie Sam

A vengeful woman traps her ex husband in their basement. He realizes that the only chance he has of ever getting out is to try and beat her at her own psychological mind game.

The Cage

The Cage (1975)

Lena Olin

Bertil Guve

Erland Josephson

At the stage of his play, aging playwright Henrik is visited by Anna, the young lead, after everybody's gone home. As they interact, Henrik reminisces about and compares Anna to her mother, whom he maintained a sexual relationship with before she died.—Julián Bufarull

After the Rehearsal

After the Rehearsal (1984)

Max von Sydow

Naima Wifstrand

When 'Vogler's Magnetic Health Theater' comes to town, there's bound to be a spectacle. Reading reports of a variety of supernatural disturbances at Vogler's prior performances abroad, the leading townspeople (including the police chief and medical examiner) request that their troupe provide them a sample of their act, before allowing them public audiences. The scientific-minded disbelievers try to expose them as charlatans, but Vogler and his crew prove too clever for them.—Tad Dibbern

The Magician

The Magician (1958)

Gunnel Lindblom

With the exception of his elderly housekeeper Miss Agda who he treats almost like a surrogate platonic wife, widowed seventy-eight year old Dr. Isak Borg, a former medical doctor and professor, has retreated from any human contact, partly his own want but partly the decision of others who do not want to spend time with him because of his cold demeanor. He is traveling from his home in Stockholm to Lund to accept an honorary degree. Instead of flying as was the original plan, he decides to take the day long drive instead. Along for the ride is his daughter-in-law Marianne, who had been staying with him for the month but has now decided to go home. The many stops and encounters along the way make him reminisce about various parts of his life. Those stops which make him reminisce directly are at his childhood summer home, at the home of his equally emotionally cold mother, and at a gas station where the attendants praise him as a man for his work. But the lives of other people they encounter almost mirror his own, including hitchhikers Sara, Viktor and Anders - who remind him of his cousin Sara who he was going to marry, himself and his irresponsible brother Sigfrid who Sara eventually married - a bickering married couple Sten and Berit Alman, and Marianne and her husband and Isak's son Evald, whose marriage is as strained as was his own.—Huggo

Wild Strawberries

Wild Strawberries (1957)

Ingmar Bergman

Gunnar Björnstrand

Anders Ek

A judge in an unnamed country interviews three actors, together and singly, provoking them while investigating a pornographic performance for which they may face a fine. Their relationships are complicated: Sebastian, volatile, a heavy drinker, in debt, guilty of killing his former partner, is having an affair with that man's wife. She is Thea, high strung, prone to fits, and seemingly fragile, currently married to Sebastian's new partner, Hans. Hans is the troupe leader, wealthy, self-contained, growing tired. The judge plays on the trio's insecurities, but when they finally, in a private session with him, perform the masque called The Rite, they may have their revenge—

The Rite

The Rite (1969)

Liv Ullmann

Gertrud Fridh

An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories.—Fredrik Klasson

Hour of the Wolf

Hour of the Wolf (1968)

Allan Edwall

Ingmari Hjort

On a cold winter's Sunday, the pastor of a small rural church (Tomas Ericsson) performs service for a tiny congregation; though he is suffering from a cold and a severe crisis of faith. After the service, he attempts to console a fisherman (Jonas Persson) who is tormented by anxiety, but Tomas can only speak about his own troubled relationship with God. A school teacher (Maerta Lundberg) offers Tomas her love as consolation for his loss of faith. But Tomas resists her love as desperately as she offers it to him. This is the second in Bergman's trilogy of films dealing with man's relationship with God.—

Winter Light

Winter Light (1963)

Birger Lensander

Kristina Olausson

Eskil Kalling

"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ill -- would like to make a human connection also but cannot leave the hotel room. Traveling with the sisters is a small boy who escapes into the hotel, meets a troupe of dwarfs. Which sister is this little boy's mother?—Dale O'Connor

The Silence

The Silence (1963)

In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface.—duke1029

Cries & Whispers

Cries & Whispers (1972)

17 YIFY Movies Found

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7 / 10

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