Jane Birkin

Andrzej Seweryn

Jean-Louis Trintignant

La femme de ma vie

La femme de ma vie (1986)

Charlotte Gainsbourg

Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.

Jane by Charlotte

Jane by Charlotte (2021)

An accountant works in his bossy mom's marriage bureau;at 33,Paul is still under her thumb and his fiancee cheats on him with one of his friends .He meets Barbara and falls in love with her ;sadly, she prefers Julien ,a more handsome guy, who manages a zoo ;but this good-looking chap 's first two wives mysteriously died .For fear Barbara may meet the same fate as the alleged victims, the rejected suitor follows them to Morocco where the newly -weds are to spend their honeymoon.Paul becomes some kind of bride's bodyguard ,but Barbara is blind to what could well be murder attempts. —dbdumonteil

The Bodyguard

The Bodyguard (1984)

Robert Walker Jr.

Robert Hossein

Brigitte Bardot

Jeanne lives in Paris and believes she is the reincarnation of Don Juan. She visits a priest and tells him she has killed a man. He comes to her elegant flat - her father has died leaving her rich - and she tells the priest stories about men she has seduced. The seduction is easy, she tells him, it's destruction that takes planning. We watch her with an upright elected official, a wealthy boor, and a folk singer. She describes herself as a spider. Her friend Léporella tries to be Jeanne's conscience. What does Jeanne want? —

Don Juan, or If Don Juan Were a Woman

Don Juan, or If Don Juan Were a Woman (1973)

Leroux and Pélissier, are investigating stolen checks. They arrive at Hélène owner of a contemporary art gallery. Pélissier is convinced that she is a stranger to history, but Leroux clings on, convinced that she is hiding something.

Move Along, There is Nothing to See

Move Along, There is Nothing to See (1983)

Jean-Pierre Cassel

Romy Schneider

Everything is about to change in the uneventful life of Nicolas Mallet--a discreet, introverted bank clerk who is as meek as a lamb--when he decides to follow the bold advice of his old school friend, Claude Fabre. From now on, Nicolas must throw off his shackling inhibitions and act out his most intimate desires. Now, there is no turning back, and unstoppable Nicolas is bent on seducing as many women as possible to grease his path to success. However, nothing lasts forever. Must all good things come to an end? —Nick Riganas

Love at the Top

Love at the Top (1974)

Mathieu Demy

Agnès Varda

Jean-Pierre Léaud

"I'll look at you, but not at the camera. It could be a trap," whispers Jane Birkin shyly into Agnès Varda's ear at the start of JANE B. PAR AGNES V. The director of CLEO FROM 5 TO 7 and VAGABOND once again paints a portrait of a woman, this time in a marvelously Expressionistic way. "It's like an imaginary bio-pic," says Varda. Jane, of course, is the famed singer ("Je t'aime ... Moi non plus"), actress (BLOW UP), fashion icon (the Hermes Birkin bag) and longtime muse to Serge Gainsbourg. As Varda implies, JANE B. PAR AGNÈS V. abandons the traditional bio-pic format, favoring instead a freewheeling mix of gorgeous and unexpected fantasy sequences. In each, Jane inhabits a new character, playing a cat & mouse game with Varda as they explore the role of the Muse and the Artist, all the while showcasing the multifaceted nature of Birkin's talent. "I'd like to be filmed as if I were transparent, anonymous, like everyone else," says Birkin. But her wish to be a "famous nobody" is impossible to achieve; Birkin is simply too magnificent, too mesmerizing. Here, Varda's signature mix of aesthetic innovation and generosity of emotion results in a surreal and captivating essay on Art, Fame, Love, Children and Staircases. For its first-ever U.S. theatrical release the film has been newly-restored from the original 35mm camera negative, overseen by director Varda herself.

Jane B. for Agnes V.

Jane B. for Agnes V. (1988)

Jean Rochefort

Philippe Noiret

Françoise Fabian

The friendship between two men is put to the test when one of them is accused by a woman of having killed her sister.

A Friend of Vincent

A Friend of Vincent (1983)

A filmmaker is preparing a film which retraces one episode of his personal life: 10 years ago he left his wife and his departure led her into committing suicide.

Private Screening

Private Screening (1973)

Anton Diffring

In a small Scottish village, horribly murdered bodies keep turning up. Suspicion falls upon the residents of a nearby castle that is haunted by a curse involving a killer cat.

Seven Deaths in the Cats Eyes

Seven Deaths in the Cats Eyes (1973)

Richard Bohringer

Johnny Hallyday

Jean-Paul Belmondo

A movie about good-for-nothing stuntman Mike Gaucher (Jean-Paul Belmondo), who can't do one single job without something going wrong. His fiancée wants to kill him, the film studios don't want to give him any more work and, as King Kong for a promotion in a supermarket, he winds up destroying some display shelves. The only role he plays well is pretending not to be able to hear, speak, and walk in order to get money from the government. Then along comes the "beautiful" actor called Bruno Ferrari (Jean-Paul Belmondo). Supposedly a fearless stuntman, Ferrari turns out to be afraid of heights once his feet leave the ground. So a stuntman is needed to prevent a scandal. And who is the man who looks most (or exactly) like Bruno? You guessed it, good-for-nothing Mike. —Markus Wachenheim

Animal

Animal (1977)

Robert De Niro

Zalman King

At nearly 80, Agnès Varda explores her memory - growing up in Belgium, living in Sète, Paris, and Noirmoutier, discovering photography, making a film, being part of the New Wave, raising children with Jacques Demy, losing him, and growing old. She explores her memory using photographs, film clips, home movies, contemporary interviews, and set pieces she designs to capture a feeling, a time, or a frame. Shining through each scene are her impish charm, inventiveness, and natural empathy. How do people grow old, how does loss stay with them, can they remain creative, and what do they remember? Memory, she says, is like a swarm of confused flies. She envisions hers for us. —

The Beaches of Agnès

The Beaches of Agnès (2008)

Joe Dallesandro

Gérard Depardieu

Liliane Rovère

The petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris warns her that he's gay. Maybe because of her boyish looks, Krassky likes her too. Both don't notice the growing jealousy of Krassky's boyfriend Padovan - until an escalation. —Tom Zoerner

Je t'aime moi non plus

Je t'aime moi non plus (1976)

Geraldine Chaplin

Barbet Schroeder

André Dussollier

A play within a play within a play within a play. Actors perform a play in a house, an audience member invites them to work in his own home improvising a play around his own life. The line between fiction and reality blur.

Love on the Ground

Love on the Ground (1984)

Emmanuelle Béart

The former famous painter Frenhofer lives quietly with his wife in his countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start working again on a painting called 'La Belle Noiseuse', which he gave up a long time ago. And he wants Marianne as a model. The ensuing creative process will change the characters' lives. It will become a struggle for truth and meaning, and the question about the limits of art will arise. —Jens Bertheau

The Beautiful Troublemaker

The Beautiful Troublemaker (1991)

Shortly after returning home one evening with her husband, Alma is visited by her one-time lesbian lover Carole. In the ensuing emotional torrent, Alma allows herself to be abducted by Carole and taken to a hotel, pursued by a young girl - an unnamed friend of Carole - and an eccentric bystander posing as a private detective. Before Alma and Carole can resolve their situation, Alma's husband Andrew appears on the scene and, in a mad frenzy, attempts to reclaim his wife.

The Pirate

The Pirate (1984)

Alain Delon

Lovers Marianne and Jean-Paul spend their vacation in a villa near St.-Tropez. The main feature of the villa is a swimming pool, stage for most of the action. After a visit Marianne invites former lover Harry and his teenage daughter Penelope to stay. Tension between the grown-ups rises especially when Jean-Paul seduces Penelope. The consequences are deadly.

The Swimming Pool

The Swimming Pool (1969)

Vanessa Redgrave

John Castle

David Hemmings

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. Then he meets a mysterious beauty, and also notices something frightfully suspicious on one of his photographs of her taken in a park. The fact that he may have photographed a murder does not occur to him until he studies and then blows up his negatives, uncovering details, blowing up smaller and smaller elements, and finally putting the puzzle together.

Blowup

Blowup (1966)

Donna Summer

As a DJ, music journalist and broadcaster, Edith Bowman has always been fascinated by the relationship between sex and music. She meets experts and artists, producers, singers and even her own friends and family to investigate the power of music to provoke sensual responses in the human brain and body.

Songs to Have Sex To

Songs to Have Sex To (2015)

Jack MacGowran

Anita Pallenberg

The eccentric professor Oscar Collins lives completely secluded in his chaotic apartment. When a model (Penny Lane) and her photographer boyfriend move in next to him, he becomes fascinated with her. He drills holes in the walls and ceiling and peeps on her day and night. He loses himself in daydreams and delusions. —Tom Zoerner

21 YIFY Movies Found

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BiographyDocumentary

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ActionDrama

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DramaMystery

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ActionDocumentary

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