Pierre Richard

Jane Birkin

François Guillaume

Gilda Albertoni

La course à l'échalote

La course à l'échalote (1975)

Andrzej Seweryn

Jean-Louis Trintignant

Elsa Lunghini

La femme de ma vie

La femme de ma vie (1986)

Isabelle Adjani

Pierre Niney

Marine Vacth

Adrien, an attractive dancer whose career was shattered by a motorcycle accident, squanders his youth in idleness. His life changes when he meets Margot, who lives off scams and amorous manipulations.

Mascarade

Mascarade (2022)

Charlotte Gainsbourg

Jo Attal

Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.

Jane by Charlotte

Jane by Charlotte (2021)

Christopher Lee

Joan Collins

Robert Hardy

After moving in to a dilapidated mansion, left to him by a mental patient, Edward Foster starts noticing strange occurrences and hearing ghostly voices. Soon, he starts being possessed by the spirit of Mr Marr, the dead original owner, and the story of how his wife and children die is gradually revealed. Marr was planning to leave his family (mistress in tow) and had emptied his bank account, hiding the money somewhere in the house before going insane. The local doctor and his sister, along with Foster's solicitor, Mr Prescott feign friendship with the new owner, but all they want is to find the money.—Steven

Dark Places

Dark Places (1974)

François Siener

Simone Roche

Souad Faraoui

An accountant works in his bossy mom's marriage bureau;at 33,Paul is still under her thumb and his fiancee cheats on him with one of his friends .He meets Barbara and falls in love with her ;sadly, she prefers Julien ,a more handsome guy, who manages a zoo ;but this good-looking chap 's first two wives mysteriously died .For fear Barbara may meet the same fate as the alleged victims, the rejected suitor follows them to Morocco where the newly -weds are to spend their honeymoon.Paul becomes some kind of bride's bodyguard ,but Barbara is blind to what could well be murder attempts.—dbdumonteil

The Bodyguard

The Bodyguard (1984)

Brigitte Bardot

Robert Walker Jr.

Jenny Arasse

Jeanne lives in Paris and believes she is the reincarnation of Don Juan. She visits a priest and tells him she has killed a man. He comes to her elegant flat - her father has died leaving her rich - and she tells the priest stories about men she has seduced. The seduction is easy, she tells him, it's destruction that takes planning. We watch her with an upright elected official, a wealthy boor, and a folk singer. She describes herself as a spider. Her friend Léporella tries to be Jeanne's conscience. What does Jeanne want?—

Don Juan, or If Don Juan Were a Woman

Don Juan, or If Don Juan Were a Woman (1973)

Michel Blanc

Eric Prat

Ticky Holgado

Leroux and Pélissier, are investigating stolen checks. They arrive at Hélène owner of a contemporary art gallery. Pélissier is convinced that she is a stranger to history, but Leroux clings on, convinced that she is hiding something.

Move Along, There is Nothing to See

Move Along, There is Nothing to See (1983)

Romy Schneider

Jean-Pierre Cassel

Everything is about to change in the uneventful life of Nicolas Mallet--a discreet, introverted bank clerk who is as meek as a lamb--when he decides to follow the bold advice of his old school friend, Claude Fabre. From now on, Nicolas must throw off his shackling inhibitions and act out his most intimate desires. Now, there is no turning back, and unstoppable Nicolas is bent on seducing as many women as possible to grease his path to success. However, nothing lasts forever. Must all good things come to an end?—Nick Riganas

Love at the Top

Love at the Top (1974)

Anaïs Demoustier

Niels Arestrup

Joséphine de La Baume

Alexandre Taillard de Vorms is tall and impressive, a man with style, attractive to women. He also happens to be the Minister of Foreign Affairs for the land of enlightenment: France. With his silver mane and tanned, athletic body, he stalks the world stage, from the floor of the United Nations in New York to the powder keg of Oubanga. There, he calls on the powerful and invokes the mighty to bring peace, to calm the trigger-happy, and to cement his aura of Nobel Peace Prize winner-in-waiting. Alexandre Taillard de Vorms is a force to be reckoned with, waging his own war backed up by the holy trinity of diplomatic concepts: legitimacy, lucidity and efficacy. He takes on American neo-cons, corrupt Russians and money-grabbing Chinese. Perhaps the world doesn't deserve France's magnanimousness, but his art would be wasted if just restricted to home turf. Enter the young Arthur Vlaminck, graduate of the elite National School of Administration, who is hired as head of "language" at the foreign ministry. In other words, he is to write the minister's speeches. But he also has to learn to deal with the sensibilities of the boss and his entourage, and find his way between the private secretary and the special advisers who stalk the corridors of the Quai d'Orsay - the ministry's home - where stress, ambition and dirty dealing are the daily currency. But just as he thinks he can influence the fate of the world, everything seems threatened by the inertia of the technocrats.—Sundance Selects

The French Minister

The French Minister (2013)

Serge Gainsbourg

Jean-Pierre Léaud

"I'll look at you, but not at the camera. It could be a trap," whispers Jane Birkin shyly into Agnès Varda's ear at the start of JANE B. PAR AGNES V. The director of CLEO FROM 5 TO 7 and VAGABOND once again paints a portrait of a woman, this time in a marvelously Expressionistic way. "It's like an imaginary bio-pic," says Varda. Jane, of course, is the famed singer ("Je t'aime ... Moi non plus"), actress (BLOW UP), fashion icon (the Hermes Birkin bag) and longtime muse to Serge Gainsbourg. As Varda implies, JANE B. PAR AGNÈS V. abandons the traditional bio-pic format, favoring instead a freewheeling mix of gorgeous and unexpected fantasy sequences. In each, Jane inhabits a new character, playing a cat & mouse game with Varda as they explore the role of the Muse and the Artist, all the while showcasing the multifaceted nature of Birkin's talent. "I'd like to be filmed as if I were transparent, anonymous, like everyone else," says Birkin. But her wish to be a "famous nobody" is impossible to achieve; Birkin is simply too magnificent, too mesmerizing. Here, Varda's signature mix of aesthetic innovation and generosity of emotion results in a surreal and captivating essay on Art, Fame, Love, Children and Staircases. For its first-ever U.S. theatrical release the film has been newly-restored from the original 35mm camera negative, overseen by director Varda herself.

Jane B. for Agnes V.

Jane B. for Agnes V. (1988)

Anna Karina

Philippe Noiret

Françoise Fabian

The friendship between two men is put to the test when one of them is accused by a woman of having killed her sister.

A Friend of Vincent

A Friend of Vincent (1983)

Réginald Huguenin

Françoise Laurent

A filmmaker is preparing a film which retraces one episode of his personal life: 10 years ago he left his wife and his departure led her into committing suicide.

Private Screening

Private Screening (1973)

Doris Kunstmann

Silvio Klein

In a small Scottish village, horribly murdered bodies keep turning up. Suspicion falls upon the residents of a nearby castle that is haunted by a curse involving a killer cat.

Seven Deaths in the Cats Eyes

Seven Deaths in the Cats Eyes (1973)

Raquel Welch

Jean-Paul Belmondo

Marie Pillet

A movie about good-for-nothing stuntman Mike Gaucher (Jean-Paul Belmondo), who can't do one single job without something going wrong. His fiancée wants to kill him, the film studios don't want to give him any more work and, as King Kong for a promotion in a supermarket, he winds up destroying some display shelves. The only role he plays well is pretending not to be able to hear, speak, and walk in order to get money from the government. Then along comes the "beautiful" actor called Bruno Ferrari (Jean-Paul Belmondo). Supposedly a fearless stuntman, Ferrari turns out to be afraid of heights once his feet leave the ground. So a stuntman is needed to prevent a scandal. And who is the man who looks most (or exactly) like Bruno? You guessed it, good-for-nothing Mike.—Markus Wachenheim

Animal

Animal (1977)

Gérard Depardieu

Joe Dallesandro

Maïté Nahyr

Petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on garbage-truck driver Krassky, although her sleazy boss Boris warns her that he's gay. Maybe because of her boyish looks, Krassky likes her too. Neither notice the growing jealousy of Krassky's boyfriend Padovan--until an escalation.—Tom Zoerner

Je t'aime moi non plus

Je t'aime moi non plus (1976)

Geraldine Chaplin

Facundo Bo

Isabelle Linnartz

A play within a play within a play within a play. Actors perform a play in a house; an audience member invites them to work in his own home improvising a play around his own life. The line between fiction and reality blurs.

Love on the Ground

Love on the Ground (1984)

Emmanuelle Béart

Michel Piccoli

Susan Robertson

The former famous painter Frenhofer lives quietly with his wife in his countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start working again on a painting called 'La Belle Noiseuse', which he gave up a long time ago. And he wants Marianne as a model. The ensuing creative process will change the characters' lives. It will become a struggle for truth and meaning, and the question about the limits of art will arise.—Jens Bertheau

La belle noiseuse

La belle noiseuse (1991)

Maruschka Detmers

Laure Marsac

Andrew Birkin

With the help of a couple of her oddball friends, a woman takes her former lesbian lover to a hotel to convince her that their affair shouldn't end. After much shouting and some sex, things complicate when the lover's husband shows up.

The Pirate

The Pirate (1984)

Alain Delon

Thierry Chabert

Lovers Marianne and Jean-Paul spend their vacation in a villa near St.-Tropez. The main feature of the villa is a swimming pool, stage for most of the action. After a visit Marianne invites former lover Harry and his teenage daughter Penelope to stay. Tension between the grown-ups rises especially when Jean-Paul seduces Penelope. The consequences are deadly.—Peter Zunneberg

The Swimming Pool

The Swimming Pool (1969)

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