Jean-Luc Godard

Jean-Christophe Bouvet

Our Music

Our Music (2004)

Jean-Luc Godard's densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories, including the attempts by a young group of idealists to stage a play in war-torn Sarajevo and an elderly director's efforts to complete his film.—Anonymous

For Ever Mozart

For Ever Mozart (1996)

Claudia Cardinale

Brigitte Bardot

Jack Palance

Who hides behind Brigitte Bardot? Extraordinarily photogenic, a tumultuous love life, the ultimate sex symbol for the 1950s and 1960s, the actress, singer and animal rights activist left an indelible mark on her era. Despite over 30,000 photos published in the press, her true personality has long-remained in the shadows.—jakkepoes

Le mystère Bardot

Le mystère Bardot (2012)

Stéphane Audran

Michèle Girardon

Pierre Wesselrin is a 40-year-old American who lives in Paris by sponging off his working friends and various wealthy acquaintances. He receives a telegram saying that a rich aunt has died, so he throws a party, using borrowed money of course, and invites all his friends. After discovering that his aunt disinherited him, his luggage is impounded and he is thrown out of his apartment. All his friends are now away for the summer, or are working outside Paris, so he is forced to wander the streets and become a clochard.—Will Gilbert

Sign of the Lion

Sign of the Lion (1962)

Éric Rohmer

François Truffaut

In this adaptation of Tolstoy's argument for sexual abstinence, a man recounts the events that led to the killing of his wife.

The Kreutzer Sonata

The Kreutzer Sonata (1956)

Jean-Pierre Léaud

How do we learn? What do we know? Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to revolution. Scenes of Paris's student revolt, the Vietnam War, and other events of the late 1960s, along with posters, photographs, and cartoons, are backdrops to their words. Words themselves are often Patricia and Emile's subject, as are images, sounds, and juxtapositions. In addition to the two characters' musings, the soundtrack includes narration, music, news clips, and noise. The result is a montage, a meditation, a reflection on ideas and how words and images mix - and how filmmaking is a path.—

Le gai savoir

Le gai savoir (1969)

Anna Karina

Sheherazade is promised to a powerful Sultan as a gift in exchange for free passage to the Holy Land. When the Sultan's underling saves her from certain death, she falls madly in love with her hero.

Scorching Sands

Scorching Sands (1963)

Marianne Faithfull

In the near future, leftist writer Paula goes from Paris to the French town of Atlantic-Cité when she learns of the death of a former colleague and lover, Richard P. Is she there to investigate? On the surface, faces are beautiful, colors bright, clothes trendy. Beneath, little is clear: some talk to Paula as if she's Alice in Wonderland, corpses pile up, and ideological struggles insert themselves. A murder victim's nephew and a political party's hired hands hover around Paula. Is obscuring things her goal or is it life that's obscure?—

Made in U.S.A

Made in U.S.A (1966)

When an unfaithful wife receives a fur coat from her lover as a gift, they must figure out a way to keep the husband from discovering the coat's true origins.

Fool's Mate

Fool's Mate (1956)

Adolf Hitler

The idea is simple: A married woman and a single man meet. They love, they argue, fists fly. A dog strays between town and country. The seasons pass. The man and woman meet again. The dog finds itself between them. The other is in one, the one is in the other and they are three. The former husband shatters everything. A second film begins: the same as the first, and yet not. From the human race we pass to metaphor. This ends in barking and a baby's cries.—Production

Goodbye to Language

Goodbye to Language (2014)

In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and exaggerating the emotionless lives of characters in the new Paris of the 60s, where commercialism mocks families getting by on small incomes, where prostitution is a moneyspinning option, and where people are coldly resigned and immune to the human nightmares of Vietnam, and impending Atomic war.—D.Giddings

2 or 3 Things I Know About Her

2 or 3 Things I Know About Her (1967)

Anne Goupil is a literature student in Paris in 1957. Her elder brother, Pierre, takes her to a friend's party where the guests include Philip Kaufman, an expatriate American escaping McCarthyism, and Gerard Lenz, a theatre director who arrives with the mysterious woman Terry. The talk at the party is about the apparent suicide of their friend Juan, a Spanish activist who had recently broken up with Terry. Philip warns Anne that the forces that killed Juan will soon do the same to Gerard. Gerard is trying to rehearse Shakespeare's "Pericles", although he has no financial backing. Anne takes a part in the play to help Gerard, and to try to discover why Juan died.—Will Gilbert

Paris Belongs to Us

Paris Belongs to Us (1961)

Charlotte is young and modern, not a hair out of place, superficial, cool; she reads fashion magazines - does she have the perfect bust? She lives in a Paris suburb with her son and her husband Pierre, a pilot. Her lover is Robert, an actor. Assignations with him, dinner with her husband and a client, consulting a physician: there's tension at home, Pierre had her followed a few months before, their marital play has an edge, Pierre slaps her and apologizes. She quizzes Robert: is he acting when he's with her? Events may force her to choose Robert or Pierre. Close-ups fill the screen; is there more than surface? Her eyes tear up. The horrors of war provide a distant counterpoint.—

A Married Woman

A Married Woman (1964)

The movie incorporates footage of fedayeens taken for an aborted pro-Palestinian film which had been abandoned when subjects were killed. Here and Elsewhere takes its name from the footage it shows of the fedayeens and of a French family.

Here and Elsewhere

Here and Elsewhere (1976)

Catherine Deneuve

Jean Seberg

Mie Hama

Four swindle stories, taking place successively in Tokyo - Japan (Les cinq bienfaiteurs de Fumiko), Amsterdam - The Netherlands (La riviere de diamants), Italie (La feuille de route), and Paris - France (L'homme qui vendit la tour Eiffel).

The World's Most Beautiful Swindlers

The World's Most Beautiful Swindlers (1964)

Besotted with cheap crime fiction, cinema, and popular culture, bored-to-death English language students Franz and Arthur love living in a dream world. But more than anything, the two layabouts fancy themselves a gang. In the meantime, Franz and Arthur vie for Odile's attention. And when their romantic classmate tips them off about a mountain of cash stashed in an unlocked cabinet in Aunt Victoria's suburban Joinville-le-Pont house, it's game on. As the amateur criminals take an immediate interest in Odile's incidental mention, they devise a plan and iron out the details of an audacious robbery--just like in the movies. However, what happens if Arthur's uncle and all-powerful love stand in the way of the perfect heist?—Nick Riganas

Band of Outsiders

Band of Outsiders (1964)

This TV short film has Godard playing himself with his back to the camera. He cuts to extra-diegetic images and also employs very long superimpositions.

Changer d'image - Lettre à la bien-aimée

Changer d'image - Lettre à la bien-aimée (1982)

Maruschka Detmers

Carmen is a member of a terrorist gang who falls in love with a young police officer guarding a bank that she and her cohorts try to rob. She leads him on while dragging the two of them closer to their ultimate doom. Jean-Luc Godard intercuts the film with shots of a string quartet practicing Beethoven, and his main protagonist, Carmen, is played by Maruschka Detmers creating a stunning effect in many scenes of extended nudity.—Raimundo Ramirez

First Name: Carmen

First Name: Carmen (1983)

Charlotte is leaving. Before catching her train, she goes to her apartment for a quick snack -- a steak, as it happens. Walter accompanies her; the little time Charlotte will take to prepare and eat her steak represents his last opportunity to patch things up with her. A tall order, given the utterly unromantic circumstances...—Eduardo Casais

Presentation, or Charlotte and Her Steak

Presentation, or Charlotte and Her Steak (1960)

Agnès Varda

This documentary is made up of 11 segments. 1. 'Bomb Hanoi!': life in Hanoi under the bombs. 2. 'A Parade Is a Parade!': three demonstrations against the Vietnam War: Humphrey in Paris, Veterans Day in New York, May Day on Wall Street. 3. 'Johnson Cries': Vietnamese actors stage a show on the Americans' defeat. 4. 'Claude Ridder': a French intellectual monologues and voices his bad conscience. 5. 'Flash Back': a short retelling of the origins of the war. 6. 'Camera Eye': Jean-Luc Godard presents his case of conscience. 7. 'Victor Charlie': American singer-songwriter Tom Paxton mocks the purpose of the war, then director Michèle Ray explains why she is "on the other side". 8. 'Why We Fight': Westmoreland lays out the official US thesis. 9. 'Fidel Castro': Fidel Castro praises the example set by the Vietnamese. 10. 'Ann Uyen': Uyen, a Vietnamese woman from Paris, and Ann, wife of Norman Morrison, explain the meaning of the American Quaker's sacrifice. 11. 'Vertigo': Demonstration of American pacifists on April 15, 1967 in New York.—X

29 YIFY Movies Found

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ActionComedy

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