George Hamilton

Brigitte Bardot

Jeanne Moreau

The former Irish terrorist, Maria II, joins the vaudeville act of the French singer, Maria I, in Central America in 1907. During their first performance on stage they invent - by accident - the strip tease and become local stars. When they come across a local rebellion, Maria I falls in love with the leader, Flores. When he is mortally wounded, she promises him to continue the revolution against the military, the capitalists, and the Church.—Stephan Eichenberg

Viva Maria!

Viva Maria! (1965)

Claudia Cardinale

Michael Lonsdale

Set in the late 19th century, about a honored but poor patriarch who sacrifices himself to protect his fugitive son.

Gebo and the Shadow

Gebo and the Shadow (2012)

In France in the near future, revolt and chaos erupt. A right-wing politician, Philippe Muphand, is set to take control when his lady friend Caroline walks out, announcing she will take up with the first fool she sees. The fool is Serge Laine, a professor and author of the prize-winning "Le voyage qui ne finit pas," headed to the train station for tickets to Barcelona where he and his wife will enjoy a second honeymoon and he will lecture at the university. Caroline seduces Serge, and he soon abandons wife, family, job, and honesty to embrace Caroline, the romanticism of Jack London, and murder.

Heat of Desire

Heat of Desire (1981)

Mel Ferrer

A young journalist stumbles across something much more sinister than a simple suicide in the death of a politician - the death seems to be an assassination contrived by an American multinational company intent on taking over several French industries. The journalist's objective is to garner enough evidence to expose the American corporation for what it really is, before French companies start disappearing - and before any more corpses accumulate, including his own.

A Thousand Billion Dollars

A Thousand Billion Dollars (1982)

Gert Fröbe

After resolving to start a new life with his girlfriend Jacqueline, Bastien Sassey decides to give up working as a courier for drugs traffickers. So that he and Jacqueline can make a fresh start he agrees to take on one more job for a large sum of cash, but he betrays his employer.

Not Delivered

Not Delivered (1958)

Gérard Jugnot

Alain Delon

Paris, 1942. Robert Klein cannot find any fault with the state of affairs in German-occupied France. He has a well-furnished flat, a mistress, and business is booming. Jews facing discrimination because of laws enacted by the French government are desperate to sell valuable works of art - and it is easy for him to get them at bargain prices. His cosy life is disrupted when he realizes that there is another Robert Klein in Paris - a Jew with rather mysterious behaviour. Soon he attracts the close - and menacing - attention of the police to the art trader. —Eduardo Casais

Mr. Klein

Mr. Klein (1976)

Lady M. wades every morning through the sea in order to heal her pain. But she is not what she pretends to be: Together with her partner Pompilius she finances her luxurious life by fraud and blackmailing. Falling in love with young Lambert she is about to break up all her pretendence as Pompilius is not willing to accept the youngster. —Volker Boehm

The Old Lady Who Walked in the Sea

The Old Lady Who Walked in the Sea (1991)

Jean is a clerk in a bank. His colleague Caron is a gambler and gives him the virus. In the casinos, Jean meets Jackie. Their love affair will follow their luck at the roulette. —Yepok

Bay of Angels

Bay of Angels (1963)

Bored with her husband, bored with her polo-playing lover, will the middle-aged heroine go away with the young man who gave her a lift that day when her car broke down on the way back to her country estate from a weekend with her lover in Paris? —Dale O'Connor

The Lovers

The Lovers (1958)

Raquel Welch

Elsa Martinelli

Jean-Pierre Léaud

A collection of sketches on prostitution through the ages. 1) "The Prehistoric Era": A caveman discovers that a cavewoman is more attractive when cave paint is applied to her face. And she can earn more seashells that way. 2) "Roman Nights": The Emperor (Gastone Moschin) goes out seeking a little nocturnal amusement, only to find that the high-priced, Oriental courtesan he hires is his wife, the Empress (Elsa Martinelli). 3) "Mademoiselle Mimi": In revolutionary France, Mimi finds that her client, the nephew of a marquis, is more interested in watching the guillotinings out her window than he is in going to bed. 4) "The Gay Nineties": When Nini (Raquel Welch) discovers by accident that her antiquated customer is a banker, she pretends to be an honest woman who has fallen in love with him. She even pays him, just like a gigolo. 5) "Paris Today": Two girls pick up clients by driving around in a car, and then an ambulance. Police pull the vehicle over for speeding. 6) "Anticipation": Demetrius (Jacques Charrier) has just arrived on Earth from another galaxy. But the girl brought to him by the commissar, Hostess 703 (Anna Karina), is not a "physical love" girl; she's a "sentimental love" one, who only knows how to excite men with language. —David Carless

The Oldest Profession

The Oldest Profession (1967)

Sharon Stone

Naomi Campbell

Alice Cooper

Millions know the iconic logo and ubiquitous signature but few know the man behind the larger than life label. Ultimately we seek to answer the question: Who is Pierre Cardin? What is the story behind this legendary icon? House of Cardin is a rare peek into the mind of a genius, an authorized feature documentary chronicling the life and design of Cardin. A true original, Mr. Cardin has granted the directors exclusive access to his archives and his empire, and unprecedented interviews at the sunset of a glorious career.

House of Cardin

House of Cardin (2019)

Virna Lisi

Stanley Baker

Vittorio De Sica

From back-breaking labour in the coal mines, Tyvian Jones, a masculine and crude man from Wales, finds himself among the artistic and glamorous people at the Venice Film Festival, cashing out his very first novel's big success, "L'Étranger en Enter". Tyvian is also engaged to the charming and frail Francesca; however, when she has to fly to Rome, he will return to his cottage in Torcello, only to find there the blonde and seductively mysterious Eva occupying his place. Until now, no woman had such an effect on Tyvian, as Eva's dangerously feminine physique soaked from the night's heavy downpour, will instantly taunt, tempt, and seduce his arrogant ego beyond reason. Sooner or later, Tyvian will accept the fact that he stands powerless before this heartless modern Circe, but in the meantime, what will become of innocent Francesca who is now trapped in the middle? —Nick Riganas

Eva (1962)

Orson Welles

Fernando Rey

The Portuguese colony of Macao in the 19th century. Mr. Clay is a very rich merchant and the subject of town gossip. He has spent many years in China and is now quite old. He likes his clerk Levinsky to read the company's accounts to him at night for relaxation. Tonight Mr. Clay recounts a true story he heard years before about a rich man who paid a poor sailor 5 guineas to father a child with his beautiful young wife. Levinsky says that's a popular old sailor's legend and not true. Mr. Clay has no heir for his fortune and no wife either. He resolves to make the story true... Levinsky approaches Virginie, another clerk's mistress, and strikes a bargain for 300 guineas. Now to find the sailor...

The Immortal Story

The Immortal Story (1968)

Michael Lerner

Federico Fellini

Paul Mazursky

Bohemian Alex Morrison has just finished directing his first feature-length movie. In its previews, the movie is considered a critical, artistic, and surefire commercial success, so Alex seemingly has his choice of what his next project will be. Alex has a few ideas, like a biopic of Lenny Bruce or a movie about a black uprising in Los Angeles. As he makes the rounds of both the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of his those everyday situations, influenced by his movie idols, some of whom he actually meets, like Italian director Federico Fellini and French actress Jeanne Moreau. He's also wondering what to do about his personal life: does it make sense for him to "move up" with his wife Beth and their two daughters from their middle-class lifestyle? If so, filmmaking must not only achieve his main purpose of saying something meaningful, but also must be commercially successful. But must the need for commercial success ultimately take artistic control out of his hands? —Huggo

Alex in Wonderland

Alex in Wonderland (1970)

Jacques Decrey, an industrialist, finds out that his wife Gloria has a lover. Posing as a man named Berthier, he blackmails her. After a while, Decrey decides to make Yves Normand, a young unemployed actor and Gloria's lover, out to be the blackmailer. But doing so he has set off an infernal machine... —Guy Bellinger

Le dos au mur

Le dos au mur (1958)

Marcello Mastroianni

In Milan, after visiting dear friend Tommaso Garani that is terminal in a hospital, the writer Giovanni Pontano goes to a party for the release of his last book, and his wife Lidia Pontano visits the place where she lived many years ago. In the night, they go to a night-club, and later to a party in the mansion of the tycoon Mr. Gherardini. Along the night, Giovanni flirts with Valentina Gherardini, the daughter of the host, and then he receives a proposal to work for him in the area of communication and write the history of his company. Meanwhile, Lidia flirts with the playboy Roberto. —Claudio Carvalho, Rio de Janeiro, Brazil

La Notte

La Notte (1961)

Jean Gabin

Lino Ventura

The middle age bon-vivant Max is a former gangster and close friend of his partner Riton. They have stolen eight gold bars of 12 kg each that worth 50-million francs and Max has kept them hidden for their retirement. Riton's mistress Josy is tired of him and has found a new lover to support her, Angelo, who is a dangerous gangster. Riton has made a comment to Josy about the gold and soon Angelo discovers that Max and Riton have the stolen gold. He abducts Riton to force Max to give the gold to him. Will Max exchange his gold for Riton?

Touchez Pas au Grisbi

Touchez Pas au Grisbi (1954)

John Gielgud

Ingrid Pitt

Sir John Falstaff (Orson Welles) is the hero in this compilation of extracts from Shakespeare's "Henry IV" and other plays, made into a connected story of Falstaff's career as young Prince Hal's (Keith Baxter's) drinking companion. The massive Knight roisters with and without the Prince, philosophizes comically, goes to war (in his own fashion), and meets his final disappointment, set in a real-looking late medieval England.

Chimes at Midnight

Chimes at Midnight (1965)

Isabelle Huppert

Gérard Depardieu

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: whether it's cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She's on her own search for seemingly unattainable sexual pleasure. —

Going Places

Going Places (1974)

Alexandra Stewart

After a botched attempt to put an end to her miserable existence, the emotionally scarred and irreparably destroyed widow, Julie Kohler, summons up the strength to pack up her things and leave her mother and town behind. Haunted by a horrible, life-altering incident and utterly surrendered to the palpable void of paranoia, Julie embraces black, the colour of death, and embarks on a devilish mission of revenge. Now, as the sinful past puts five seemingly unrelated men in harm's way, acknowledging death may be liberating. But, is there a limit to relentless Julie's determination? Above all, is there an escape from the clutches of the grim avenger with the doleful, dark eyes?

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