Joan Blondell

Louise Beavers

Helen Twelvetrees

Anita Louise

Millie Blake has a love affair that goes wrong, so from that point on, she recklessly plays the field. When she finds out that one of the reckless players from her past has now cast his spell on her daughter, she takes matters into her own hands and finds herself in a courtroom trying to find a better defense plea than mother-love and honor-protection.—Les Adams

Millie

Millie (1931)

Katharine Hepburn

Spencer Tracy

Sue Randall

The mysterious man hanging about at the research department of a big TV network proves to be engineer Richard Sumner, who's been ordered to keep his real purpose secret: computerizing the office. Department head Bunny Watson, who knows everything, needs no computer to unmask Richard. The resulting battle of wits and witty dialogue pits Bunny's fear of losing her job against her dawning attraction to Richard.—Rod Crawford

Desk Set

Desk Set (1957)

Barbara Stanwyck

Clark Gable

Allan Lane

Lora Hart manages to land a job in a hospital as a trainee nurse. Upon completion of her training she goes to work as a night nurse for two small children who seem to be very sick, but something much more sinister is going on.

Night Nurse

Night Nurse (1931)

Jayne Mansfield

Barbara Eden

Majel Barrett

In this spoof of the TV advertising industry, Rockwell Hunter is the low man on the totem pole at the advertising company where he works. That is, until he finds the perfect spokes model for Stay-Put lipstick, the famous actress with the oh-so-kissable lips, Rita Marlowe. Unfortunately, in exchange, Rock has to act publicly as Rita's "Loverdoll", and Rock's fiancée Jenny isn't too happy about it either.

Will Success Spoil Rock Hunter?

Will Success Spoil Rock Hunter? (1957)

Tyrone Power

Mike Mazurki

Coleen Gray

The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret code to pretend to read minds and was successful in the show business before Pete starts drinking. Stan stays with them expecting to learn their code and leave the carnival to be a successful mentalist. Stan also flirts with the gorgeous Molly that lives in the carnival with the strong Bruno. Zeena and The Savage, an alcoholic man that eats live chickens that the audiences believe that is a savage, are the greatest attractions of the sideshow. When Stan gives booze to Pete and he dies, Stan finds that Pete had drunk methyl alcohol and not his booze, but he feels guilty for the death of him. Zeena teaches the code to him and Molly helps Stan to learn them. After an incident, Stan is forced to marry Molly and he decides to move to Chicago with her to become a sensation in a night club. One day, he ...

Nightmare Alley

Nightmare Alley (1947)

Gloria Stuart

LeVar Burton

Keith Coogan

Gritty drama of three interweaving stories of three women of various backgrounds and ages whose marriages are complicated by spouse-abuse by their husbands.

Battered

Battered (1978)

John Drew Barrymore

John Saxon

Paul Fix

Two cousins - one an ex-con and the other a law officer - compete for possession of a famed repeating rifle.

Winchester 73

Winchester 73 (1967)

Jon Voight

Faye Dunaway

Ricky Schroder

Jon Voight, Faye Dunaway and Ricky Schroder star in this poignant story about a one-time boxing champ who is forced to return to the ring in order to maintain custody of his eight-year-old son. Voight plays Billy Flynn, an ex-champion boxer who was KO'd by booze and gambling. When the wealthy, estranged mother of Flynn's young son begins trying to lure the boy away from him, Flynn must return to the ring to provide for his child.

The Champ

The Champ (1979)

Dick Powell

James Cagney

Billy Barty

Chester Kent produces musical comedies on the stage. With the beginning of the talkies era he changes to producing short musical prologues for movies. This is stressful to him, because he always needs new units and his rival is stealing his ideas. He can get an contract with a producer if he is able to stage in three days three new prologues. In spite of great problems, he does it. —Stephan Eichenberg

Footlight Parade

Footlight Parade (1933)

Mae Clarke

Jean Harlow

Tom Powers and Matt Doyle are best friends and fellow gangsters, their lives frowned upon by Tom's straight laced brother, Mike, and Matt's straight laced sister, Molly. From their teen-aged years into young adulthood, Tom and Matt have an increasingly lucrative life, bootlegging during the Prohibition era. But Tom in particular becomes more and more brazen in what he is willing to do, and becomes more obstinate and violent against those who either disagree with him or cross him. When one of their colleagues dies in a freak accident, a rival bootlegging faction senses weakness among Tom and Matt's gang, which is led by Paddy Ryan. A gang war ensues, resulting in Paddy suggesting that Tom and Matt lay low. But because of Tom's basic nature, he decides instead to take matters into his own hands.

The Public Enemy

The Public Enemy (1931)

Joan Collins

Carolyn Jones

Leslie Nielsen

Shortly after their tenth wedding anniversary, New York City Theater Producer Steven Hilliard (Leslie Nielsen) and his wife, former popular radio singer Kay Ashley Hilliard (June Allyson), are getting a Kay-initiated Reno divorce after Kay finds out about a marital indiscretion he had with Crystal Allen (Dame Joan Collins), a gold digging chorus girl in one of his shows. News of the indiscretion made its way to Kay indirectly by her catty friend, Sylvia Fowler (Dolores Gray). In Kay getting the divorce, Kay's best friend, playwright Amanda Penrose (Ann Sheridan) believes Kay is playing right into the wants of Crystal, whose main goal is not to be happily married to Steven, but to get what such a marriage can bring to her in material wealth and comfort. Amanda does not believe Steven loves Crystal and that he still really does love Kay. And Kay does proceed with the divorce despite believing theirs was a happy and loving marriage before she learned of the indiscretion, and despite ...

The Opposite Sex

The Opposite Sex (1956)

Regis Toomey

Famous motor-racing champion Joe Greer returns to his hometown to compete in a local race. He discovers his younger brother has aspirations to become a racing champion and during the race Joe loses his nerve when another driver his killed, leaving his brother to win. Joe's luck takes a plunge while his brother rises to height of fame. —Col Needham

The Crowd Roars

The Crowd Roars (1932)

Peter Falk

Zohra Lampert

Seymour Cassel

A young woman gets killed in an accident trying to meet her favorite actress Myrtle Gordon after a play. Then Myrtle Gordon felt responsible for the killing leading her down to an emotional crisis that interferes with her professional work as an actress. —Chemi González

Opening Night

Opening Night (1977)

John Wayne

Dolores Gray

Gambling boat operator Jenny Blake throws over her gambler beau Jack Morgan in order to marry into high society.

Lady for a Night

Lady for a Night (1942)

Robert J. Anderson

William Smith

James Gleason

In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together. —Rod Crawford

Brooklynissä kasvoi puu (1945)

Brooklynissä kasvoi puu (1945) (1945)

Rita Hayworth

Mary Astor

Melvyn Douglas

An investigator for the District Attorney's office quits to open his own detective agency. However, business is so bad that he finally decides to give it up and go back to his old job. As his wife is at his office closing up, a wealthy society matron walks in with a case: she wants to know if her husband is having an affair with his ex-girlfriend, who is now married. The wife accepts what looks to be an easy case, figuring than she can then persuade her husband to re-start the agency. However, when the client's husband is found murdered, she decides to investigate the murder herself. Her husband has also been assigned by the D.A. to investigate the murder, and he doesn't know that his wife is also on the case. Complications ensue. —frankfob2@yahoo.com

There's Always a Woman

There's Always a Woman (1938)

Aline MacMahon

Theresa Harris

Chorus girls Polly, Carol and Trixie are ecstatic when they learn that Broadway producer Barney Hopkins is putting on a new show. He promises all of the girls parts in the new show and even hires their neighbor Brad Roberts, an unknown composer, to write some of the music. There's only one problem: he doesn't have the money to bankroll it all. That problem is solved when Brad turns out to be quite rich but he insists that he not perform. When opening night comes, the juvenile lead can't go on forcing Brad to take the stage. He's recognized of course and his upper crust family wants him to quit. When he refuses, they tell him to end his relationship with Polly or face having his income cut off. When Brad's snobbish brother Lawrence mistakes Carol for Polly, the girls decide to have a bit of fun and teach him a lesson.

Gold Diggers of 1933

Gold Diggers of 1933 (1933)

H.B. Warner

Carole Landis

Billie Burke

Topper is once again tormented by a fun-loving spirit. This time, it's Gail Richards (Blondell), who was mistakenly murdered while staying at the home of her wealthy friend, Ann Carrington (Landis), the intended victim. With Topper's help, Gail sets out to find her killer with the expected zany results.

Topper Returns

Topper Returns (1941)

James Garner

Suzanne Pleshette

Harry Morgan

James Garner plays a ladies' man who ends up on the run from a conquest. He has an embarrassing problem that requires a doctor, but that is not immediately disclosed. He and a town barsweep form a plot to impersonate a well-known gunfighter so that Garner can pay off his debts and skip town before the soon to come arrival of the real gunfighter. The cast is almost identical to Support Your Local Sheriff! (1969) and the humor is similar. Typical: "You hit him from behind!" Garner: "Just as hard as I could!" —John Vogel

Support Your Local Gunfighter

Support Your Local Gunfighter (1971)

Ann Harding

Dolores Moran

Randolph Scott

The greedy nephew of eccentric Matilda Reed seeks to have her judged incompetent so he can administer her wealth; but she will be saved if her three long-lost adopted sons appear for a Christmas Eve reunion. Separate stories reveal Michael as a bankrupt playboy loved by loyal Ann; Mario as a seemingly shady character tangling with a Nazi war criminal in South America; Jonathan as a hard-drinking rodeo rider intent on a flirtatious social worker. Is there hope for Matilda?

Christmas Eve

Christmas Eve (1947)

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