Joe Spinell

Matthew Bright

Martin von Haselberg

Susan Bridges

A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.—Scott Murdock

Forbidden Zone

Forbidden Zone (1980)

Christopher Walken

Roy Scheider

Andrew Duncan

When his wife is killed in a restaurant shoot-out, intelligence man Harry Hannan (Roy Scheider) has a breakdown and finds that his department doesn't want him back. Someone's trying to kill him and it could be them, though a cryptic Jewish death-threat suggests there's something else going on. His only ally seems to be mousy Ellie Fabian (Janet Margolin) who has managed to move into his New York apartment.—Jeremy Perkins {J-26}

Last Embrace

Last Embrace (1979)

Tony Musante

Sybil Danning

Raymond Burr

A feature-length documentary about the life and career of Italian director Luigi Cozzi and his obsession with Science Fiction and Fantasy.

FantastiCozzi

FantastiCozzi (2016)

Jeff Bridges

Harry Dean Stanton

Sam Waterston

Jack McKee (Jeff Bridges) and Cecil Colson (Sam Waterston) are bumbling drifters who make a living by rustling cattle in the wilds of Montana. Jack left his wealthy parents because he resented their posh lives. Cecil is of Caucasian and Native American descent seeking his own path in life away from his grumpy cowboy father (Joe Spinell). Both Jack and Cecil hustle and rustle their way in the world by targeting cattle owned by wealthy ranch-owner John Brown (Clifton James). Frustrated that someone is killing his cattle, John hires a pair of ranch hands, Burt and Curt (Richard Bright and Harry Dean Stanton), to find the rustlers. When Brown realizes he cannot trust his two inept ranch hands, he turns to the grizzled former rustler Henry Beige (Slim Pickens) to find the cattle thieves. Jack and Cecil always stay a step ahead of their pursuers, not realizing that their luck must run out sometime.—matt-282

Rancho Deluxe

Rancho Deluxe (1975)

A Martinez

Robert Forster

Nancy Kwan

Jason, a Los Angeles taxi driver who also works as a collector and numbers runner for a local mobster, crosses paths with Christine, a young vigilante who is seeking to avenge the murder of her husband and son by a quartet of hoodlums, and gets caught up in the crime underworld of the city.—Anonymous

Walking the Edge

Walking the Edge (1985)

Morgan Freeman

Murray Hamilton

Robert Redford

When the new warden comes in disguised as an inmate, he sees firsthand all the corruption and scams the guards and prison officials are running. When he reveals himself and starts to implement reforms to stop the corruption, the local business community, who had been benefiting from the scams, fights back, and the corrupt prison system starts making political trouble for the new warden.—Brian W Martz

Brubaker

Brubaker (1980)

Kevin Costner

Michael Keaton

Ron Howard

A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a bizarre turn when a prostitute neighbour complains about the loss of her pimp. His partner, upon hearing the situation, suggests that they fill that opening themselves using the morgue at night as their brothel. Against his better judgement, he gets talked into the idea, only to find that it's more than his boss that has objections to this bit of entrepreneurship.—Kenneth Chisholm

Night Shift

Night Shift (1982)

Joel Nagle

Robert Amico

Steve Blackwood

A deranged undertaker kills various people to keep as his friends in his seedy funeral home.

The Undertaker

The Undertaker (1988)

Gloria Grahame

Robert Ridgely

Dabney Coleman

This movie tells the possibly true story of Melvin E. Dummar. Melvin is a nice guy, but he is a total loser: unlucky, impractical and can't keep a job. One night, however, he helps an old man who has had a motorcycle accident in the desert. Melvin laughs when the old man says he is Howard Hughes, the eccentric multimillionaire. But when Howard Hughes dies, Melvin is mailed a will leaving him part of the estate!—Reid Gagle

Melvin and Howard

Melvin and Howard (1980)

Al Pacino

James Remar

Karen Allen

A serial killer brutally slays gay men in New York's S&M bars. The young police officer, Steve Burns, goes undercover to find the murderer. Working almost completely isolated from his department, he has to learn and practice the complex rules and signals of this little society. But the work starts changing him.—Tom Zoerner

Cruising

Cruising (1980)

Sylvester Stallone

Lindsay Wagner

Catherine Mary Stewart

Deke DaSilva (Sylvester Stallone) and Matthew Fox (Billy Dee Williams) are two New York City cops who get transferred to an elite anti-terrorism squad. About this same time, an infamous international terrorist shows up in New York City looking to cause some chaos. It's up to DaSilva and Fox to stop him, but will they be in time?—Afterburner

Nighthawks

Nighthawks (1981)

Tom Cruise

Daphne Zuniga

Jackie Earle Haley

Teen sex comedy set in 1965 which follows four Los Angeles school friends, Woody, Dave, Spider, Wendell and the series of misadventures they get into when they travel south of the border to Tijuana, Mexico for a night of cruisin', causing trouble, and to settle a pact to lose their virginity before the night is over, while a young woman, named Kathy, accompanies them for different reasons: to arrange a quick divorce from her husband.—

Losin' It

Losin' It (1982)

Gary Busey

Robert Englund

Barbara Hale

Matt Johnson, Jack Barlow, and Leroy Smith are three young California surfers in the 1960s. At first reveling in the carefree life of beaches, girls, and waves, they eventually must face the fact that the world is changing, becoming more complex, less answerable by simple solutions. Ultimately the Vietnam war interrupts their idyll, leaving them to wonder if they will survive until "Big Wednesday," the mythical day when the greatest, cleanest, most transcendent wave of all will come.—Jim Beaver

Big Wednesday

Big Wednesday (1978)

Jeff Goldblum

Bill Murray

An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953. He struggles to come to terms with his feelings about his mother's overbearing nature, while also trying to maintain his relationship with his girlfriend.—scgary66

Next Stop, Greenwich Village

Next Stop, Greenwich Village (1976)

Charlotte Rampling

Murder. Marlowe. Mitchum. No one is a saint in the City of Angels. The immortal Robert Mitchum stars as Raymond Chandler's legendary detective Philip Marlowe in the neo-noir mystery Farewell, My Lovely. The hard-boiled Marlowe's latest cases (one, a search for an ex-convict''s lost love, and the other, the murder of a client) take on an even more sinister turn when they begin to connect, leading the private eye deeper and deeper into the seamy underbelly of 1940s Los Angeles. As the stakes are raised and the body count swells, it looks like Marlowe might be next on the list to take the big sleep. Also featuring Charlotte Rampling, Sylvia Miles, Harry Dean Stanton, and Sylvester Stallone in an early role, Farewell, My Lovely is an unflinching take on Chandler's pulpy novel and a mystery film as powerful and complex as its leading man.

Farewell, My Lovely

Farewell, My Lovely (1975)

Tom Savini

Frank Pesce

Caroline Munro

Frank Zito misses his mother, who was killed in a car accident years before. She was abusive to him, and made money selling her body, but Frank still misses her. He tries to keep her from leaving him, and reform her evil ways, by killing young women and putting their scalps on mannequins which he displays around his apartment. Photographer Anna D'Antoni takes a picture of him in the park, and he pursues and befriends her. Is she the one he has been looking for or just another mother wannabe?—Ed Sutton

Maniac

Maniac (1980)

Sandy Alexander

Eddie Marino is a factory worker in New York City. He has a wife named Vickie and a son named Scott. Eddie's friend and co-worker Nick and some of the factory's other workers have formed a vigilante group because Nick and the group are fed up with the pimps, gangs, and drug dealers who keep taking over the neighborhoods. Nick and his group are also sick and tired of the police, because the police always fail to protect people who become victims. Eddie goes home from work one night, only to discover that Vickie has been stabbed, and Scott has been shot dead. Frederico "Rico" Melendez, the leader of a Puerto Rican street gang, is arrested for Vickie's stabbing and Scott's murder. Assistant District Attorney Mary Fletcher plans to put Rico away for as long as possible, since New York doesn't have the death penalty. Nick tries to convince Eddie to join the vigilante group, but Eddie turns Nick down, preferring to let the courts handle Rico. Nick makes it clear that he has no faith whatsoever in the police and the judicial system. The case against Rico doesn't make it past the arraignment. Corrupt Judge Sinclair sets Rico free with a two year suspended sentence. Eddie goes crazy and tries to strangle Judge Sinclair, who sentences Eddie to spend 30 days in jail for that. It was Rico's right hand man, Prago, who had fired the shot that killed Scott while Rico stabbed Vickie. Prago also paid Judge Sinclair to set Rico free. In jail, Eddie befriends an inmate named Rake. As soon as Eddie is released from jail, he changes his mind about Nick's vigilante group. Eddie joins the group so he can go after Rico, Prago and Judge Sinclair.—Todd Baldridge

Vigilante

Vigilante (1982)

Mickey Rourke

Gene Hackman

Joe Pesci

Arctic prospector Jack McCann (Gene Hackman), after fifteen years of solitary searching, becomes one of the world's wealthiest men when he literally falls into a mountain of gold in 1925. Twenty years later, in 1945, he lives in luxury on a Caribbean island that he owns. But his wealth brings him no peace of mind as he copes with Helen (Jane Lapotaire), his bored, alcoholic wife; Tracy (Theresa Russell), his dear, but headstrong, daughter who has married a dissolute, philandering social-climber; and Miami mobsters who want his island to build a casino. His life is entangled with the obsessions of those around him with greed, power, and debauchery against a background of occult symbolism.—Jerry Caplin

Eureka

Eureka (1983)

Martin Kove

Delphi Lawrence

Joseph Bologna

Tom and Joe are disillusioned New York City cops who decide to pull off one big robbery and retire on the proceeds. Bearer bonds are what the local Mafia boss will buy, so that's what they go for. Central Park is the location for the switch. Can they come out of it with their lives and the money ?—Ian Harries

Cops and Robbers

Cops and Robbers (1973)

Richard Lynch

Tony Lo Bianco

Buddy, Barilli, Mingo and Ansel, detectives with the NYPD, comprise a secret investigative unit called the Seven-Ups, who, largely undercover, focus on cases leading to felony convictions with prison sentences of seven years or more for the criminals in question. Many within the NYPD who know about the unit don't support the idea of it because of the often unethical way they work on the cases, but their superior, Inspector Gilson, defends the unit solely because of the results. On the sly, Buddy, who is the head of the team, gets much of the information for the cases from Vito Lucia, a childhood friend who still lives and works in the old neighborhood where much of the crime is based. Vito knows that his life could be in danger if the mob finds out that he acts as a snitch for the police. After Buddy starts looking into the loan sharking business of some local mob members, unknown to him some of those mob members are shaken down for a minimum $100,000 apiece, one by one kidnapped for ransom before they are released when the extortionists are able to abscond with the ransom money. The M.O. of the extortionists is for two to act as police detectives bringing the mob member in for questioning, before showing their true colors of kidnapping the person for ransom. The mob has no reason to doubt that the men truly are NYPD gone bad. Buddy even sees one of them taken in, a bail bondsman named Festa with mob ties, he knowing that what he witnessed was not what it appeared on the surface, however unaware that this situation was not a one off in the scuttlebutt he had previous heard about general unrest on the streets. By the time that Buddy learns of the serial kidnappings and the unofficial war the mob has with the NYPD because of it, Buddy and the team are determined to nab the mastermind behind the extortions as it has become more than a professional issue for them.—Huggo

The Seven-Ups

The Seven-Ups (1973)

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