Judith Anderson

Michael Craig

Alex Cord

At an isolated inn, the elderly owners, Caroline and Lazar Straulle, are killing off anyone who stays with them. Meanwhile, in the same area, a murderer is on the run from the law. At the vanguard of his pursuers is a bounty hunter, Kincaid, a highly resourceful man. It is inevitable that he and the Straulles will cross paths.

Inn of the Damned

Inn of the Damned (1975)

Robert Hutton

Jerry Lewis

Barry Gordon

This was Jerry Lewis' answer to the classic Cinderella story. When his father dies, poor Cinderfella (Jerry Lewis) Fella is left at the mercy of his snobbish stepmother (Dame Judith Anderson) and her two no-good sons, Maximilian (Henry Silva) and Rupert (Robert Hutton). As he slaves away for his nasty stepfamily, Maximilian and Rupert attempt to find a treasure Cinderfella's father has supposedly hidden on the estate. Meanwhile, hoping to restore her dwindling fortunes, the stepmother plans a fancy ball in honor of the visiting Princess Charming (Anna Maria Alberghetti) who she hopes will marry Rupert. Eventually, Cinderfella's Fairy Godfather (Ed Wynn) shows up to convince him that he has a shot at winning the Princess.

Cinderfella

Cinderfella (1960)

Frank Wilcox

Walter Huston

Virginia Christine

It's two years after the Nazi's invasion of Norway, and in a small fishing village that is headquarters to one hundred fifty German soldiers, the eight hundred locals are stewing, waiting for a supply of arms so they can revolt. Leaders include Karen Stensgard (Ann Sheridan), whose father, Dr. Martin Stensgard (Walter Huston), is not all that sure that an open revolt will accomplish much, and whose brother has previously proven to be disloyal to Norway, and Gunnar Brogge (Errol Flynn), a fisherman who was planning to sail to England to fight, but changed his mind on hearing of English arms being delivered. Although the Nazi's cruelty is evident, the townspeople bide their time, until one incident causes the stewpot to boil over. —Ron Kerrigan

Edge of Darkness

Edge of Darkness (1943)

Cedric Hardwicke

Rita Hayworth

Stewart Granger

In the reign of Tiberius Caesar (Sir Cedric Hardwicke), Gallilean prophet John the Baptist (Alan Badel) preaches against King Herod (Charles Laughton) and Queen Herodias (Dame Judith Anderson). The latter wants John dead, but Herod fears to harm him due to a prophecy. Enter beautiful Princess Salome (Rita Hayworth), Herod's long-absent stepdaughter. Herodias sees the King's dawning lust for Salome as her means of bending the King to her will. But Salome and her lover Claudius (Stewart Granger) are (contrary to Scripture) nearing conversion to the new religion. And the famous climactic dance turns out to have unexpected implications. —Rod Crawford

Salome

Salome (1953)

Richard Harris

Dub Taylor

James Gammon

During the early 1800s, English Lord John Morgan (Richard Harris) is hunting in the Dakotas, but he is captured by a group of Sioux warriors. Morgan's guides are killed, but he is spared by Sioux Chief Yellow Hand (Manu Tupou), who marvels at Morgan's blond hair. Brought to Yellow Hand's tribal village, Morgan has to endure physical abuse and mockery at the hands of women and children who consider him to be a wild horse. Restrained by a rope around his neck, Morgan is given as a gift to an old squaw, Buffalo Cow Head (Dame Judith Anderson), to be her slave and help her with daily chores. In the village, Morgan meets Running Deer (Corinna Tsopei), the beautiful young sister of Chief Yellow Hand. Morgan witnesses the traditional courtship process when Running Deer is asked in marriage by a tribe member who presents Yellow Hand with gifts in return for his sister's hand in marriage. Morgan starts to fall in love with her. Also in the village is half-breed, Batise (Jean Gascon), whose mother was Sioux and father was French. Batise becomes Morgan's friend and interpreter. Batise advises Morgan against escaping citing his own escape attempt when he was re-captured and hamstrung by the savage Sioux. Despite these warnings, Morgan tries to escape several times, but he is re-captured. He decides to bide his time for another escape opportunity. When a rival Shoshone war party approaches the Sioux village, Morgan kills two of the Shoshone scouts, winning the respect of his Sioux captors. Instead of escaping, Morgan plans to learn the ways of the Sioux, become a warrior, and gain his place amongst them. But this would require much more than killing a few Shoshone scouts. Lord John Morgan's true ordeal is just beginning. —nufs68

A Man Called Horse

A Man Called Horse (1970)

Richard Haydn

Barry Fitzgerald

June Duprez

Seven guests, a newly hired personal secretary and two staff are gathered for a weekend on an isolated island by the hosts, the Owens, who are delayed. At dinner, a record is played and the host's message alleges that all of the people present are guilty of murder, and suddenly the first of them is dead, then the next. It seems that one of them is the murderer, but the leading person is always the person who is murdered next and at last, only two people are left.

And Then There Were None

And Then There Were None (1945)

Vincent Price

Gene Tierney

Dana Andrews

Detective Lieutenant Mark McPherson (Dana Andrews) investigates the killing of Laura Hunt (Gene Tierney), found dead on her apartment floor before the movie starts. McPherson builds a mental picture of the dead girl from the suspects he interviews. He is helped by the striking painting of the late lamented Laura hanging on her apartment wall. But who would have wanted to kill a girl with whom every man she met seemed to fall in love? To make matters worse, McPherson finds himself falling under her spell too. Then one night, halfway through his investigations, something seriously bizarre happens to make him re-think the whole case. —Steve Hosgood

Laura

Laura (1944)

Edward G. Robinson

Julie London

Rory Calhoun

Pete (Edward G. Robinson) and Ellen Morgan (Dame Judith Anderson) have reared Meg (Allene Roberts) as their own, ever since she was a baby and her parents took off. Now a teen, Meg convinces her friend Nath Storm (Lon McCallister) to come help with chores on the farm: Pete isn't getting around on his wooden leg like he used to. When Nath insists on using a short cut home through the woods, Pete gets quite agitated and warns him of screams in the night, of terrors associated with the red house. Curious, Meg and Nath ignore his warnings and begin exploring. Meg begins falling in love with Nath, but his girlfriend Tibby Rinton (Julie London) has other plans for him. Meanwhile, they all get closer to real danger and the dark secret of the red house. —Ed Sutton

The Red House

The Red House (1947)

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