Laurence Harvey

Susan Hampshire

Cliff Richard

Hermione Baddeley

Expresso Bongo

Expresso Bongo (1959)

James Robertson Justice

Christopher Lee

Ronald Lewis

Storm Over the Nile

Storm Over the Nile (1955)

Orson Welles

Ingrid Bergman

Charles Gray

Orson Welles: The One-Man Band

Orson Welles: The One-Man Band (1995)

Mark Baker

Margo Johns

Jon Sullivan

Vesta Tilley is the daughter of a music-hall chairman who watches shows from the wings with great enthusiasm. One day, her father finds her dressed as a boy, singing to an audience of dolls. Her act, he believes, is good enough to be performed in front of a live audience. As time goes on, word of her spreads. Viewed as the first male impersonator, her fame leads her into marriage to a nobleman.—Amazon Prime

After the Ball

After the Ball (1957)

Monica Vitti

Stefania Sandrelli

Marcello Mastroianni

Gianni, Nicola and Antonio become close friends in 1944 while fighting the Nazis. After the end of the war, full of illusions, they settle down. The movie is a the story of the life of these three idealists and how they deal with the inevitable disillusionments of life.—Yepok

We All Loved Each Other So Much

We All Loved Each Other So Much (1974)

George Sanders

Paula Raymond

Rex Harrison

In 1191, King Richard the Lionheart, along with several other European monarchs, is in the Holy Land intent on retaking Jerusalem from the Saracens. There is much infighting and outright treachery in the European encampment however. Two nobles in particular, Sir Giles Amaury (Robert Douglas) and Conrad, Marquis of Montferrat (Michael Pate), want to eliminate the English King and attempt to have him assassinated. Severely wounded and on his death bed, Richard is brought back to health by a Saracen doctor recruited by one of his loyal knights, Sir Kenneth of the Leopard (Laurence Harvey). The King recovers from his wounds but when he hears that Sir Lawrence wishes to marry Lady Edith Plantagenet (Virginia Mayo), the knight is banished only to be taken in by the very doctor who treated the King and who has an altogether different identity.—rodmch

King Richard and the Crusaders

King Richard and the Crusaders (1954)

Shelley Winters

Patrick McGoohan

Julie Harris

A dramatized semi-fictional autobiographical account of Christopher Isherwood's time in Berlin in the early 1930s is presented, that time before his fame when he was struggling financially in trying to write his first novel. He classifies that writing akin to being a camera, documenting what he sees around him solely as an observer. In present day, he remembers back to that time due to the event he is attending. Most of that remembrance centers on his platonic friendship with fellow Brit Sally Bowles, an irreverent and somewhat naive (probably on purpose) young woman who always needed to be in the center of what was happening around her. Equally poor like him, she was in Berlin to make a living as an actress, and in being unsuccessful in it in flitting from one activity to another, she always seemed to find a way to land on her feet in using people who could help her. Others in their sphere included: wealthy Natalia Landauer, a department store heiress and Chris' only English student, she who was somewhat the antithesis of Sally in being aware of what was happening around her yet traditional in her personal life; Fritz Wendel, who needed to be in love, he first setting his sights on Sally before meeting Natalia, their potential courtship hindered by a secret he was keeping from the world in that troubled geopolitical time; and independently wealthy American Clive Mortimer, whose life was all about having fun through spending money without any stated commitments.—Huggo

I Am a Camera

I Am a Camera (1955)

Derren Nesbitt

Yvonne Romain

Sidney James

In the Mediterranean in 1941 the Italians start using underwater chariots to mine the undersides of allied ships. Explosives expert Lionel Crabbe arrives in Gibraltar to organise defenses, but finds only two British divers available to help him. Even more worrying, it seems likely that the Italians are secretly using neutral Spain across the bay as their key base.—Jeremy Perkins {J-26}

The Silent Enemy

The Silent Enemy (1958)

Mervyn Johns

John Gielgud

Flora Robson

In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.

Romeo and Juliet

Romeo and Juliet (1954)

Richard Harris

David McCallum

Richard Todd

A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted "non-hero" Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colors of each man comes to the surface ...—McGinty

Jungle Fighters

Jungle Fighters (1961)

Kenneth More

Miles Silverton

Alfie Bass

An Army deserter, who still remains a fugitive in post-war Britain, becomes unwittingly involved in a pawn-shop robbery and soon finds himself wanted for murder. He meets a war widow who helps him elude the police while he looks for the real criminals.—Bill Davis

Man on the Run

Man on the Run (1949)

Joss Ackland

Joan Hickson

Patrick Macnee

An English scientist runs away from a research center with an atomic bomb. In a letter sent to the British Prime Minister he threatens to blow up the center of London if the Government don't announce the end of any research in this field within a week. Special agents from Scotland Yard try to stop him, with help from the scientist's assistant future son-in-law to find and stop the mad man.—Jean-Marie Berthiaume

Seven Days to Noon

Seven Days to Noon (1950)

Lee Remick

Ramsay Ames

Alan Bates

Hard up and with a grudge against insurance companies, English pilot Rex Black fakes his death and meets up with his wife and the money in Malaga, Spain when things have quieted down. But when the insurance investigator turns up, Rex starts a game of cat-and-mouse.—Jeremy Perkins {J-26}

The Running Man

The Running Man (1963)

Simone Signoret

Wendy Craig

The English factory town is dreary but Joe Lampton has landed a job with a future. To have something to do at night, he joins a theatrical group. His boss's daughter Susan is playing ingenue roles on stage and in real life. She is attracted to Joe, who thinks about how much faster he will get ahead if he is the boss's son-in-law. This plan is complicated by his strong desire to be with an older woman who also belongs to the theatrical group; she is French and unhappily married. Joe believes he can get away with seeing both women.—Dale O'Connor

Room at the Top

Room at the Top (1958)

Don Ameche

Richard Wilson

Orson Welles' free-form documentary about fakery focusses on the notorious art forger Elmyr de Hory and Elmyr's biographer, Clifford Irving, who also wrote the celebrated fraudulent Howard Hughes autobiography, then touches on the reclusive Hughes and Welles' own career (which started with a faked resume and a phony Martian invasion). On the way, Welles plays a few tricks of his own on the audience.—Anonymous

F for Fake

F for Fake (1973)

John Steiner

Vernon Dobtcheff

Julie Christie

Young, attractive, and vivacious, model Diana Scott (Julie Christie) is firmly determined to become rich and famous, and she does not hesitate to take bold steps to succeed. She finally literally strikes gold: she meets Robert Gold (Sir Dirk Bogarde), a well-known television journalist who not only introduces her into new social and professional circles, but also abandons his family to live with her. Diana seems to have happily combined success and love. However, in those roaring sixties, others are ready to offer her even more money, fame, and fun than Robert can.—Eduardo Casais

Darling

Darling (1965)

16 YIFY Movies Found

6.2 / 10

Drama
Music

6.1 / 10

Adventure
Drama

7.5 / 10

Documentary

6.3 / 10

Biography
Musical

8 / 10

Action
Comedy

5.5 / 10

Adventure
Family

6.3 / 10

Action
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6.6 / 10

Action
Biography

6 / 10

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6.7 / 10

Drama
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6.7 / 10

Action
Crime

7 / 10

Action
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6.5 / 10

Action
Crime

7.5 / 10

Action
Drama

7.7 / 10

Action
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7 / 10

Action
Drama

16 YIFY Movies Found

6.2 / 10

DramaMusic

6.1 / 10

AdventureDrama

7.5 / 10

Documentary

6.3 / 10

BiographyMusical

8 / 10

ActionComedy

5.5 / 10

AdventureFamily

6.3 / 10

ActionComedy

6.6 / 10

ActionBiography

6 / 10

ActionDrama

6.7 / 10

DramaWar

6.7 / 10

ActionCrime

7 / 10

ActionDrama

6.5 / 10

ActionCrime

7.5 / 10

ActionDrama

7.7 / 10

ActionDocumentary

7 / 10

ActionDrama

Drama
Music

Adventure
Drama

Biography
Musical

Action
Comedy

Adventure
Family

Action
Comedy

Action
Biography

Action
Drama

Drama
War

Action
Crime

Action
Drama

Action
Crime

Action
Drama

Action
Documentary

Action
Drama