Laurie Mitchell

Warren Stevens

Ida Lupino

Mae Clarke

During the 1950s, two women inmates are sent to a maximum security state prison. One of the two women is a repeat offender who knows many of the inmates and guards at the prison. She almost feels like returning home to her prison family. The other woman is a decent person, a first-time offender who's no criminal.She unintentionally killed a child in a car accident. She's very young, married, and is terrified of being in prison. Her mental state is very fragile. The women's prison is adjacent to the men's prison. The two prisons are separated by a high wall but there are secret ways of crossing from one prison into the other. Warden Brock is in charge of the men's prison while Amelia van Zandt is the heartless brutal director of the women's prison. The guards are severe and not very friendly, since, they too, fear the wrath of their female warden van Zandt. The only ray of hope and decency in this earthly inferno is the prison doctor, Dr. Crane. However, the good doctor has little power or say in the daily running of the prison.He tries as much as possible to protect his patients, the most vulnerable of all inmates. In this human hell, the two new arrivals, housewife Helene Jensen and forger Brenda Martin, must survive. Prison newbie Helene Jensen decides to stick close to veteran jail-bird Brenda Martin in order to learn the ropes of prison life but this might just not be enough to ensure Helene's survival.

Women's Prison

Women's Prison (1955)

James Arness

Raymond Burr

Julie Adams

Home from the Civil War, young Neal Hammond is happy to return to Texas ranching, but brother Dan wants more. His attempt to enter business is thwarted when carpetbagger Cord Hardin beats and humiliates him in a poker game. So Dan forms a rustling gang and parlays his ill-gotten gains into a land empire. But among the growing opposition to his gang is the new Marshal of Austin...brother Neal. —Rod Crawford

Horizons West

Horizons West (1952)

J. Carrol Naish

Betty Hutton

Howard Keel

A story very loosely based on the love story of Annie Oakley and Frank Butler who meet at a shooting match. Fabulous music although the lead characters have virtually nothing to do with the actual historical figures. Annie joins Frank Butler in Col. Cody's Wild West Show. They tour the world performing before Royalty as well as the public at large.

Annie Get Your Gun

Annie Get Your Gun (1950)

Sherry Jackson

Ann Blyth

Argentina Brunetti

This film traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso is unacceptable to both women's fathers: to one, because he sings; to Dorothy's, because he is a peasant. To New York patricians, Caruso is short, barrel chested, loud, emotional, unrefined. Their appreciation comes slowly. The film depicts Caruso's lament that "the man does not have the voice, the voice has the man": he cannot be places he wants to be, because he must be elsewhere singing, including the day his mother dies. Throughout, Mario Lanza and stars from the Met sing. —

The Great Caruso (1951)

The Great Caruso (1951) (1951)

Joan Blondell

Jean Harlow

James Cagney

Tom Powers and Matt Doyle are best friends and fellow gangsters, their lives frowned upon by Tom's straight laced brother, Mike, and Matt's straight laced sister, Molly. From their teen-aged years into young adulthood, Tom and Matt have an increasingly lucrative life, bootlegging during the Prohibition era. But Tom in particular becomes more and more brazen in what he is willing to do, and becomes more obstinate and violent against those who either disagree with him or cross him. When one of their colleagues dies in a freak accident, a rival bootlegging faction senses weakness among Tom and Matt's gang, which is led by Paddy Ryan. A gang war ensues, resulting in Paddy suggesting that Tom and Matt lay low. But because of Tom's basic nature, he decides instead to take matters into his own hands.

The Public Enemy

The Public Enemy (1931)

Amzie Strickland

Fred Astaire

Keenan Wynn

Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where Ellen meets and becomes involved with Lord John Brindale. This causes her to miss a rehearsal. Tom (Astaire) uses the time to dance with a hat rack and gym equipment. Later Tom and Ellen attempt a graceful dance number as the ship rolls. Upon arrival Tom holds auditions and meets Anne. There is much indecision by the siblings about their romantic partners even though they are in-the-clouds. Tom dances on the walls and ceiling of his hotel room. All ends well in this light musical. By the way, there is a vaudeville-style dance number in their show that features slapstick. It's a hoot. —Paul Corr

Royal Wedding

Royal Wedding (1951)

Aldo Ray

Charles Bronson

Katharine Hepburn

Pat's a brilliant athlete, except when her domineering fiance is around. The lady's golf championship is in her reach until she gets flustered by his presence at the final holes. He wants them to get married and forget the whole thing, but she can't give up on herself that easily. She enlists the help of Mike, a slightly shady sports promoter. Together they face mobsters, a jealous boxer, and a growing mutual attraction. —BA Jacobson

Pat and Mike

Pat and Mike (1952)

Bette Davis

Ernest Borgnine

Debbie Reynolds

At breakfast, Jane announces that she and Ralph are getting married the next week. All Jane and Ralph want is a small wedding with the immediate family and no reception, because Jane's parents are poor and Jane and Ralph can borrow a car for their honeymoon. But at dinner that night, all Ralph's parents talk about are the big weddings they gave their daughters, and everything escalates. Suddenly it's a big wedding breakfast with hundreds of guests. The problem is that for 12 years, Tom has been saving money to buy his own cab and license, but now that he can, all of that money is going towards a wedding that neither he nor Jane nor Ralph really want.

The Catered Affair

The Catered Affair (1956)

Paul Williams

Erin Moran

Howard Caine

Jeff Gerber, an insurance agent, lives in a typical suburban neighborhood. He is also both racist and a fitness freak. But Jeff's bigoted world of taunting and harassing black people on and off the job is turned upside down when his skin inexplicably turns dark overnight. As Jeff tries to come to terms with this unexplained phenomenon that has befallen him, he soon becomes the victim himself when all of his friends and neighbors suddenly shun and harass him. This puts a strain on his marriage and loyal wife Althea, who begins to crack under the pressure. When all medical attempts to change his skin back to his former color fail, Jeff accepts that Kharma has caught up with him. Jeff tries to see the light of being a persecuted black man in this cruel and segregated world with the help of some of some new black friends, some of whom were people he, as a white man, taunted and harassed. —matt-282

Watermelon Man

Watermelon Man (1970)

Steve Cochran

James Best

Matt Ballot has returned home after 9 years of hard drinking in all 48 states. His wife managed to raise their 11-year-old daughter and 9-year-old son nicely without his help. Matt is considered a disgrace to the town he came from, and now he finds himself trying to win the love of his children, his wife and the respect of the towns people. Set in Arkansas in the 1920s. —William Lund

Tuhlattuja vuosia

Tuhlattuja vuosia (1956)

Francis Ford

Boris Karloff

Colin Clive

Henry Frankenstein is a doctor who is trying to discover a way to make the dead walk. He succeeds and creates a monster that has to deal with living again. —Josh Pasnak

Frankenstein

Frankenstein (1931)

Clark Gable

Adolphe Menjou

Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent stories as much as write them. All are waiting to cover the hanging of Earl Williams. When Williams escapes from the inept Sheriff, Hildy seizes the opportunity by using his $260 honeymoon money to payoff an insider and get the scoop on the escape. However, Walter Burns, the Post's editor, is slow to repay Hildy back, hoping that he will stay on the story. Getting a major scoop looks possible when Hildy stumbles onto the bewildered escapee and hides him in a roll-top desk in the press room. Burns shows up to help. Can they keep Williams' whereabouts secret long enough to get the scoop, especially with the Sheriff and other reporters hovering around? —Gary Jackson

Etusivu uusiksi

Etusivu uusiksi (1931)

Rita Moreno

Cyd Charisse

Joi Lansing

1927 Hollywood. Monumental Pictures' biggest stars, glamorous on-screen couple Lina Lamont and Don Lockwood, are also an off-screen couple if the trade papers and gossip columns are to be believed. Both perpetuate the public perception if only to please their adoring fans and bring people into the movie theaters. In reality, Don barely tolerates her, while Lina, despite thinking Don beneath her, simplemindedly believes what she sees on screen in order to bolster her own stardom and sense of self-importance. R.F. Simpson, Monumental's head, dismisses what he thinks is a flash in the pan: talking pictures. It isn't until The Jazz Singer (1927) becomes a bona fide hit which results in all the movie theaters installing sound equipment that R.F. knows Monumental, most specifically in the form of Don and Lina, have to jump on the talking picture bandwagon, despite no one at the studio knowing anything about the technology. Musician Cosmo Brown, Don's best friend, gets hired as Monumental's ...

Singin' in the Rain

Singin' in the Rain (1952)

Lisa Gaye

Rock Hudson

Agnes Moorehead

When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates him with equipment that's therefore unavailable to aid a local hero, Dr. Wayne Phillips, who dies as a result. Phillips had helped many people, and when Merrick learns Phillips' secret, to give selflessly and in secret, he tries it in a ham-handed way. The result further alienates Phillips' widow, Helen, with whom Merrick has fallen in love. Merrick's persistence causes another tragedy, and he must remake his life, including going back to medical school, in an attempt to make amends and win her love.

Magnificent Obsession

Magnificent Obsession (1954)

John Wayne

Tom Neal

Anne Jeffreys

Jim Gordon commands a unit of the famed Flying Tigers, the American Volunteer Group which fought the Japanese in China before America's entry into World War II. Gordon must send his outnumbered band of fighter pilots out against overwhelming odds while juggling the disparate personalities and problems of his fellow flyers. In particular, he must handle the difficulties created by a reckless hot-shot pilot named Woody Jason, who not only wants to fight a one-man war but to waltz off with Gordon's girlfriend. —Jim Beaver

Flying Tigers

Flying Tigers (1942)

15 YIFY Movies Found

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15 YIFY Movies Found

6.5 / 10

ActionCrime

6.2 / 10

Western

6.9 / 10

BiographyComedy

6.5 / 10

BiographyDrama

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ActionCrime

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ActionDrama

6.8 / 10

ActionDrama

Action
Crime

Biography
Comedy

Biography
Drama

Action
Crime

Action
Comedy

Comedy
Romance

Comedy
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Action
Drama

Drama
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Action
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Action
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