Janet Leigh

Mary Astor

Dick Elliott

Phyllis Thaxter

Act of Violence

Act of Violence (1948)

Robert Quarry

Virginia Leith

Robert Wagner

Student Bud Corliss is wooing Dorother Kingship purely for her father's mining fortune. When he finds she is pregnant he realises she is likely to be disinherited, so cleverly stages her suicide. After a couple of months her sister back home finds evidence to question the suicide verdict, but by then has a new boyfriend of her own...—Jeremy Perkins {J-26}

A Kiss Before Dying

A Kiss Before Dying (1956)

Jean Harlow

Clark Gable

Donald Crisp

Conditions are spartan on Dennis Carson's Indochina rubber plantation during a dusty dry monsoon. The latest boat upriver brings Carson an unwelcome guest: Vantine, a floozy from Saigon, hoping to evade the police by a stay upcountry. But Carson, initially uninterested, soon succumbs to Vantine's ostentatious charms...until the arrival of surveyor Gary Willis, ill with malaria, and his refined but sensuous wife Barbara. Now the rains begin, and passion flows like water...—Rod Crawford

Red Dust

Red Dust (1932)

Tuesday Weld

Carol Lynley

Jeff Chandler

The residents of Peyton Place, New Hampshire, are not happy when its most famous denizen, Alison Mackenzie, writes a "shocking" novel detailing the sinful secrets of the town. Most outraged is malicious Roberta Carter, who wants the book banned from the school library. Roberta's other mission is to destroy her son Ted's marriage to his Italian bride. Theirs, however, isn't the only marriage in trouble: Alison's book is causing a rift between her mother and stepfather, who is also the school principal and one of the book's few defendants.—Daniel Bubbeo

Return to Peyton Place

Return to Peyton Place (1961)

Bette Davis

Hattie McDaniel

George Brent

Sandra (Mary Astor) and Pete (George Brent) elope, but their marriage is invalid as she's not yet divorced. Sandra is, however, pregnant by Pete. Pete marries his former fiancée Maggie (Bette Davis), then flies to South America where his plane crashes. Maggie pays Sandra to let her adopt Pete's baby. Pete returns "from the dead". Sandra and Maggie contend for Pete and the baby.—Ed Stephan

The Great Lie

The Great Lie (1941)

Lizabeth Scott

Burt Lancaster

John Hodiak

Fritzi Haller is a powerful casino owner in Chuckawalla, Nevada. Her daughter Paula, having quit school, returns at the same time as racketeer Eddie Bendix, who left under suspicion of murdering his wife. When Paula and Eddie become involved, Fritzi, Paula's old beau Tom, and Eddie's pal Johnny try to break up the relationship, each for her or his own reasons. Then Eddie's past catches up with him in an unexpected way.—Rod Crawford

Desert Fury

Desert Fury (1947)

Movita

Jon Hall

Raymond Massey

On the Island of Manukura, a French colony in the South Seas, joyful Terangi is a leader among the natives and the first mate of the Katopua, the tall ship of Captain Nagle. Terangi marries Marama and soon sails to Tahiti. While in a bar playing with other natives, Terangi is offended by an alcoholic French racist and he hits him, breaking his jaw. Despite Captain Nagle's testimony, Terangi is sentenced to six months of forced labor since the victim had political connections with the Powers That Be. Captain Nagle asks the Governor Eugene DeLaage to uses his influence to help Terangi, but the governor refuses. Terangi unsuccessfully tries to escape from the prison, and each attempt increases his sentence. Eight years later, he finally escapes and his jailbreak is celebrated in Manukura. Father Paul finds his canoe and brings Terangi to the island. But a devastating hurricane also arrives in the island threatening the dwellers.—Claudio Carvalho, Rio de Janeiro, Brazil

The Hurricane

The Hurricane (1937)

Don Ameche

Monty Woolley

Elspeth Dudgeon

Showgirl Eve, stranded in Paris without a sou, befriends taxi driver Tibor Czerny, then gives him the slip to crash a party. There she meets Helene Flammarion and her gigolo Picot, who's attracted to Eve. Helene's scheming husband Georges enlists Eve's aid in taking Picot away from his wife. It works well - at first. Meanwhile, lovestruck Tibor searches for Eve. But then he learns she's calling herself Baroness Czerny.—Rod Crawford

Midnight

Midnight (1939)

June Lockhart

William Smith

Tom Drake

St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair.—Mattias Thuresson

Meet Me in St. Louis

Meet Me in St. Louis (1944)

Elizabeth Taylor

Rossano Brazzi

The March sisters - Jo (June Allyson), Beth (Margaret O'Brien), Amy (Dame Elizabeth Taylor), and Meg (Janet Leigh) - struggle to make ends meet in their New England household while their father is away fighting in the Civil War. Despite harsh times, they cling to optimism, often with neighbor Laurie (Peter Lawford) as a companion. As they mature, they face burgeoning ambitions and relationships, as well as tragedy, all the while maintaining their unbreakable bond.—Jwelch5742

Little Women

Little Women (1949)

Scotty Beckett

Arthur Space

Alexis Smith

Although Charley Kying (Clark Gable) has owned a casino for 15 years, on one rainy night events and people seem to converge and threaten his family home and second home, his gambling house. After a doctor secretly diagnoses him with a severe heart condition and recommends that if he continues to subject himself to the daily stress of a professional gambler, he hasn't long to live. Later that day he's made to realize that he's been neglecting his faithful wife (Alexis Smith) for years and abdicated his duties as father to his son (Daryl Hickman), who resents his father's unsavory reputation and rebuffs his interest in attending that night's prom. Charley's weakling brother-in-law (Wendell Corey), who sponges off him by freeloading at home and cheating him out of petty cash as croupier, agrees to conspire with rival gamblers to cheat Charley out of thousands. Among the others who add stress to what would seem to be Charley's last night in the casino are a rich former girlfriend (Mary Astor) who proposes they renew their relationship, an old nemesis (Frank Morgan) who's vowing to break the bank at the tables, and an old degenerate gambler and former mentor (Lewis Stone) whose desperation leads him to try to take his own life.—duke1029@aol.com

Any Number Can Play

Any Number Can Play (1949)

Walter Huston

John Payne

David Niven

A bittersweet tale of the increasing estrangement of a retired automobile tycoon and his wife. Increasingly obsessed with maintaining an appearance of youth, she falls in with a crowd of frivolous socialites during their "second honeymoon" European vacation. He, in turn, meets a woman who is everything she is not: self-assured, self-confident, and able to take care of herself.—Sonya Roberts

Dodsworth

Dodsworth (1936)

Harry C. Bradley

Edward G. Robinson

Joan Barclay

Prohibition is ending so bootlegger Bugs Ahearn decides to crack California society. He leases a house from down-on-her-luck Ruth and hires her as social secretary. He rescues Polly Cass from a horsefall and goes home to meet her dad who sells him some phony stock certificates. When he learns about this he sends to Chicago for mob help.—Ed Stephan

The Little Giant

The Little Giant (1933)

Ann Harding

Hedda Hopper

Edward Everett Horton

After a whirlwind ten day courtship following their meeting while on respective vacations in Lake Placid, socialite Julia Seton and Johnny Case, a happy-go-lucky white-collar working stiff with some business acumen, decide to get married immediately. It isn't until Julia needs to tell her Manhattan-based family - widowed father Edward, brother Ned, and sister Linda - of their engagement that Johnny learns of Julia's upper-crust status. Edward is able to check out Johnny's background before giving his approval, hoping Johnny is like his own father who was self-made. However, free-spirited Linda sees in Johnny the boost of joie de vivre that the Seton family desperately needs. Despite being happy for Julia and her approval of Johnny as a prospective member of the family, Linda laments losing in Julia one of her comrades-in-arms in the battle against the conservative repression within the Seton family, led by their father and their cousins Seton and Laura Cram. Johnny confides in Linda his want to retire temporarily from business life when he is financially able to do so - meaning not off the Seton wealth - so that he can both enjoy life while he's young by taking an extended holiday and so that he can truly find what in life he wants to do, work which he will return to once he's found that thing and his money has run out. He could be able to do so earlier than he expected as some investments are paying off. Linda wholehearted admires Johnny's plan and hopes the best for him in going through with it. When Johnny's plan comes to light within the entire family, it could threaten Johnny and Julia's relationship and fully bring into the open the true kindred souls within this new group.—Huggo

Holiday

Holiday (1930)

Frank Faylen

Humphrey Bogart

Keye Luke

Rick Leland makes no secret of the fact he has no loyalty to his home country after he is court-martialed, kicked out of the Army, and boards a Japanese ship for the Orient in late 1941. But has Leland really been booted out, or is there some other motive for his getting close to fellow passenger Doctor Lorenz? Any motive for getting close to attractive traveler Alberta Marlow would however seem pretty obvious.—Jeremy Perkins {J-26}

Across the Pacific

Across the Pacific (1942)

Peter Lorre

Ward Bond

Barton MacLane

Spade and Archer is the name of a San Francisco detective agency. That's for Sam Spade and Miles Archer. The two men are partners, but Sam doesn't like Miles much. A knockout, who goes by the name of Miss Wonderly, walks into their office; and by that night everything's changed. Miles is dead. And so is a man named Floyd Thursby. It seems Miss Wonderly is surrounded by dangerous men. There's Joel Cairo, who uses gardenia-scented calling cards. There's Kasper Gutman, with his enormous girth and feigned civility. Her only hope of protection comes from Sam, who is suspected by the police of one or the other murder. More murders are yet to come, and it will all be because of these dangerous men -- and their lust for a statuette of a bird: the Maltese Falcon.—J. Spurlin

The Maltese Falcon

The Maltese Falcon (1941)

Joan Blondell

Melvyn Douglas

Frances Drake

An investigator for the District Attorney's office quits to open his own detective agency. However, business is so bad that he finally decides to give it up and go back to his old job. As his wife is at his office closing up, a wealthy society matron walks in with a case: she wants to know if her husband is having an affair with his ex-girlfriend, who is now married. The wife accepts what looks to be an easy case, figuring than she can then persuade her husband to re-start the agency. However, when the client's husband is found murdered, she decides to investigate the murder herself. Her husband has also been assigned by the D.A. to investigate the murder, and he doesn't know that his wife is also on the case. Complications ensue.—frankfob2@yahoo.com

There's Always a Woman

There's Always a Woman (1938)

Lillian Randolph

William Demarest

Gerry and Tom Jeffers are finding married life hard. Tom is an inventor/ architect and there is little money for them to live on. They are about to be thrown out of their apartment when Gerry meets rich businessman being shown around as a prospective tenant. He gives Gerry $700 to start life afresh but Tom refuses to believe her story and they quarrel. Gerry decides the marriage is over and heads to Palm Beach for a quick divorce but Tom has plans to stop her.—Col Needham

The Palm Beach Story

The Palm Beach Story (1942)

Madeleine Carroll

It's the late nineteenth century. British Major Rudolf Rassendyll is in central Europe on a fishing vacation, he having no intention of attending what is the reason others are in the country, namely the coronation of Rudolf V to the throne the following day. In a chance encounter with Rudolf V and two of his longtime trusted advisers, Colonel Zapt and Fritz von Tarlenheim, in the countryside, Rassendyll discovers that he and the future King are not only distant cousins, hence both having the long held family male given name of Rudolf, but that they could be twins. Spending the evening with the three men, Rassendyll further discovers the future king is an irresponsible heavy drinker, something that his older half brother, Michael, wants to use to ascend to the throne himself. Michael, using his own operatives, has managed to drug Rudolf, heavily enough to miss the coronation ceremony, at which time Michael plans to address the people to name him king instead. With risk to all three of their lives if discovered, Zapt and von Tarlenheim are able to convince Rassendyll to masquerade as Rudolf at the coronation. Another risk is Michael using other means to dispose of who he believes is his brother. Michael, however, has other issues with which he has to address. Antoinette de Mauban, Michael's girlfriend, does not want him to be king as such would mean marriage to who has been the king's long ago named betrothed, namely Rudolf and Michael's cousin, Princess Flavia. In turn, another of Michael's operatives, Rupert of Hentzau, is in love with Antoinette himself, and thus has his own self-directed motivations different than Michael's. Conversely, other complications arise as Rassendyll, in posing as his cousin, falls in love with Princess Flavia himself. Flavia, who has had a long relationship of animosity with Rudolf who she does not love let alone really like, has fallen in love with this new version of Rudolf. She may be torn if she ever discovers the truth of the deception as she has long been bound a sense of duty, which means marrying the king, whoever he may be.—Huggo

The Prisoner of Zenda

The Prisoner of Zenda (1937)

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