Tatsuya Nakadai

Minoru Chiaki

Machiko Kyô

Kyôko Kishida

A businessman facially scarred in a laboratory explosion receives treatment from a psychiatrist, and obtains an amazingly life-like mask from the doctor. Soon after being fitted for the mask, he attempts to seduce his wife and succeeds. But his wife claims she was aware all along who he was and believed that both were just masquerading together as men and women do in different ways. Strangely enough, his personality seemingly begins to change after he puts on the mask as if the mask has influenced his personality. His new identity does not enable him to reintegrate into society after all. A subplot is inserted in fragments. A good-natured young woman, the right side of whose face is disfigured, has been hurt by others' inquisitive eyes and insults, and has been shunned by men. She asks her older brother, the only man who understands her pain and solitude, to make love to her, hiding from him the intent of killing herself afterwards.—Prion

The Face of Another

The Face of Another (1966)

Keiko Kishi

Chishû Ryû

A tea master and his daughter Ogin are both Christians in feudal Japan. Ogin falls in love with a married feudal prince who shares her faith. When the Shogun bans Christianity, the situation worsens.

Love Under the Crucifix

Love Under the Crucifix (1962)

Chieko Baishô

Tanie Kitabayashi

Jin Nakayama

Sentimental comedy taking place at a harbour in the inland sea.

Song of Love

Song of Love (1967)

Toshirô Mifune

Takashi Shimura

Masayuki Mori

Kinji Kameda, a war veteran, was almost executed in a military process, that was until a last minute reprieve found him innocent of the charge. The resulting turmoil, spent in a VA hospital, led to him suffering mentally, he now clinically deemed an idiot. The military having declared him legally dead in the ensuing time makes him open to abuse by anyone who wants to take advantage of him. While outwardly he seems an odd man to most, some can see below the surface to his wisdom and humanity. With nothing, he heads to Sapporo where his only contact to the outside world, Mr. Ono, will help him get back on his feet. En route, he befriends Denkichi Akama, a proverbial redneck who knows a certain darkness hangs over him. Akama went away to earn enough money to marry Taeko Nasu, a woman of ill-repute having lived her entire life the kept woman of older wealthy Mr. Tohata. Taeko is now an inconvenience in Tohata's life, and as such he has offered a substantial dowry to any man willing to take her off his hands. The man stepping forward is Mr. Ono's associate, Mutsuo Kayama, who truly loves Ono's daughter, Ayako, a straight-forward woman not one to suffer fools. Kayama vows that he will still marry Ayako if she makes the simple request to him not to marry Taeko. Upon his arrival in Sapporo, Kameda begins to fall in love with Ayako himself, while on their chance meeting, a deep emotional bond forms, which some construe as the truest of love, between Kameda and Taeko in each understanding the other's sadness. That bond does not sit well with Akama, who is more prone to violence than to peace and happiness. This situation becomes more complex as some try to do what is best for him/herself, while others want what is best for others, this potent mix which may lead to tragic consequences.—Huggo

The Idiot

The Idiot (1951)

Eitarô Ozawa

Famous singer Miyako Saijo, who is publicity shy, and motorbiking artist Ichirô Aoye, who has minor celebrity, meet by chance in Kappazawa while Ichirô is on a painting expedition, and Miyako is on a retreat. As she has missed her bus to Kaminoyu and as Ichirô is heading there anyway, he offers her a ride to the resort where both of them are staying and which is largely empty as it is the off season. As he visits her in her room solely as a measure of friendship and camaraderie, they are unaware that a paparazzo working for scandal sheet Amour has taken a photograph of the two of them together on her balcony. Hori, Amour's publisher, decides to print the photograph along with an accompanying salacious story on what could have happened based on the photograph, but which is a total fabrication. Hori has done such before with other celebrities, never having been sued as he believes his subjects either like the publicity or are too busy or scared to take action. A libel suit he feels will only increase circulation. He is nonetheless surprised when Ichirô does sue, Ichirô's action regardless of what Miyako decides. Ichirô decides to hire as his lawyer Otokichi Hiruta, despite Hiruta coming across as an ambulance chaser and shyster. Ichirô makes this hiring decision after meeting Hiruta's bedridden daughter, Miyako, who suffers from tuberculosis and whose inherent goodness Ichirô believes cannot have come out of anywhere but her parents. The resulting case not only becomes about Ichirô and Miyako's rights and their belief that justice will and should prevail, but also about Hiruta whose person and soul will have to face the consequences of his own actions.—Huggo

Scandal

Scandal (1950)

Kamatari Fujiwara

The story follows two greedy peasants in feudal Japan, Tahei and Matashichi, who are returning home from a failed attempt to profit from a war between neighboring clans. En Route they encounter the remnants of the defeated tribe that consists, most notably, of a famous General and a Princess who are hiding out in a fortress in the mountains. General Rokurota Makabe and Princess Yuki need to escape into allied territory with their large supply of gold so that they can rebuild their shattered clan. To do this the Peasants are tricked into helping them, with the promise that they will receive a large share of the gold when the destination is reached. Along the way, the General's prowess is put to the test as he must guide the 4, and later 5 with the inclusion of a freed slave, through close encounters with the pursuing enemy, and out of difficult situations the bumbling peasants manage to get them into.—Jeff Napierala

The Hidden Fortress

The Hidden Fortress (1958)

Seiji Miyaguchi

Kei Satô

On his deathbed, a wealthy businessman announces that his fortune is to be split equally among his three illegitimate children, whose whereabouts are unknown to his family and colleagues. A bevy of lawyers and associates then begin machinations to procure the money for themselves, enlisting the aid of impostors and blackmail. Yet all are outwitted by the cunning of the man's secretary (Keiko Kishi), in this entertaining condemnation of unchecked greed.—Anonymous

The Inheritance

The Inheritance (1962)

Mariko Okada

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.—

Samurai III: Duel at Ganryu Island

Samurai III: Duel at Ganryu Island (1956)

A wealthy businessman is told his son has been kidnapped and he will have to pay a very large sum for him to be returned safely. It is then discovered that his son is safe at home: the kidnapper took his chauffeur's son by accident. The kidnapper says this makes no difference: pay up or the child dies. This leaves him with a moral dilemma, as he really needs the money to conclude a very important business deal.—grantss

High and Low

High and Low (1963)

Kunie Tanaka

Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army; he revolts against the abusive treatment spent to the recruit Obara that commits suicide; he also sees his friend Shinjô Ittôhei defecting to the Russian border; and he ends in the front to fight a lost battle against the Russian tanks division.—Claudio Carvalho, Rio de Janeiro, Brazil

The Human Condition II: Road to Eternity

The Human Condition II: Road to Eternity (1959)

Kiichi Nakajima, an elderly foundry owner, is so frightened and obsessed with the idea of nuclear extermination that his family decides to have him ruled incompetent. Nakajima's fervent wish is for his family to join him in escaping from Japan to the relative safety of South America. Harada, a civil volunteer in the case, sympathizes with Nakajima's conviction, but the old man's irrational behaviour prevents the court from taking his fears seriously.—Jim Beaver

I Live in Fear

I Live in Fear (1955)

Paul Frees

George Takei

Koji Kobayashi, a spotter for a Japanese fishing fleet crash lands his plane on a barren island. His best friend, Shoichi Tsukioka, manages to find him and lands his plane next to his so he can be rescued. The two pilots are shocked when they encounter two giant monsters fighting each other and race back to Japan to inform the authorities. One of the monsters is identified as a second Godzilla, while the other one is identified as a prehistoric monster named Anguirus. Without the weapon that killed the first Godzilla, countermeasures are developed in an attempt to divert the monsters away as they make landfall in Osaka. Japan can only brace for tragedy as they have to suffer through the horror of Godzilla once more.—Brian Washington

Godzilla Raids Again

Godzilla Raids Again (1955)

Ishirô Honda

Murakami (Toshirô Mifune) is a young and inexperienced detective on the Tokyo police force. While riding a crowded bus on a hot summer day, he discovers that his gun has been stolen out of its holster. Reluctant to lose face by reporting the gun missing, Murakami first dives alone into the depths of postwar Tokyo's poverty-stricken slums and criminal underworld, but when the missing gun is implicated in a crime spree, a more experienced detective (Takashi Shimura) lends his expertise.—krmanirethnam

Stray Dog

Stray Dog (1949)

Fuyuki Murakami

Kanji Watanabe is a civil servant. He has worked in the same department for 30 years. His life is boring and monotonous, though he once used to have passion and drive. Then one day he discovers that he has stomach cancer and less than a year to live. After the initial depression he sets about living for the first time in over 20 years. Then he realises that his limited time left is not just for living life to the fullest, but to leave something meaningful behind.—grantss

Ikiru

Ikiru (1952)

A priest, a woodcutter and another man are taking refuge from a rainstorm in the shell of a former gatehouse called Rashômon. The priest and the woodcutter are recounting the story of a murdered samurai whose body the woodcutter discovered three days earlier in a forest grove. Both were summoned to testify at the murder trial, the priest who ran into the samurai and his wife traveling through the forest just before the murder occurred. Three other people who testified at the trial are supposedly the only direct witnesses: a notorious bandit named Tajômaru, who allegedly murdered the samurai and raped his wife; the white veil cloaked wife of the samurai; and the samurai himself who testifies through the use of a medium. The three tell a similarly structured story - that Tajômaru kidnapped and bound the samurai so that he could rape the wife - but which ultimately contradict each other, the motivations and the actual killing being what differ. The woodcutter reveals at Rashômon that he knows more than he let on at the trial, thus bringing into question his own actions. But another discovery at Rashômon and the resulting actions from the discovery bring back into focus the woodcutter's own humanity or lack thereof.—Huggo

Rashomon

Rashomon (1950)

After securing a major victory on the battlefield, Taketoti Washizu and one of his commanders, Yoshiaki Miki, find themselves lost in the maze-like Spider's Web forest. They come across a spirit-like seer who tells them of their future: both have been promoted because of their victory that day; Washizu will someday be the Great Lord of the Spider's Web castle while Miki's son will someday rule as Great Lord as well. When they arrive at the castle, they learn that the first part of the prophecy is correct. Washizu has no desire to become Great Lord but his ambitious wife urges him to reconsider. When the current Great Lord makes a surprise visit to his garrison outpost, Washizu is again promoted to commander of his vanguard but his wife reminds him of the danger that comes with the position. As pressure mounts, Wahizu takes action leading to its inevitable conclusion.—garykmcd

Throne of Blood

Throne of Blood (1957)

A veteran samurai, who has fallen on hard times, answers a village's request for protection from bandits. He gathers 6 other samurai to help him, and they teach the townspeople how to defend themselves, and they supply the samurai with three small meals a day. The film culminates in a giant battle when 40 bandits attack the village.—Colin Tinto

17 YIFY Movies Found

7.9 / 10

Drama
Horror

6.8 / 10

Action
Drama

6.4 / 10

Comedy

7.1 / 10

Drama
Romance

7.2 / 10

Action
Drama

8 / 10

Action
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7.4 / 10

Action
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Action
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8.4 / 10

Action
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8.5 / 10

Action
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7.3 / 10

Action
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5.7 / 10

Action
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7.8 / 10

Action
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8.3 / 10

Action
Drama

8.2 / 10

Action
Crime

8 / 10

Action
Drama

8.6 / 10

Action
Adventure

17 YIFY Movies Found

7.9 / 10

DramaHorror

6.8 / 10

ActionDrama

6.4 / 10

Comedy

7.1 / 10

DramaRomance

7.2 / 10

ActionDrama

8 / 10

ActionAdventure

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ActionDrama

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ActionAdventure

8.4 / 10

ActionCrime

8.5 / 10

ActionDrama

7.3 / 10

ActionDrama

5.7 / 10

ActionAdventure

7.8 / 10

ActionCrime

8.3 / 10

ActionDrama

8.2 / 10

ActionCrime

8 / 10

ActionDrama

8.6 / 10

ActionAdventure

Drama
Horror

Action
Drama

Drama
Romance

Action
Drama

Action
Adventure

Action
Drama

Action
Adventure

Action
Crime

Action
Drama

Action
Drama

Action
Adventure

Action
Crime

Action
Drama

Action
Crime

Action
Drama

Action
Adventure