Eleanor Parker

Patricia Neal

Kenneth Tobey

Eleanor Audley

A five-year-old boy is the sole survivor of a devastating plane crash in the mountains of California. When the newspapers reveal that the boy was adopted and that the crash occurred on his birthday, three women begin to wonder if he's the son each gave up for adoption. As the three await news of his rescue at a mountain cabin, they recall incidents from five years earlier and why they were forced to give up their sons.—Daniel Bubbeo

Three Secrets

Three Secrets (1950)

John Wayne

John Baer

Martin Milner

The submarine USS Thunderfish successfully completes a secret mission to rescue a group of orphans on a remote Pacific island. On the way back to Honolulu they encounter a Japanese aircraft carrier but the torpedoes they fire explode about halfway to the target, a recurring problem that has plagued the submarine fleet for some time. The Thunderfish's XO, Duke Gifford runs into his ex-wife and Navy nurse Mary Stuart at the hospital. There's still a spark between them but the boat is sent out on another mission before anything is resolved. When Gifford's good friend and captain, Pop Perry, is killed Gifford believe it's his fault. A inquiry clears him and after he and his men solve the problem of the misfiring torpedoes, they set out to sea. —garykmcd

Operation Pacific

Operation Pacific (1951)

Michael Curtiz

Gary Cooper

A waitress at the Warner Bros. commissary is anxious to break into pictures. She thinks her big break may have arrived when two actors agree to help her. —Daniel Bubbeo

It's a Great Feeling

It's a Great Feeling (1949)

Kirk Douglas

Charlton Heston

Sam Waterston

Cooper and Hemingway: The True Gen is an unprecedented look at the bond between two of the most iconic artists of the 20th century.Utter opposites... nothing in common. The cowboy and the suburbanite. The conservative and the liberal. And yet these two artists (a word both men scoffed at) were the best of friends, right up to their deaths a mere seven weeks apart in 1961. But is the friendship of these two men really so surprising? A study of these two men is a study of the 20th century. Their internationally renowned careers (Cooper, two Best Actor Academy Awards; Hemingway, Nobel and Pulitzer Prizes) were played out over the same turbulent decades: the hedonistic 20s, the grim Depression 30s, the war-ravaged 40s, and the deceptively slumbering 50s; throughout, their public and private lives connected, parted, re-connected, intertwined, over-lapped, and collided. It is no small irony that the lives of these two men should suffer untimely ends at the dawn of the erupting sixties. Their final, poignant chapter closed at the beginning of a decade which would challenge many of the very ideals and precepts which both men so prominently represented.And yet, decades later, we have Liam Neeson reflecting: "...the character of Bryan Mills (Taken) fits into a cinematic iconic figure that we all recognize from way back ... I'm thinking of Gary Cooper in High Noon, who is kind of a Bryan Mills. That kind of iconic figure that audiences seem to be attracted to."Perhaps Cooper and Hemingway didn't really pass the torch, perhaps they merely leant it.

Cooper and Hemingway: The True Gen

Cooper and Hemingway: The True Gen (2013)

Raymond Massey

Monte Blue

Individualistic and idealistic architect Howard Roark is expelled from college because his designs fail to fit with existing architectural thinking. He seems unemployable but finally lands a job with like-minded Henry Cameron, however within a few years Cameron drinks himself to death, warning Roark that the same fate awaits unless he compromises his ideals. Roark is determined to retain his artistic integrity at all costs. —Col Needham

The Fountainhead (1949)

The Fountainhead (1949) (1949)

Alice Krige

Fred Astaire

Ken Olin

Four successful elderly gentlemen, members of the Chowder Society, share a gruesome, 50-year old secret. When one of Edward Wanderley's twin sons dies in a bizarre accident, the group begins to see a pattern of frightening events developing.

Ghost Story

Ghost Story (1981)

Guy Williams

Frances Bavier

Michael Rennie

Travelling with mind-boggling speed, a gleaming unidentified flying object zooming in from the boundless deep space, penetrates the Earth's atmosphere, landing smoothly in Cold War-Washington, D.C. Encircled by large yet feeble military forces, the peaceful intergalactic ambassador, Klaatu, emerges from the mysterious vessel accompanied by the silently dangerous robot of incomprehensible power, Gort, only to witness firsthand the earthlings' hospitality. The sophisticated humanoid declares that he comes in peace; however, he needs to assemble the world's greatest minds to hear his merciful warning and a definitive ultimatum. Is Klaatu the messenger of humanity's doom? —Nick Riganas

The Day the Earth Stood Still

The Day the Earth Stood Still (1951)

Richard Thomas

Ernest Borgnine

Ian Holm

Paul Baumer (Richard Thomas) is a young German who, along with his graduating high school classmates, enlist in the German Imperial Army during World War I. Originally thinking war would be a great adventure, Paul and his friends discover exactly the opposite as the war drags on and one by one the members of the class are killed in action until only Paul remains. —Anthony Hughes

All Quiet on the Western Front

All Quiet on the Western Front (1979)

Paul Newman

Brandon De Wilde

Whit Bissell

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains "I always say the law was meant to be interpreted in a lenient manner."

Hud (1963)

Rip Torn

Andy Griffith

Walter Matthau

"A Face in the Crowd" charts the rise of a raucous hayseed named Lonesome Rhodes from itinerant Ozark guitar picker to local media rabble-rouser to TV superstar and political king-maker. Marcia Jeffries is the innocent Sarah Lawrence girl who discovers the great man in a back-country jail and is the first to fall under his spell.

A Face in the Crowd

A Face in the Crowd (1957)

Samantha Eggar

Ian Bannen

Curd Jürgens

Alison Crawford lives a comfortable life with her husband Eric and their two children. Alison is blind and she knows that her illness is not physical but psychosomatic. She had a fall at their second home and woke up unable to see. She has no recollection of losing consciousness or what may have happened immediately prior to that. Her vivacious younger sister Robin accompanies her to their country home where they are soon joined by Eric and a family friend, Paul. Eric and Robin had long ago had a fling but she was quite young at the time and he settled on the older Alison. As memories return to her, Alison recalls what is she saw the night she went blind.

Psyche 59

Psyche 59 (1964)

Audrey Hepburn

Joan Staley

Mickey Rooney

After one of her frequent visits to Tiffany's--New York City's dazzling jewellery store--and the maximum security Sing-Sing prison for mobster Sally Tomato's weekly "weather report", Holly Golightly, Manhattan's elegant socialite, finds herself infatuated with her charming new neighbour, Paul Varjak. Stuck in a persistent creative rut, Paul, too, lets himself drawn into Holly's superficial world, of course, not because he likes the idea that he reminds her of her brother, but because, little by little, he succumbs to Holly's beguiling allure. Even though they don't openly admit it, the two reluctant lovers have a past that they struggle to keep at bay; nevertheless, are their well-hidden secrets powerful enough to keep them apart? After all, Paul and Holly are meant for each other. Will an early-morning breakfast at Tiffany's be the prelude to a breezy young love?

Breakfast at Tiffany's

Breakfast at Tiffany's (1961)

Sherry Jackson

Charles Horvath

William Campbell

Based out of Newport, California, Harry Morgan, a former naval officer during the war, is struggling to make ends meet operating a boat charter, primarily fishing trips locally and to/from Mexico, with his friend Wesley Park more often than not by his side as his first mate. Harry was hoping at this point in his life that he would have had a fleet of boats, but instead he is already behind in payments on the one and only, the Sea Queen. Despite the loving and devoted relationship he has with his wife Lucy Morgan, the two who have two adolescent daughters, Amy and Connie, the boat is the one sore point in their marriage, Lucy often encouraging him to get more stable work, such as with her uncle on a lettuce farm, despite she knowing that the sea is the only life he knows and loves. On his and Wesley's latest multi-day fishing charter to Mexico, Harry gets stranded with no money to get him, Wesley and the Sea Queen back to the US. Running into shyster American lawyer F.R. Duncan, Harry,...

The Breaking Point

The Breaking Point (1950)

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