Alain Delon

Romy Schneider

René Clément

Viviane Chantel

Tom Ripley is sent to Europe by Mr. Greenleaf to fetch his spoiled, playboy son, Philippe, and bring him back home to the States. In return, Tom will receive $5,000. Philippe toys with Tom, pretending he will go back home, but has no intentions of leaving his bride to be, Marge, and honoring his father's wishes. After some time passes, Mr. Greenleaf considers the mission a failure and cuts Tom off. However, he will need all his conman abilities to keep afloat.—Humberto Amador/Peter Brandt Nielsen

Purple Noon

Purple Noon (1960)

Monica Vitti

Lilla Brignone

Cyrus Elias

In the suburbs of Rome, translator Vittoria breaks her engagement with her boyfriend, writer Riccardo, after a troubled night. Vittoria goes downtown to meet her mother, who is addicted to the stock market, and she meets materialist broker Piero on a day the stock-market crashes. Piero and Vittoria begin a monosyllabic relationship.—Claudio Carvalho, Rio de Janeiro, Brazil

L'Eclisse

L'Eclisse (1962)

Yves Montand

Gian Maria Volonté

Bourvil

On the eve of his release after five years imprisoned, the thief Corey is contacted by one guard of the prison that offers him a jewelry heist. However Corey seeks out his former boss Rico and steals money from him. Rico sends two gangsters to hunt Corey down and retrieve the stolen amount. Meanwhile the criminal Vogel is transported by train by the Police Officer Mattei and succeeds to escape. Corey drives from Marseille to Paris and Vogel hides in the trunk of his car. Corey finds him but does not object to ride Vogel to Paris hidden in the trunk. When the gangsters sent by Rico cut in Corey's car, Vogel saves him from the criminals, but Corey loses the money. Without money, Corey decides to heist the jewelry with Vogel and invites the former police detective Jansen to team-up with them. The trio executes a perfect heist but Rico is seeking revenge and Mattei is an unethical but efficient police officer capable to use any means to resolve the case.—Claudio Carvalho, Rio de Janeiro, Brazil

Le cercle rouge

Le cercle rouge (1970)

Nathalie Delon

Guy Bonnafoux

Robert Favart

In Paris, Jef Costello is a lonely hit man who works under contract. He is hired to kill the owner of a club and becomes the prime suspect of the murder. However, his perfect alibi drops the accusation against him. His girlfriend Jane, her client and citizen above any suspicion Wiener and Valerie, the pianist of the club and main witness of the crime, provide the necessary evidence of his innocence supporting his alibi. Free, he is betrayed and chased by the gangsters sent by the one who hired him and also by the police, not convinced of his innocence. Jef seeks out who has hired him to revenge.—Claudio Carvalho, Rio de Janeiro, Brazil

Le Samouraï

Le Samouraï (1967)

Shirley MacLaine

Omar Sharif

Frank Williams

Three stories about the lives and loves of those who own a certain yellow Rolls-Royce: **First purchased by Lord Charles Frinton, the Marquess of Frinton (Sir Rex Harrison) for his wife as a belated anniversary present. Lady Eloise Frinton, the Marchioness of Frinton (Jeanne Moreau) finds her own use for the vehicle, one which prompts her husband to sell the car in disgust. **Gangster Paolo Maltese's (George C. Scott's) moll Mae Jenkins (Shirley MacLaine) thinks the Rolls is a "classy" car in which to tour Paolo's hometown in Italy. When Paolo is called away to the U.S. to finish some "business", a bored Mae takes the Rolls-Royce on a spin through the country, enjoying both the sights and handsome Italian photographer Stefano (Alain Delon), who crosses her path. **By the outbreak of World War II, the car has come into the possession of socialite Gerda Millett (Ingrid Bergman). While on her way to visit Yugoslavian royalty, Gerda and the Rolls-Royce become (at first) unwitting and then (eventually) most willing participants in the Yugoslavian fight.—A.L.Beneteau

The Yellow Rolls-Royce

The Yellow Rolls-Royce (1964)

Burt Lancaster

James Sikking

Joanne Linville

Cross is a CIA field agent, most of his tasks as an assassin. He has just returned to Washington DC from working on a case in Paris, he accompanied by Jean Laurier, code name Scorpio, a Frenchman who has long been mentored by Cross and who works as a freelance assassin. Scorpio pulled the actual trigger on the target in the just completed Paris case, and because of the nature of their work, Cross and Scorpio part company at Dulles Airport, neither having ever seen the other if questioned. Scorpio currently also lives part-time in DC with his girlfriend Susan and his flight attendant sister Anne. Cross' superior McLeod is surprised to see both Cross and Scorpio return to DC as the agency, through McLeod, had unofficially contracted Scorpio to eliminate Cross in Paris as it is well known within the agency that Cross plans on quitting, the threat that he could sell out to the Communists with the amount of knowledge he has too great a risk for the agency to take. Scorpio was seemingly the best man for the job in knowing Cross better than anyone else professionally. Scorpio is able to absolve himself in not carrying out that Paris mission on Cross on a loophole, he further able to renegotiate the contract to meet his goals more fully, namely to take over Cross' position within the agency. Cross discovers not only about there being a contract hit on him, but also that Scorpio is the hired gun. With a wide, loyal and diverse network both domestically and internationally, Cross is at least able to make it out of the country, he using that network to set up somewhere undetected and hopefully to bring his wife Sarah by his side once his new life is established. In the process, Cross will discover just how loyal his network is to him, with some former adversaries in his work, such as now Vienna-based Sergei Zharkov a former Soviet Communist agent, or if some are not who they purport to be in having a separate agenda. If it gets to that point, another question is whether Cross or Scorpio can pull the trigger on the other, each who may see the other as a mirror image of himself.—Huggo

Scorpio

Scorpio (1973)

Larry Arnold

Michael Ansara

Rosemary Forsyth

The Louisiana wedding of debutante Phoebe Ann Naylor to Don Andrea de Baldasar, El Duce de la Casala is stopped by the Cavalry over a matter of honor. Don Andrea flees across the river to Texas, where he meets up with Sam Hollis and his Indian sidekick, Kronk, who are carrying rifles to the town of Moccasin Flats. Don Andrea rescues an Indian maiden, Lonetta, tames some longhorns, competes with Sam for Phoebe's affections, eludes a Comanche war party and the cavalry (who have come to Moccasin Flats to celebrate Texas' statehood) and ultimately saves the town and gets his girl.—Robin Richmond

Texas Across the River

Texas Across the River (1966)

Terence Hill

Claudia Cardinale

In the 1860s, a dying aristocracy struggles to maintain itself against a harsh Sicilian landscape. The film traces with a slow and deliberate rhythm the waning of the noble home of Fabrizio Corbero, Prince of Salina (the Leopard) and the corresponding rise to eminence of the enormously wealthy ex-peasant Don Calogero Sedara. The prince himself refuses to take active steps to halt the decline of his personal fortunes or help build a new Sicily, but his nephew Tancredi, Prince of Falconeri, swims with the tide and assures his own position by marrying Don Calogero's beautiful daughter Angelica. The climatic scene is the sumptuous 40-minute ball in which Tancredi introduces Angelica to society.—alfiehitchie

The Leopard

The Leopard (1963)

Marius Goring

Marianne Faithfull

Bari Jonson

Newly-married Rebecca leaves her husband's Alsatian bed on her prized motorbike - symbol of freedom and escape - to visit her lover in Heidelberg. En route she indulges in psychedelic reveries as she relives her changing relationship with the two men.—Jeremy Perkins {J-26}

The Girl on a Motorcycle

The Girl on a Motorcycle (1968)

Anne Parillaud

Claire Nadeau

Michel Berreur

In Paris, the ex-cop Choucas is a private detective that works with a mysterious partner, Tarpon, and the secretary Charlotte. He is presently working in an embezzlement case of an employee of the pharmacist Jude. When the middle-aged Isabelle Pigot hires him to investigate the disappearance of her blind twenty year-old daughter Marthe Pigot that worked at the Drillard Foundation for blinds, the Police Inspector Coccioli seeks Choucas out and asks him to drop the case. But Choucas proceeds with the investigation and schedules an encounter with Isabelle in a square, but she is murdered with a shot on the forehead. Chouca continues to investigate and soon the dirty Chief Inspector Madrier tries to kill Chouca, but he is only wounded and kills the inspector in self-defense. Then two criminals abduct Chouca but he succeeds to escape. He meets his secret partner, the retired Chief of Police Haymann, and Charlotte and they disclose a case of narcotics. Further, Choucas learns that he has been manipulated by Coccioli and other Chiefs of Police.—Claudio Carvalho, Rio de Janeiro, Brazil

To Kill a Cop

To Kill a Cop (1981)

50 YIFY Movies Found

7.7 / 10

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50 YIFY Movies Found

7.7 / 10

ActionCrime

7.7 / 10

ActionDrama

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ActionCrime

8 / 10

ActionCrime

6.4 / 10

ActionComedy

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ActionDrama

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ActionAdventure

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ActionDrama

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ActionDrama

6.4 / 10

ActionCrime

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Crime

Action
Drama

Action
Crime

Action
Crime

Action
Comedy

Action
Drama

Action
Adventure

Action
Drama

Action
Drama

Action
Crime