Ali Eagle

Peter J. Morton

Cayden Tyler Ohrmund

Mision Valor

Inspired by actual events, this thriller unravels the mystery of a single mother who believes a shocking family tragedy was caused by dangerously dark forces.

House of Darkness: New Blood

House of Darkness: New Blood (2018)

Michael Tow

Ali Ahn

Wai Ching Ho

Woody Fu

In the heart of Chinatown, New York, an ornery, chain-smoking, newly widowed 80-year-old grandma (Tsai Chin) is eager to live life as an independent woman, despite the worry of her family. When a local fortune teller (Wai Ching Ho ) predicts a most auspicious day in her future, Grandma decides to head to the casino and goes all in, only to land herself on the wrong side of luck-suddenly attracting the attention of some local gangsters. Desperate to protect herself, Grandma employs the services of a bodyguard (Corey Ha) from a rival gang and soon finds herself in the middle of a Chinatown gang war.—Tribeca Film Festival

Lucky Grandma

Lucky Grandma (2019)

Homayoun Ershadi

Abdolrahman Bagheri

Afshin Khorshid Bakhtiari

Safar Ali Moradi

Middle-aged Mr.Badii is planning to commit suicide and desperately seeks anyone to assist him - he has already dug out the grave in the mountains, but the assistant will have to bury him when he will do the deed. He asks Kurd soldier, Afghan seminarian, but everyone refuses by some reason. Finally he finds an old Turkish taxidermist, who has a sick son and previously attempted suicide himself, and he agrees to assist Badii.—Anonymous

Taste of Cherry

Taste of Cherry (1997)

Sushant Singh Rajput

Saif Ali Khan

Swastika Mukherjee

Saswata Chatterjee

Based on the bestselling novel "The Fault in Our Stars" by author John Green, "Dil Bechara" is the story of Kizie and Manny, two ordinary people with an extraordinary love story. Both have a tragic twist to their lives that is the start of exploring a funny, thrilling and tragic business of being alive and in love. Kizie and Manny embark on an, on/off, up/down, bittersweet, profound journey into the heart of that crazy little thing called 'life'.

Dil Bechara

Dil Bechara (2020)

Jamie Dornan

Numan Acar

Ali Suliman

Anthony Head

Colin, an ambitious young New York finance executive, needs to clinch a deal with a wealthy Dubai sheik, who has a weakness for pigeon racing. They make a bargain: the sheik will sign if Colin can get him a particular pigeon, the perfect bird to win the prestigious Barcelona international race. This bird has been trained in Flanders, but the owner refuses to sell at any price. Posing as a school teacher searching for the grave of an ancestor killed in the First World War, Colin travels to the little Flemish village where the pigeon fancier lives and starts to look for something that will separate the bird from its owner. But in the process he falls under the spell of the place and of Isabelle, the pigeon fancier's spirited granddaughter.—anonymous

Racing Hearts

Racing Hearts (2014)

Zofia Wichlacz

Piotr Zurawski

Jakub Gierszal

David Ali Hamade

The film is set in a remote mountainous region of the Klodzko Valley in south-western Poland, where an eccentric elderly woman, Janina Duszejko, lives with her two dogs. Her dogs disappear one day while she is giving a local woman, nicknamed Dobra Nowina, a ride to the store. She confronts her neighbor who she calls "Big Foot," a notorious poacher in whose traps animals die in agony. One night she is awakened by Matoga, another neighbor, who informs her that Big Foot is dead. Duszejko is questioned by the local police chief, to whom she makes complaints about her missing dogs which he dismisses. After seeing Duszejko, the police chief meets with Wnetrzak, a local businessman, who gives the chief an ultimatum about money the chief owes him. Duszejko complains to the local priest about the loss of her dogs but she is chastised for being blasphemous to treat animals like humans. Disturbed by the local hunting activity and the killing of animals in the area, she attempts to interrupt a local hunt but is stopped and humiliated by Wnetrzak.In the winter, she and Dyzio, an IT expert working for the police, see the police chief's abandoned vehicle at night and discover the chief's body nearby. He is dead from a blow to the head and there are animal tracks near the body. Questioned about the body by the prosecutor, who is Matoga's son (Tomasz Kot), she talks about the tracks she found and her theory of astrology. The prosecutor dismisses her theories. Duszejko befriends Dyzio and Dobra Nowina, who now works for Wnetrzak in a shop by day and in a brothel that Wnetrzak runs by night. Dyzio is thankful to Duszejko for keeping his epilepsy a secret or else he would lose his job. Dobra Nowina has a younger brother who is being abused by their father and has attempted to gain custody of him but learns that Wnetrzak has reported her as unfit twice. Later Duszejko discovers the body of a young boar and attempts to report an off-season killing of the animal but is laughed off by the police.In the summer, Duszejko meets a Czech entomologist, Boros Schneider, in the forest. He has discovered Wnetrzak's body which has been in the forest for months and reports it to the police. Duszejko and Boros begin a romantic relationship and Boros explains to her about pheromones that attract certain beetles. Duszejko is questioned by the prosecutor about Wnetrzak's death. She proffers a theory that the victims were killed by animals since they were all hunters. Dobra Nowina is arrested for Wnetrzak's death, because of threats she made against him. With Matoga, Duszejko goes to a costumed ball attended by all the locals. She sees the drunken mayor Wolski abusing his wife, telling her to wait in the car while he continues his partying. Duszejko comforts the wife and tells her to go home and that she will look after Wolski and make sure he gets home.The next day police show up at her place and arrest her for Wolski's death, because she was the last one to see the mayor alive. She says that she did go to look for the mayor that evening and, since nobody knew where he was, assumed someone else took him home. She then explains her theory of astrology to the police who get flustered at her and releases her. She attends a church service and, very upset by the priest's sermon which gives thanks to the hunters, is removed from the church. While outside the church, she sees a magpie carrying an object to the church tower (earlier she had said magpies start fires by carrying lighted cigarette butts to their nests).Duszejko then has a flashback about the death of the police chief. She was the one who killed the police chief by striking him on the head when she accidentally came upon him while skiing. After making animal tracks around the body, she rushed home and attempted to flee but her vehicle would not start. There is another flashback where she lures Wnetrzak to the forest using a ruse about money she had found and she strikes him on the head until he dies, after which she goes to his fox farm and releases all the animals.Dyzio, who is with Dobra Nowina, recalls that the mayor's body was covered with beetles and that Duszejko would carry pheromones that attracted the beetles. Dyzio then reasons that Duszejko was responsible for all the deaths. When Dyzio learns that the church is on fire and the priest is dead, he goes with Dobra Nowina to see Matoga and finds him sitting with Duszejko at her kitchen table. They hand Dobra Nowina a photo which shows all the local hunters displaying the spoils of a hunt, which included Duszejko's two dogs. Duszejko said she found the photo at Big Foot's place after his death. Duszejko then recounts the death of the mayor, who she found alone and very drunk after the party. She confronted him about shooting her dogs and he admitted it but said he didn't know they were her dogs. She tells him to drink the pheromones she had with her and then walks him into the forest under the guise of taking him home.Matoga, Dyzio and Dobra Nowina decide they will help Duszejko and manage to sneak her out of town. The police are on to Duszejko and are out in full force in an attempt to arrest her. Dyzio uses his IT skills to cut the power to the town, which allows them to escape. In the final scene, Duszejko with two new dogs, Matoga, Dyzio, Dobra Nowina, Dobra Nowina's little brother and Boros are all having lunch happily at a house in what is probably a neighboring country.

Spoor

Spoor (2017)

Jack Klugman

Ali MacGraw

Johnny Carson

Nan Martin

A Jewish man and a Jewish woman meet, and while attracted to each other, they find that their worlds are very different. She is the quintessential Jewish American Princess, very emotionally involved with her parents' world and the world they have created for her; he is much less dependent on his family. They begin an affair, which brings more differences to the surface.—John Vogel

Goodbye, Columbus

Goodbye, Columbus (1969)

Sean Patrick Flanery

Casper Van Dien

Grace Van Dien

Ali Afshar

When a rebellious teen embarks on a solo summer journey to connect with her roots, she finds herself in a new world, geared up for the ride of her life, and discovers she had the drive in her all along.

Lady Driver

Lady Driver (2020)

Christopher McDonald

Justin Nesbitt

Jacqueline Toboni

U.S. Army combat medic, Janna Connelly is summoned home to help her estranged father after he suffers a heart attack. She discovers their once-pristine ranch now in disrepair and a local Sheriff with nefarious ties targeting local ranchers livestock. Janna now finds herself confronting her buried emotional past as she wages war against corrupt political forces. Inspired by the true events of Gary Dassinger, a Dickinson, ND rancher, and his 2017 fight to save his horses from government seizure.—Conrad W.

The Stand at Paxton County

The Stand at Paxton County (2020)

Rhona Mitra

Charles Dance

Martin Freeman

Sacha Baron Cohen

Ali G (Sacha Baron Cohen) unwittingly becomes a pawn in evil Chancellor David Carlton's (Charles Dance) plot to overthrow the Prime Minister of Great Britain (Sir Michael Gambon). However, instead of bringing down the Prime Minister, Ali is embraced by the nation as the voice of youth and "realness", making the Prime Minister and his government more popular than ever.

Ali G Indahouse

Ali G Indahouse (2002)

Michelle Bonilla

Lacey Chabert

Dee Bradley Baker

The film centers on young Mariah, a little girl who dreams of getting a dog for Christmas year after year. This Christmas her dream is fueled after seeing a puppy named Princess at the local pet store. To see if she's ready for the responsibility, Mariah is tasked with dog-sitting her uncle's crazy canine Jack, who upends the family's holiday preparations with his various shenanigans.

All I Want for Christmas Is You

All I Want for Christmas Is You (2017)

Gael García Bernal

Steven McChattie

Grégoire Colin

Like a modern Jacques Tati with a hint of Buster Keaton, the director, writer, and actor, Elia Suleiman, embodies another silent version of himself, coming up with new, even subtler and more ingenious ways to portray the Palestinian ghettoisation. This time, in search of homeliness, Suleiman's alter ego travels from Nazareth to Europe, making the first stop at picturesque Paris to promote his movie, and then, off he goes to bustling New York City. There, he meets his friend, the actor, producer, and writer, Gael García Bernal, who is eager to lend a hand; however, it seems that his film is not Palestinian enough. But, when confronted with life's inherent absurdity, what else is there to do but sit back and stare in bewilderment?—Nick Riganas

It Must Be Heaven

It Must Be Heaven (2019)

Gregory Dean Tompkins

Jenna Krasowski

Sydney Amanuel

Ali Breneman

Nesting Dolls is a psychological thriller about the darker sides of us that can lie just beneath the surface. Tori, Britt, and Erica are sorority sisters who spend a week together at a river house. When near-catastrophe strikes, the three are forced against one another, as sisters turn to enemies and their humanity and sanity spiral.—Robbie Snow

Nesting Dolls

Nesting Dolls (2019)

Samuel L. Jackson

Eddie Murphy

Tatyana Ali

Deon Richmond

After achieving fame with Saturday Night Live and Beverly Hills Cop, Eddie Murphy released a film version of one of his live stand-up performances. He mainly focuses on the topics of divorce and relations between the sexes, but also goes into some of the problems he's encountered because of fame, including offended listeners and fans who continually greet him with his unprintable catch phrases.—Jean-Marc Rocher

Eddie Murphy: Raw

Eddie Murphy: Raw (1987)

Jesse Metcalfe

Ali Fazal

Austin Basis

Shishir Sharma

Priya Sethi (Shriya Saran) indulges her infatuation with American culture by working nights (while Americans are at work, on the other side of the world) at the Citi One Bank Card call center in Mumbai, India. Speaking in a perfect American English accent, she tells her customers her name is Jennifer David and a native of San Francisco. Her conservative father Rajeev is unhappy that she is so eager to forsake her own culture for another, but will be pleased when she goes through with her arranged marriage to wealthy but childishly dull Vikram.Priya, posing as Jennifer David, happens to call the handsome and charming Granger Woodruff (Jesse Metcalfe) to help him with the fraudulent charges on his credit card. Priya and Granger have an instant connection over the phone. Unable to suppress the intrigue their easy chemistry offers, Priya agrees to meet Granger in San Francisco. When Priya goes to the meeting place, he doesn't recognize her. As she is attempting to check out of the hotel, they stumble into each other and finally meet. They immediately hit it off and he invites her out to dinner. Priya and Granger's relationship blossoms as they share a wonderfully romantic date the following day. They tour the City by the Bay by cable car, sample some especially spicy curry (much to his chagrin), and nearly -- but not quite -- kiss with the Golden Gate Bridge as a backdrop. Improbably, unthinkably, they are falling in love.However, Priya's family has arrived to bring their wayward daughter home a la Coming to America and elude the shame of her escapades. Granger struggles with himself mentally for having abandoned Jennifer David for Priya instead, but still doesn't know that the Priya and Jennifer are the same person. Meanwhile, both lovers wonder if they just might be too different for their love to actually be possible.Eventually, Priya and Granger are found out by her parents and he learns that Priya is actually Jennifer David, and also that she is engaged to Vikram. He is angry that she deceived him, and painfully decides to cut their ties. All of Priya's family is happy for the relationship to have ended, except for her 80 year-old Aunt who advises her that life is too short to live to make only others happy.Priya goes to Granger's hotel to fight for their love but is shattered when she finds his previous girlfriend in the hotel room with him. She is extremely upset that he could forget about her so easily, and he lets her leave and walk out of his life as if forever.Back in India, Priya can't bring herself to accept a lackluster life with Vikram. As she stuggles to gently disengage without hurting her family, announcing to her betrothed's family that she must develop as a person, her once-future father in law calls her a rude name. Amazingly, her father forcefully stands up for her, points out that whenever she enters a room, people smile, and that he loves her.Granger, too, feels something is missing. While giving the traditional Best Man's Toast at a wedding, he quotes the groom, his childhood best friend: "Don't let anything stand between you and your future." Shocked speechless before finishing the toast, he realizes what he may still be able to save. He rushes to the airport, furiously calling the bank in Mumbai with the help of a brainy, native New Yorker (and Hindi-speaking) cab driver.Priya has thrown herself back into her work, accepting a promotion to help her coworkers become as effective as she is channeling American attitudes and accent. Just as she is counseling a young man to control his emotions to better serve the bank and its customers, Granger strides into Priya's call center and cautiously declares his devotion. With a hundred eyes on the couple, a coworker coaxes, "Kiss him! Kiss him!" They kiss for the first time to the cheers of her crew.After her shift, as morning breaks, the apprehensive couple finds her family enjoying an open-air breakfast in their sun-dappled garden. Granger bravely attempts to win the approval of Priya's father by promising to honor her and her culture in phonetic but crude Hindi. "You are hurting my ears. Speak English, boy!" orders Father. Granger formally repeats his commitment to respect and care for her. Father thinks it over for a few moments as the family watches him intently, and he graciously accepts the young man, welcoming him to breakfast.

The Other End of the Line

The Other End of the Line (2007)

Tommy Lee Jones

Ryan O'Neal

Andrew Duncan

The love story of young adults Oliver Barrett IV and Jenny Cavilleri is told. Oliver comes from an extremely well off and old money New England family, the Barrett name which holds much gravitas and which is plastered especially all over Harvard where Oliver is in pre-law. Like those before him, he plans on attending Harvard Law School, which is not an issue in either the school not accepting him or he not wanting to attend. He has an extremely stiff relationship with his parents, especially his father, Oliver Barrett III, who loves his son in the old school way. Jenny, a music student at Radcliffe, comes from a working class Rhode Island background, she working her way through the program before she plans on going to Paris to further her studies. Unlike Oliver's relationship with his father, Jenny has a very casual one with her baker father, who she calls by his given name Phil. When Oliver and Jenny meet, there are immediate fireworks - she always with a quick quip to put him in his place - both of a good and bad kind, but they both quickly come to the realization that they are in love with each other. They have many obstacles to overcome in having a committed relationship, outwardly his father's disapproval of someone like her not being Barrett material being arguably the the biggest. However, other things that happen in the natural course of life and death may trump all.—Huggo

Love Story

Love Story (1970)

Masoameh Salimi

Ali Reza Naderi

Frangis Rahsepar

Masood Mansouri

The film opens with a long take of the (unexpectedly?) beautiful Iranian countryside, in wide-shot--a tiny-looking International Scout making its way down a winding road only barely noticeable in an unremarkable corner of the scene, while the vehicle's four occupants, recorded in production sound instead of ADR, can be heard quietly bickering about whether or not they've misunderstood their driving directions. Even at this early juncture two things are inescapably apparent about the experience that this film will represent: First, our director sees no reason to explain himself--you know as much about who these people are and where they're going as anyone else, and no more than you're supposed to--and second, if you'll pardon the pun, this film is hardly in a hurry to get anywhere. Through a series of long takes shot at different angles along the route, this anti-scene of four guys gently squabbling about the proper turnoff continues for over five and a half minutes, long after the opening titles would have been over and done with, had there even been any.Eventually the quartet finds their intended destination--a small village carved into a steep hillside and notable to our eyes as the sort of un-even roofed hodgepodge that we'd be less surprised to find in desert Africa. Indeed after finding a young guide on the outskirts of town, our presumptive lead character (and the only one of the four whom we will ever see on camera throughout the film) makes his way literally across the tops of the earthen dwellings that will encompass his universe for the duration of the picture, hopping first up two feet to transit the next interval, and then down again.Kiarostami devotes this opening reel of the film to establishing not just the film's tempo, but also its principal source of mystery--that these four obviously urban Tehranians have checked themselves into the closest semblance of a guesthouse, apparently for the purposes of monitoring the health of an infirmed and elderly matriarch, convalescing at the opposite end of the village. Throughout his long walk across the rooftops with the boy who will be his foil, our lead character--"The Engineer"--inquires repeatedly and with implied familiarity about the old woman's health, the boy's side-mouthed answers revealing either discretion or ignorance; we aren't supposed to know which.By the time we actually discover what these four men are doing here and why they've taken so much interest in the health of an old woman, it no longer really matters to us anymore: Like the characters themselves, we've become immersed in the day-to-day rhythm of this at once surreally alien and improbably familiar little community. Its cranky restaurant matron, her semi-estranged and possibily philandering husband, the arrestingly pregnant and then arrestingly un-pregnant innkeeper, the hauntingly beautiful young woman who milks a cow in darkness so that their collective guests might enjoy just one more locally tricky little comfort from home.The film is described by assorted critics as a mystery, and to that extent they're right: we are meant to wonder, of course, who these people are and how they came to find themselves in such a far-flung place with such a seemingly insignificant agenda (indeed at one point in the film the Engineer's three accomplices become so bored that they literally disappear, never to be seen again). But to describe the film with this single identifier is to entirely miss Kiarostami's point. There is mystery in life, of course, but it isn't the glamorous, maybe-they're-spies kind of mystery that we so often find ourselves escaping into at the movies; it is rather the mystery of mundanity--the strange shooting-script by which all of us on this homey little planet of ours seem to play out the same micro-dramas, the same rivalries, the same petty squabbles. The mystery in life is that it could contain no real mystery, and yet seem so mysterious.

The Wind Will Carry Us

The Wind Will Carry Us (1999)

Jerry Lewis

Wilt Chamberlain

Diana Ross

Arthur Mercante

'The Trials of Muhammad Ali' covers Ali's toughest bout: his battle to overturn a five-year prison sentence for refusing US military service in Vietnam. Prior to becoming the most recognizable face on earth, Cassius Clay became Muhammad Ali and found himself in the crosshairs of conflicts concerning race, religion, and wartime dissent. 'Trials' zeroes in on the most controversial years of Ali's life, when an emerging sports superhero chooses faith and conscience over fame and fortune.—Anonymous

The Trials of Muhammad Ali

The Trials of Muhammad Ali (2013)

Brian Baumgartner

Ali Cobrin

Jenna Willis

David Moscow

On their first date, Alex and Zoe venture out to see a movie at a local theater. The film ends and the two become so engaged in a heated discussion that they do not notice the theater closing, leaving them locked inside. Their adventure starts out light and comical as they search for an escape and quickly find themselves falling for one another. Suddenly, a secret is revealed about Alex that abruptly changes Zoe's perception of the night. Perhaps, their escape room experience was not as accidental as she initially thought.

One Last Night

One Last Night (2018)

Ana Kayne

Barbara Rosenblat

Gil Perez-Abraham

Marco is keeping a big secret from his wife Libby and doesn't know how to tell her. But after three miscarriages, Marco has no choice. When he tells Libby that his culture believes anyone who marries outside his community is cursed to never have kids, she thinks he's lying. Libby takes him to an ex-boyfriend geneticist, Seymour, to help talk some sense into him. When Seymour accidentally discovers Marco's people might be special from a scientific perspective, he offers to help them overcome their infertility. But in return, Seymour wants to pry open Marco's secretive community so he can publish on his groundbreaking discovery. Marco must decide between having a future with Libby or betraying his community.—Carylanna Taylor

Anya

Anya (2019)

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