Henry Thomas

Olivia Hussey

CCH Pounder

Anthony Perkins

Norman Bates returns for this prequel, once more having mommy trouble. This time around he is invited to share memories of mom with a radio talk show host, but the PSYCHO fears that he may kill again for his beloved is impregnated with his child and Norman cannot let another PSYCHO loose in the civilized world. —Eric Creed

Psycho IV: The Beginning (TV Movie 1990)

Psycho IV: The Beginning (TV Movie 1990) (1990)

Jeff Fahey

Lee Garlington

Virginia Gregg

Norman Bates is back again running his "quiet" little motel a month after the events in Psycho II. Norman meets three new people, one being a beautiful young nun with whom his budding relationship is beginning to make his "Mother" jealous. He also hires a young man in need of a job to take care of the motel. A snooping reporter is showing interest in Norman's case. What will these new friends do for Norman? —nxvaeh

Psycho III

Psycho III (1986)

Vera Miles

Meg Tilly

Robert Loggia

It's 22 years later. And Norman Bates is coming home. After being judged as "legally sane" in a court of law, Norman Bates is released from a mental institution, against the protests of Lila Loomis (the sister of Marion Crane). Upon his return to his home (and the motel which lays in its shadow) Norman strikes up a friendship with Mary, a waitress at a local diner. Just as he tries to adjust back to normality, the murders around the site of the Bates Motel. Has Mrs. Bates returned to pull Norman's strings again, or is the bloodbath someone else's handy work?

Psycho II

Psycho II (1983)

Alfred Hitchcock

Janet Leigh

Phoenix office worker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks, and they cannot get married because Sam has to give most of his money away in alimony. One Friday, Marion is trusted to bank forty thousand dollars by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into the Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother.

Psycho

Psycho (1960)

Beverly Garland

Tuesday Weld

John Randolph

Dennis Pitt, now in young adulthood, has been conditionally released from a psychiatric hospital, where he had been institutionalized for an incident that occurred when he was fifteen. Despite the doctors believing he to be rehabilitated in not suffering from the fantasies which dominated his life, Dennis is still required to check in with his case officer, Morton Azenauer, once a week. Azenauer will do whatever he can to help Dennis survive in the outside world. A year following his release, Dennis violates the conditions of his release by moving without telling Azenauer, thus missing his weekly check-ins. He moves to Winslow, Massachusetts where he has gotten a job at Sausenfeld Chemical Co., his boss, Bud Munsch, the company, and his acquaintances in town not aware of his history. In not being truly rehabilitated, Dennis believes the company is part of an alien conspiracy to poison the water supply, including openly discharging chemical waste into the local lake next to the plant. Dennis spends much of his time gathering photographic evidence to support his belief. He also becomes infatuated with seventeen year old high school senior Sue Ann Stepanek upon first sight. In his "investigative" work, Dennis is able to convince Sue Ann that he is a secret agent, she who he co-opts into those investigations as they begin a romantic relationship. However, as Sue Ann deals with what she considers her repressed life, she, in her own slightly off kilter mental state and using her relationship with Dennis, works toward her own agenda, leading to tragic consequences. —Huggo

Pretty Poison

Pretty Poison (1968)

Gregory Peck

Ava Gardner

Fred Astaire

In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other?

On the Beach

On the Beach (1959)

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