Brigitte Bardot

Magali Noël

David Maxwell

Marcel Bozzuffi

Caroline and the Rebels

Caroline and the Rebels (1955)

Ronald Lewis

Rossana Podestà

Jacques Sernas

Helen of Troy

Helen of Troy (1956)

Alice Sapritch

Mike Marshall

Paulette Frantz

The Edifying and Joyous Story of Colinot

The Edifying and Joyous Story of Colinot (1973)

Dominique Zardi

James Campbell

Serge Marquand

Sophie, a flighty young model, learns that her boyfriend is planning to leave her for another woman. Sophie resolves to either win him back or assassinate her rival. A handsome doctor (who happens to be falling for Sophie himself) assists her with the former plan so that she won't have to resort to the latter.—Erich Mees

Please, Not Now!

Please, Not Now! (1961)

Claudia Cardinale

Jack Palance

Michel Piccoli

Who hides behind Brigitte Bardot? Extraordinarily photogenic, a tumultuous love life, the ultimate sex symbol for the 1950s and 1960s, the actress, singer and animal rights activist left an indelible mark on her era. Despite over 30,000 photos published in the press, her true personality has long-remained in the shadows.—jakkepoes

Le mystère Bardot

Le mystère Bardot (2012)

George Hamilton

Jeanne Moreau

Gregor von Rezzori

The former Irish terrorist, Maria II, joins the vaudeville act of the French singer, Maria I, in Central America in 1907. During their first performance on stage they invent - by accident - the strip tease and become local stars. When they come across a local rebellion, Maria I falls in love with the leader, Flores. When he is mortally wounded, she promises him to continue the revolution against the military, the capitalists, and the Church.—Stephan Eichenberg

Viva Maria!

Viva Maria! (1965)

Charles Chaplin

Michèle Morgan

Grace Kelly

Digging once again into the deep archives of 20th century audiovisual history, Sergei Loznitsa crafts this elegant, ironic mini-portrait of the galas of Paris's Palais Garnier in the 1950s and 60s. With his typically masterful use of montage, and a minutely reconstructed soundtrack, Loznitsa revisits a socio-political microcosm that features adoring crowds and glimpses of Bardot, Cocteau, and Queen Elizabeth II amid the pomp and ceremony of Parisian high society.—Opéra national de Paris

A Night at the Opera

A Night at the Opera (2020)

A French lieutenant makes a bet that he can seduce any woman in town in the two weeks before his regiment leaves for maneuvers, but his chosen target (a Parisian divorcée) isn't like other girls he's known.

The Grand Maneuver

The Grand Maneuver (1955)

Jack Betts

Clive Revill

Manuel de Blas

In the prohibition years, the 'rumrunners' travel through the Caribbean Sea with the forbidden liquor barely escaping the ship patrols. While on the run, one of the bootleggers falls in love with an actress on a movie set.

Rum Runners

Rum Runners (1971)

Barry Pepper

Ron Precious

Myron MacDonald

In 1971, a group of friends sail into a nuclear test zone, and their protest captures the world's imagination. Using never before seen archive that brings their extraordinary world to life, How To Change The World is the story of the pioneers who founded Greenpeace and defined the modern green movement.

How to Change the World

How to Change the World (2015)

Jane Birkin

Robert Walker Jr.

Jenny Arasse

Jeanne lives in Paris and believes she is the reincarnation of Don Juan. She visits a priest and tells him she has killed a man. He comes to her elegant flat - her father has died leaving her rich - and she tells the priest stories about men she has seduced. The seduction is easy, she tells him, it's destruction that takes planning. We watch her with an upright elected official, a wealthy boor, and a folk singer. She describes herself as a spider. Her friend Léporella tries to be Jeanne's conscience. What does Jeanne want?—

Don Juan, or If Don Juan Were a Woman

Don Juan, or If Don Juan Were a Woman (1973)

Paul Bonifas

Jess Hahn

Handsome and rich Spanish gentleman abandons his wife and riches for his love of a young girl of poor stock who taunts and degrades him. Only after she has humbled him mercilessly does she offer him her love in the end.

The Female

The Female (1958)

Françoise Fabian

Robert Sandrey

Jacques Marin

Nightclub entertainer Jean Clery has just become engaged to Lili, his attractive psychoanalyst. Meanwhile, the nightclub where he works is being used by a counterfeit ring, and Paris police suspect owner Paul Latour of being the ringleader. Finding it expedient to leave town, Paul leaves his "baby" daughter with Jean...who discovers too late that she's a wild, carefree, shapely sex-kitten with a talent for getting Jean into amusing scrapes.—Rod Crawford

Naughty Girl

Naughty Girl (1956)

James Robertson Justice

Max Montavon

Madeleine Suffel

When the Parisian bourgeois Geneviève Le Theil travels to Dijon to resolve outstanding subjects in the inheritance left by her wealthy aunt, she mistakenly opens the door of another room in the hotel, finding a suicidal near death on the bed. Later Geneviève goes to the hospital and is introduced to Renaud Sarti, the nihilistic alcoholic vagrant she saved. Geneviève falls in love for Renaud and brings him to her apartment in Paris, initiating a destructive, masochistic and corrupt relationship with the abusive man.—Claudio Carvalho, Rio de Janeiro, Brazil

Love on a Pillow

Love on a Pillow (1962)

Barbara Shelley

Gloria Swanson

Giorgia Moll

Nero is on holiday at the seaside. Poppea, Seneca and many other guests are with him. Nero is preparing a great show where he will be the star. When Agrippina, his mother, arrives with her German praetorians and decides Nero has to conquer Britain, she is asking for trouble. Many attempts of murder and poisoning will happen on the eve of his great show.—Baldinotto da Pistoia

Nero's Mistress

Nero's Mistress (1956)

Jean-Pierre Léaud

Marlène Jobert

Françoise Hardy

Paul is young, just demobbed from national service in the French Army, and disillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more isolated from his friends and peers ('the children of Marx and Coca Cola', as the credits announce) and their social and emotional politics.—D.Giddings

Masculine Feminine

Masculine Feminine (1966)

Louis Jourdan

Micheline Presle

Annie Anderson

A country girl is discovered by a Paris magazine and becomes a top model.

Her Bridal Night

Her Bridal Night (1956)

Mylène Demongeot

Daniel Emilfork

François Valorbe

At the Conservatory of Vienna the student only have eyes for their beautiful singing teacher, tenor Eric Walter.

School for Love

School for Love (1955)

Fritz Lang

Not satisfied with the script for his new movie, producer Jeremy Prokosch hires screenwriter Paul Javal to write a new one. Javal seems oblivious to Prokosch's obvious interest in Javal's pretty wife Camille. As Javal becomes ever more engrossed in writing the screenplay, Camille comes to resent him, thinking her husband is pushing her into the producer's arms for his own benefit.—garykmcd

Contempt

Contempt (1963)

Curd Jürgens

Isabelle Corey

Jean-Louis Trintignant

1950s Saint-Tropez, France. Knowing what she wants, foxy Juliette Hardy, an eighteen-year-old orphan taken in by a strict moralistic couple, is the talk of the town. Spending her days working in a small bookshop and her nights dancing the cha-cha at the local nightclub, Juliette dreams of leaving her fishing village with Antoine Tardieu, a handsome shipyard owner, instead of giving in to the romantic advances of would-be sugar daddy and millionaire shipping tycoon Eric Carradine. At the same time, Michel, Antoine's sweet and sensitive younger brother, endures insults, hoping to make statuesque Juliette love him. Now, three men vie for her affection. But the undecided heart searches for an escape. Can beautiful Juliette make up her mind?—Nick Riganas

...And God Created Woman

...And God Created Woman (1956)

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