Ken Russell

Jack Nicholson

Eric Clapton

Oliver Reed

Nora Walker is told that her British bomber pilot husband is missing in action and presumed killed in World War II. On V.E. Day, Nora gives birth to their son and names him Tommy. When Tommy is an adolescent, Nora marries shifty camp-counselor Frank; shortly thereafter, Tommy suffers an emotionally traumatic experience associated with his father and stepfather which, based on things told to him at that time, results in him becoming deaf, mute, and blind, and several people exploit this situation for their own pleasure. As Nora tries several things to bring Tommy out of his psychosomatic disabilities, he, now a young man, discovers pinball. Playing by intuition he becomes a pinball master, which makes him--and Nora and Frank by association--rich and famous. Nora literally shatters Tommy to his awakening, which ultimately leads to both the family's rise and downfall as people initially try to emulate Tommy's path then rebel against it.—Huggo

Tommy

Tommy (1975)

Emma Watson

Will Smith

Ellen Greene

Howard Ashman grew up in an average Jewish family in Baltimore with an extraordinary love for musical theater. After college, he opened a theater in a derelict section of New York and struggled to put on shows, until his adaptation of Roger Corman's film LITTLE SHOP OF HORRORS becomes a huge Off-Off-Broadway hit and catapults him into the limelight. Finally on Broadway, he collaborates with the Oscar- and Tony-winner Marvin Hamlisch to create the ultimately disappointing Smile. Embarrassed, Howard fled to Los Angeles and took up with a struggling gang of artists in a warehouse-Disney animators who had just been kicked off the studio lot until they could prove themselves. Along with Alan Menken, Howard writes the Oscar winning songs for THE LITTLE MERMAID. While the film becomes a global phenomenon, Howard is diagnosed with HIV-which he kept a secret in an era when AIDS is a death sentence and gay men are at the margins of society. After creating the initial songs for ALADDIN, Howard's health deteriorated and he wrote the lyrics to BEAUTY AND THE BEAST from his hospital. Howard died before he was able to see his final Disney films release, but the legacy of his work lives on in Broadway productions and live action remakes for a new generation.—Don Hahn

Howard

Howard (2018)

Richard Kiel

Jeannie Berlin

Bob Newhart

Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to do it. But once she's under, her doctor finds out that she can regress into past lives and different personalities, and he finds himself falling in love with one of them.—Kathy Li

On a Clear Day You Can See Forever

On a Clear Day You Can See Forever (1970)

Kevin Spacey

Natasha Lyonne

Jeff Daniels

An autobiographical look at the break-up of screenwriter Nora Ephron's marriage to Carl "All the President's Men" Bernstein that was also a best-selling novel. The Ephron character, Rachel Samstat (Meryl Streep), is a food writer at a New York City magazine who meets Washington, D.C. columnist Mark Forman (Jack Nicholson) at a wedding and ends up falling in love with him despite her reservations about marriage. They buy a house, have a daughter, and Rachel thinks they are living happily ever after until she discovers that Mark is having an affair while she is waddling around with a second pregnancy.—Lisa Todorovich

Heartburn

Heartburn (1986)

Rubén Blades

Madeleine Stowe

Harvey Keitel

After the war, L.A. private eye Jake Gittes is hired by realtor Jake Berman. He proves the infidelity of Berman's wife Kitty and sets up a way for her to be caught in the act. At the rendezvous, Berman shoots the co-respondent who turns out to be his business partner. Gittes finds himself in the middle of a complicated web, under pressure from all sides for a wire recording of the fatal encounter. He then realises that the land the partners were developing was once an orange grove connected with a case that he has never quite gotten over.—Jeremy Perkins {J-26}

The Two Jakes

The Two Jakes (1990)

Lois Smith

Ralph Waite

Susan Anspach

Robert Dupea has given up his promising career as a concert pianist and is now working in oil fields. He lives together with Rayette, who's a waitress in a diner. When Robert hears from his sister that his father isn't well, he drives up to Washington to see him, taking Rayette with him. There he gets confronted with his rich, cultured family that he had left behind.—Leon Wolters

Five Easy Pieces

Five Easy Pieces (1970)

Tom Cruise

Matthew Modine

Stellan Skarsgård

It's a rare person who would give up fame and fortune to toil in obscurity for someone else's creative vision. Yet, that's exactly what Leon Vitali did after his acclaimed performance as 'Lord Bullingdon' in Stanley Kubrick's Barry Lyndon (1975). The young actor surrendered his thriving career to become Kubrick's loyal right-hand man. For more than two decades, Leon played a crucial role behind-the-scenes helping Kubrick make and maintain his legendary body of work. In Filmworker, Leon's candid, often funny, sometimes shocking experiences in the company of Kubrick are woven together with rich and varied elements including previously unseen photos, videos, letters, notebooks, and memos from Leon's private collection. Insightful, emotionally charged anecdotes from actors, family, crew members, and key film industry professionals who worked with Kubrick and Leon add an important layer of detail and impact to the story. Filmworker enters the world of Leon Vitali and Stanley Kubrick from a unique perspective that highlights the nitty-gritty of the creative process. By experiencing Leon's journey we come to understand how the mundane gives rise to the magnificent as timeless filmmaking is brought to life at its most practical and profound level.—E. Yoffe

Filmworker

Filmworker (2017)

Jo Anne Worley

Dennis Hopper

Michael Nesmith

Running in from seemingly nowhere, Micky Dolenz, Davy Jones, Michael Nesmith & Peter Tork - better known collectively as The Monkees - disrupt a bridge opening ceremony. From where and why did they come to disrupt the proceedings? They were filming a series of vignettes in several different genres, including a wild west sequence, a desert war sequence, a Confederate war sequence, and a science fiction sequence. They disagree with much of what is happening around them, and try to figure out how to escape the oppression they feel - symbolized by a big black box in which they are seemingly imprisoned - by the forces around. That oppression is often shown in the form of "The Big Victor Mature".—Huggo

Head

Head (1968)

Keanu Reeves

Jon Favreau

Amanda Peet

Harry Sanborn is an aged music industry exec with a fondness for younger women like Marin, his latest trophy girlfriend. Things get a little awkward when Harry suffers a heart attack at the home of Marin's mother Erica. Left in the care of Erica and his doctor, a love triangle starts to take shape.—Keanuette

Something's Gotta Give

Something's Gotta Give (2003)

Elpidia Carrillo

William Russ

U.S. Border Patrol agent Charlie Smith just wants to do a good job and provide for his wife. But between her demands for a more affluent lifestyle and the importuning of Charlie's partner Cat to take part in illegal activities in exchange for bribes, Charlie gets caught up in helping smuggle illegal immigrants across the Texas border. When one of them, a young Mexican girl named Maria, loses her baby to abductors who plan to sell the child, Charlie decides to take a stand for her and against the corruption he's fallen into.—Jim Beaver

The Border

The Border (1982)

Ted Levine

Meryl Streep

Diane Venora

Albany, New York, Halloween 1938. Francis Phelan and Helen Archer are bums, back in their birth city. He was a Major League pitcher; she was a singer on the radio. Death surrounds them: she's sick, a pal has cancer, he digs graves at the cemetery and visits the grave of his infant son whom he dropped; visions of his past haunt him, including ghosts of two men he killed. That night, out drinking, Helen tries to sing at a bar. The next day, Fran visits his wife and children and meets his grandson. He could stay, but decides it's not for him. Helen gets their things out of storage and finds a hotel. Amidst their mistakes and dereliction, the film explores their code of fairness and loyalty.—

Ironweed

Ironweed (1987)

Jackie Joseph

Jonathan Haze

Karyn Kupcinet

When clumsy Seymour Krelborn spoils two of a client's flowers, his boss Gravis Mushnick is ready to fire him from his flower shop until Seymour says he has mixed two different breeds of plant at home to create the "Audrey Jr." hybrid. Mushnick agrees to give Seymour another chance, and the next day Seymour brings in Audrey Jr., which becomes Mushnick's pride and joy and draws interest from his other employee Audrey Fulquard and more and more of their clients. Suddenly the plant ails, and Seymour accidentally learns that she likes blood. Upset because he doesn't know how to feed her, he walks along the railroad track and throws a stone that accidentally hits the head of a man who falls on the track and a train runs over him. Seymour takes pieces of the body back to the shop and discovers that the plant likes human flesh. The next morning, Audrey Jr. has grown and become the attraction of the shop. But how will Seymour feed his plant again?—Claudio Carvalho, Rio de Janeiro, Brazil

The Little Shop of Horrors

The Little Shop of Horrors (1960)

Steven Berkoff

Maria Schneider

Charles Mulvehill

David Locke (Jack Nicholson) is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman (Maria Schneider), Locke attempts to avoid both the police and criminals out to get him.—FilmsNow

The Passenger

The Passenger (1975)

Dermot Mulroney

Hope Davis

Kathy Bates

Warren Schmidt (Jack Nicholson) has led a safe, predictable life working in the insurance industry in Omaha, Nebraska for many years, yet now faces retirement. At the same time, he is forced to take a hard look at his wife, his life, and his relationship with his estranged daughter. An often hilarious series of events follow as Schmidt embarks on an unpredictable RV journey to attend his daughter's wedding in Denver, Colorado.—wacoastguy

About Schmidt

About Schmidt (2002)

John Lithgow

Danny DeVito

Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of their lives as each finds different reasons to go on living and find joy. Aurora's interludes with Garrett Breedlove, retired astronaut and next door neighbor are quite striking. In the end, different people show their love in very different ways.—John Vogel

Terms of Endearment

Terms of Endearment (1983)

Sabrina Scharf

Bridget Fonda

Michael Pataki

Netting a hefty profit from their latest drug deal, hippies Wyatt and Billy decide to outfit themselves with among other things motorbikes - Wyatt complete in what they call his Captain America gear and similar motif on the bike - and chucking any structure in their lives beyond the want to get there for the event, cycle from their home base of Los Angeles to New Orleans for Mardi Gras in just over a week. They don't plan to spend their proceeds on this trip - they saving that for a more carefree life in Florida after the fact - they sleeping in the great outdoors along the way. While Wyatt is more easy going, believing in the karmic nature and practicality of helping others when they can and in turn asking for help when they need it, Billy is a little more suspicious of the people they encounter, especially in hiding their wad of cash that is stuffed into the gas tank of Wyatt's bike, that money their future. They will find that not all counter-culturalists have the exact same mindset, while they will also find the spiritual and practical connections to others in perhaps the most unlikely of places and people. But they will also ruffle some feathers just for being hippies, arguably in the fear not of them as people but what they represent. Through it all, Wyatt in particular evaluates if the trip ends up being what he expects or wants for his life.—Huggo

Easy Rider

Easy Rider (1969)

Carol Kane

Candice Bergen

Ann-Margret

The concurrent sexual lives of best friends Jonathan and Sandy are presented, lives that are affected by the sexual mores of the time and their own temperaments, especially in relation to the women in their lives. Their story begins in the late 1940s when they are roommates attending Amherst College together. Both virgins, they discuss the type of woman they would each like to end up with. The more-sensitive Sandy meets Susan at a mixer and believes he'll lose his virginity to her. He goes through the process methodically, considering what she wants, but there's little true passion or romance. The more sexually-aggressive Jonathan, loses his own virginity to "Myrtle," a steady but hidden girlfriend. Based on what each knows of the other's relationship, both men strive for a little more of what the other has. These relationships also set the tone for all the relationships they will have in the future. Through their lives, they always seem not totally satisfied with each relationship, still pining for what the other has. This view might change as they and their friendship hits middle age, when Sandy is with a domineering woman named Cindy, while Jonathan is with model/actress Bobbie, whose life goes spiraling downward because of her relationship to Jonathan and despite her beauty which on the surface offered so much opportunity for her. Jonathan's sexual trajectory, directed through these experiences, ends up in a manner he probably did not foresee.—Huggo

Carnal Knowledge

Carnal Knowledge (1971)

Henry Jaglom

Adam Roarke

Dean Stockwell

Jenny, a deaf runaway, has just arrived in San Francisco's Haight-Ashbury district to find her long-lost brother, a mysterious bearded sculptor known around town as The Seeker. She falls in with a psychedelic band, Mumblin' Jim, whose members include Stoney, Ben, and Elwood. They hide her from the fuzz in their crash pad, a Victorian house crowded with love beads and necking couples. Mumblin' Jim's truth-seeking friend Dave considers the band's pursuit of success "playing games," but he agrees to help Jenny anyway.—alfiehitchie

Psych-Out

Psych-Out (1968)

Tim Burton

Oscar winner Jack Nicholson's portrait of Teamsters Union leader Jimmy Hoffa, as seen through the eyes of his longtime friend Bobby Ciaro (Danny DeVito). This film follows Hoffa's struggle to shape America's most influential labor union through his countless battles with the Regional Transportation Authority. As he fights for workers' rights, Hoffa locks horns with industry management, organized crime and Attorney General Robert Kennedy. In 1975, four years after serving his prison term, Hoffa disappears, in one of America's most fascinating unsolved crime mysteries.—Anonymous

Hoffa

Hoffa (1992)

Michael Caine

Sean Connery

Orson Welles's final movie, The Other Side of the Wind, started filming in 1970 but by the time of his death in 1985 had not been released. It was finally released by Netflix in 2018. This documentary details the making of the movie and the problems Welles had in completing and releasing it.—grantss

They'll Love Me When I'm Dead

They'll Love Me When I'm Dead (2018)

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