Serge Gainsbourg

Blanche Ravalec

Jean-Louis Trintignant

Alexandre Aja

With the help of his binoculars, commissioner Duche monitors from his car the reception at the villa of Raymond Bettoun, the head of the clan of Jewish Pied-Noir.

The Big Pardon

The Big Pardon (1982)

Romy Schneider

Jane Birkin

Jean-Pierre Cassel

Everything is about to change in the uneventful life of Nicolas Mallet--a discreet, introverted bank clerk who is as meek as a lamb--when he decides to follow the bold advice of his old school friend, Claude Fabre. From now on, Nicolas must throw off his shackling inhibitions and act out his most intimate desires. Now, there is no turning back, and unstoppable Nicolas is bent on seducing as many women as possible to grease his path to success. However, nothing lasts forever. Must all good things come to an end?—Nick Riganas

Love at the Top

Love at the Top (1974)

Dominique Sanda

Stéphane Audran

Laura Antonelli

A police detective investigates a series of killings of unconnected people by a mystery sniper. One of the victim is an ex girlfriend of the detective who tries very hard to find a missing link between all these murders. Though the detective have linked the victims to money laundering, narcotics and prostitution, nothing adds up to a motive for murdering them.—Fella_shibby@yahoo.com

Without Apparent Motive

Without Apparent Motive (1971)

Françoise Fabian

Dominique Pinon

Michel Piccoli

Salomé Lerner just finished writing an autobiograpy. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...—

Partir, revenir

Partir, revenir (1985)

Anne Wiazemsky

Adolf Hitler

May 1940 - Germany invades Europe, people panic and try to flee by any means possible. In France, Julien, a radio repairman, boards a train with his wife and child. As the men are placed in cattle cars with only the women and elderly allowed in the passenger cars, events begin their fateful turning as the insignificant repairman encounters an attractive fugitive and love begins - a doomed love.—alfiehitchie

The Last Train

The Last Train (1973)

Gérard Depardieu

Charlotte Gainsbourg

Jean Rougerie

Camille, a naive schoolgirl meets an intiguing influence in Joelle, a slightly older and much more experienced spirit. Camille follows her new friend through the discovery of sex and the darker side of life. As the film progresses Camille discovers Aids and the fear that she may have picked up the disease in her early encounters.—x-static

Merci La Vie

Merci La Vie (1991)

Fanny Ardant

Jean-Pierre Kalfon

Xavier Saint-Macary

Claude Massoulier is murdered while hunting at the same place as Julien Vercel, an estate agent who knew him and whose fingerprints are found on Massoulier's car. As the police discovers that Marie-Christine Vercel, Julien's wife, was Massoulier's mistress, Julien is very suspected. But his secretary, Barbara Becker, while not quite convinced he is innocent, defends him and leads her private investigations...—Yepok

Confidentially Yours

Confidentially Yours (1983)

Jacqueline Sassard

Lilla Brignone

Giampiero Littera

Summer 1943: The media reports are coming in thick and fast - the Allies have occupied Sicily and the war is spreading northwards with giant strides. In the small seaside resort of Raccione near Rimini, however, all is still well with the world: the hail of bombs has so far only reached the residents via the news, and the only thing that can disturb the summery picture-postcard idyll are low-flying aircraft over the sandy beach. Carlo Caremoli, who has just returned from Switzerland where he successfully avoided military service, also enjoys the lightness of carefree existence with his friends. Together they plunder the black market and their parents' secret stashes, pop the champagne corks or splash around in the Mediterranean. When Carlo accidentally meets Roberta, whose husband was killed in the war, it is all over for them: A summer night's dream of passions begins - everyday life is one big (love) frenzy. The fact that Roberta is much older and has a small daughter hardly seems to bother the newlyweds. Only Roberta's mother takes offense at their unequal love and appeals to Roberta's sense of social conventions. But love has its own laws, and even Roberta's motherly feelings suddenly seem forgotten. Then the war catches up with them. When Carlo is to be drafted, Roberta cannot and will not accept it - she has already lost a man to the war once. Roberta wants to save her great love and flee with Carlo.

Violent Summer

Violent Summer (1959)

Maurice Garrel

Robert Bousquet

The son of a French industrialist, Clément is a right wing extremist who belongs to a secret militant right wing organization that uses whatever means necessary, including violence, to achieve its goals. His wife Anne, a former German actress who gave up her career to be the doting wife, knows somewhat of his extremist views, and suspects he would indeed kill if need be as witnessed by what she finds hidden in their house. He often treats her poorly, especially out in public as she maintains the façade of her former celebrity, which he believes is her acting like a whore. Regardless, she is compelled to stay in the marriage. After he and a right wing colleague assassinate a Communist figure, that assassination which goes slightly awry, Clément and Anne hide out in the country home of Clément's childhood friend, Paul, who knows nothing about Clément's extremist views. Paul is a democrat and pacifist. Clément is forced to leave to pursue a mission, leaving Anne behind. Without Clément, Anne returns to her old life in the theater and into a relationship with Paul. But Clément does return much to Paul and Anne's chagrin, he who will not give up his wife without incident.—Huggo

Le combat dans l'île

Le combat dans l'île (1962)

Catherine Spaak

Edda Ferronao

Gabriele Tinti

After discovering her late husband's swinger's pad, a widow uses the apartment to explore her own sexuality, while searching for a man who can reciprocate her passions.

The Libertine

The Libertine (1968)

Marie Becker

34-year-old engineer Jean-Louis has just started a new job in Clermont. He lives a relatively solitary life not knowing anyone in town except his work colleagues, and he has made a conscious decision that they should not become his de facto friends just because they work together. He also chooses not to socialize because of his situation and needing to make the long daily commute to/from Ceyrat, where he currently lives. He has had his fair share of women during his adult life and now chooses to adhere most closely to his Catholic beliefs in approaching romantic and sexual relationships with women with the sole goal of love and marriage. He keeps seeing a pretty blonde at Mass on Sunday mornings and without knowing her or even talking to her, he believes that this woman is destined to be his wife. He has been reading the writings of Blaise Pascal and finding the mixture of mathematics and Catholicism just what he needs to be reading and applying to his life. One day just before Christmas, he runs into Vidal, an old college friend he hasn't seen in 14 years, now a Philosophy professor at the college. In the course of getting reacquainted over the next couple of days, Vidal invites Jean-Louis over to his friend Maud's apartment the day after Christmas. Maud is a recently-divorced pediatrician, the mother of young-adolescent daughter Marie. Much of Jean-Louis, Vidal, and Maud's discussion that evening uses Pascal as a jumping-off point, veering into his philosophies in relation to sex and love; Vidal and Maud, being atheists, have a different view than Jean-Louis. This night, which Jean-Louis learns was not by accident on Vidal's part, has the potential to reshape his life as he would have to admit his attraction to Maud, who is not the theoretical of the perfect mate for him. If he does stay true to his thoughts of the blonde, he could find that a happily-ever-after with her is not a guarantee, and she might have her own baggage.—Huggo

My Night at Maud's

My Night at Maud's (1969)

Ron Perlman

Mathieu Kassovitz

Set in a dystopian society, someone is kidnapping the children. Krank and his band of clones are using the children to harvest their dreams. Then they kidnap Denree, the brother of One, a fairground strongman. One sets out to find his brother.—grantss

The City of Lost Children

The City of Lost Children (1995)

Carroll Baker

Marcello Bonini Olas

Helga Liné

Jean, a rich Parisian socialite, comes to the aid of a frightened young woman (Nicole) who is under the domineering control of her abusive boyfriend, Klaus. Although married, Jean develops a romantic relationship with Nicole. However, he may have gotten himself involved in more than he bargained for.

So Sweet... So Perverse

So Sweet... So Perverse (1969)

Antonino Faà di Bruno

Jacqueline Bisset

Marcello Mastroianni

Police commissioner Santamaria is investigating the murdering of the ambiguous architect Mr. Garrone. The investigations soon drive him into the Torino's high society. Santamaria suspect Anna Carla and at the same time falls in love for her. Lello is the lover of Massimo, a homosexual platonic friend of Anna Carla. He is following another direction in order to find out the truth, and his results are confusing the Policeman. But another murdering happens...—1felco

The Sunday Woman

The Sunday Woman (1975)

Isabelle Huppert

Suzanne Schmidt

Damien Jouillerot

Georges and Anne are a couple of retired music teachers enjoying life in their eighties. However, Anne suddenly has a stroke at breakfast and their lives are never the same. That incident begins Anne's harrowingly steep physical and mental decline as Georges attempts to care for her at home as she wishes. Even as the fruits of their lives and career remain bright, the couple's hopes for some dignity prove a dispiriting struggle even as their daughter enters the conflict. In the end, George, with his love fighting against his own weariness and diminished future on top of Anne's, is driven to make some critical decisions for them both.—Kenneth Chisholm (kchishol@rogers.com)

Amour

Amour (2012)

Gastone Moschin

Stefania Sandrelli

This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind.—Dale O'Connor

The Conformist

The Conformist (1970)

Marianne Koch

Lucien Raimbourg

Jean Babilée

When he learns his days are numbered old count Hervé de Kéraudren decides to hide in a secret alcove and to die there, just to annoy his heirs. As a result of his body not being found the latter will have to wait for five years until they can inherit the count's money. Very upsetting indeed, all the more as they are required to keep up the Kéraudren estate in the meantime. To collect money, nephews and nieces organize a Son et Lumière show at the manor while busily looking for the missing corpse. But, unexpectedly, they get killed in turns. Murders or accidents? Jean-Marie, his fiancée Micheline and his cousin Edwige investigate and finally succeed in exposing the culprit. And, the count's body being found by chance, all goes back to normal.—Guy Bellinger

Spotlight on a Murderer

Spotlight on a Murderer (1961)

Klaus Kinski

Vonetta McGee

Edward Mannix

Bounty killers led by Loco prey on outlaws hiding out in the snowbound Utahn mountains. After Pauline's husband becomes Loco's latest victim, she hires a gunman for revenge; Silence, mute since his throat was cut when he was a boy.—Tom Seldon

The Great Silence

The Great Silence (1968)

Gina Lollobrigida

Ewa Aulin

Angelo Casadei

A love triangle develops between three people who run a high tech chicken farm. It involves Anna (who owns the farm), her husband Marco (who kills prostitutes in his spare time) and Gabriella (the very beautiful secretary). Marco continues to kill as jealousy becomes more prevalent on the farm.—Count_Fistfuldollars

Death Laid an Egg

Death Laid an Egg (1968)

Juliette Binoche

Julie Delpy

Irène Jacob

Valentine is a young model living in Geneva. Because of a dog she ran over, she meets a retired judge who spies his neighbours' phone calls, not for money but to feed his cynicism. The film is the story of relationships between some human beings, Valentine and the judge, but also other people who may not be aware of the relationship they have with Valentine or/and the old judge. Redemption, forgiveness and compassion...—Yepok

Three Colors: Red

Three Colors: Red (1994)

40 YIFY Movies Found

5.8 / 10

ActionCrime

6.7 / 10

ActionComedy

6.3 / 10

ActionCrime

6.3 / 10

ActionDrama

6.9 / 10

ActionDrama

6.5 / 10

ActionDrama

7.2 / 10

ActionComedy

7.3 / 10

ActionDrama

6.5 / 10

ActionDrama

5.4 / 10

ActionComedy

7.8 / 10

ActionComedy

7.4 / 10

ActionAdventure

6 / 10

ActionHorror

6.5 / 10

ActionComedy

7.9 / 10

ActionDrama

7.9 / 10

ActionDrama

6.5 / 10

ActionDrama

7.7 / 10

ActionDrama

5.8 / 10

ActionHorror

8.1 / 10

ActionDrama

Action
Crime

Action
Comedy

Action
Crime

Action
Drama

Action
Drama

Action
Drama

Action
Comedy

Action
Drama

Action
Drama

Action
Comedy

Action
Comedy

Action
Adventure

Action
Horror

Action
Comedy

Action
Drama

Action
Drama

Action
Drama

Action
Drama

Action
Horror

Action
Drama