Anna Karina

Raquel Welch

Michèle Mercier

Jean-Pierre Léaud

A collection of sketches on prostitution through the ages. 1) "The Prehistoric Era": A caveman discovers that a cavewoman is more attractive when cave paint is applied to her face. And she can earn more seashells that way. 2) "Roman Nights": The Emperor (Gastone Moschin) goes out seeking a little nocturnal amusement, only to find that the high-priced, Oriental courtesan he hires is his wife, the Empress (Elsa Martinelli). 3) "Mademoiselle Mimi": In revolutionary France, Mimi finds that her client, the nephew of a marquis, is more interested in watching the guillotinings out her window than he is in going to bed. 4) "The Gay Nineties": When Nini (Raquel Welch) discovers by accident that her antiquated customer is a banker, she pretends to be an honest woman who has fallen in love with him. She even pays him, just like a gigolo. 5) "Paris Today": Two girls pick up clients by driving around in a car, and then an ambulance. Police pull the vehicle over for speeding. 6) "Anticipation": Demetrius (Jacques Charrier) has just arrived on Earth from another galaxy. But the girl brought to him by the commissar, Hostess 703 (Anna Karina), is not a "physical love" girl; she's a "sentimental love" one, who only knows how to excite men with language.—David Carless

The Oldest Profession

The Oldest Profession (1967)

Brigitte Bardot

Marlène Jobert

Françoise Hardy

Paul is young, just demobbed from national service in the French Army, and disillusioned with civilian life. As his girlfriend builds herself a career as a pop singer, Paul becomes more isolated from his friends and peers ('the children of Marx and Coca Cola', as the credits announce) and their social and emotional politics.—D.Giddings

Masculine Feminine

Masculine Feminine (1966)

Anne Wiazemsky

Michèle Breton

Jean-Pierre Kalfon

A supposedly-idyllic weekend trip to the countryside turns into an endless nightmare of traffic jams, revolution, cannibalism, and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.—Michael Brooke

Weekend

Weekend (1967)

Julie Delpy

Emmanuelle Seigner

Erich von Stroheim

In a Paris hotel, two detectives are investigating a two-year-old murder. Emile and Francoise Chenal are putting pressure on Jim Fox Warner, a boxing manager, who owes them a huge amount of money. But Jim also owes money to the Mafia, and it seems the boxing match he is counting on to bail him out will not be sufficient.—Yepok

Detective

Detective (1985)

Nadja Tesich

Nadja is a guest student, who stays at Cité Universitaire and visits the Sorbonne, while preparing a thesis on Proust. Besides her student life she likes to stroll about Paris, to explore the variety of this wide and open city. She knows Saint-Germain-des-Prés well, but feels more comfortable among the bohemians, painters and writers in Montparnasse. Sometimes she wants to get out of the narrow area of intellectual Paris. She then goes to the park Buttes Chaumont and the working class neighborhood of Belleville. There she discovers a world that is simpler and more characteristic of France. This helps her to distance herself from everything that was superficial in her life. She thinks that Paris teaches you more about yourself than you learn about the city.—Maths Jesperson {maths.jesperson1@comhem.se}

Nadja in Paris

Nadja in Paris (1964)

Jean-Louis Comolli

László Szabó

Lemmy Caution, an American private-eye, arrives in Alphaville, a futuristic city on another planet. His very American character is at odds with the city's ruler, an evil scientist named Von Braun, who has outlawed love and self-expression.—Gene Volovich

Alphaville

Alphaville (1965)

Christophe Prévost

Sara Forestier

Nicolas Vaude

Lila and Mo meet at a bus stop. Lila has a paralyzing speech impediment. Mo is chatty and exuberant. Lila is preparing for her exams. Mo illegally races cars for a living. Opposites attract, and they fall in love. But Mo carries a secret burden.—Venice Days

M (2017)

François Truffaut

Barbara Laage

Claude Jade

Antoine and Christine Doinel are still in the honeymoon phase of their young marriage, there a playfulness in their interactions with each other as they live a somewhat bohemian life, he working for a florist in their neighborhood with his main job, which he carries out in their apartment building's courtyard, dying white flowers vivid colors, she a concert violinist and violin teacher. They also have cordial relations with idiosyncratic neighbors and other neighborhood regulars. Their union is not outwardly obvious in the differences in their background, Antoine who uses writing as a means to deal emotionally with what was his neglected childhood in a broken home, while Christine's family is bourgeois. When Christine becomes pregnant, Antoine goes on a search for a higher paying and more stable job, he, in part out of a misunderstanding, able to get one working for an American hydraulics company. It is through that job that Antoine meets and begins an affair with Kyoko, the daughter of a Japanese client. The affair may jeopardize the life he has with Christine - while it is arguably more a fling for Antoine in dealing with these changes, it is love for Kyoko.—Huggo

Bed & Board

Bed & Board (1970)

Jacqueline Bisset

Alexandra Stewart

The shooting of "Je vous presente Pamela" (may I introduce Pamela) begins. This is the story of en English married wife falling in love and running away with the father of her French husband. Will be simultaneously shown the shooting, the behavior of the people (including the technical team) on the set, and a part of their private life (a factor of complication)...—Yepok

Day for Night

Day for Night (1973)

Jean-Paul Belmondo

Samuel Fuller

Ferdinand Griffon, married to a wealthy Italian wife, has recently been fired from the television station where he worked. His wife forces him to go to a party at the home of her influential father, who wants to introduce him to a potential employer. Her brother brings babysitter Marianne Renoir to take care of their children. Feeling bored at the bourgeois party, Ferdinand borrows his brother-in-law's car to head home. He meets Marianne, who was his mistress five years ago and insists on calling him Pierrot, and offers to take her home. They spend the night together and he learns that she's involved in smuggling weapons. When terrorists chase her, they decide to leave Paris and his family behind and go on the run, on a crazy journey to nowhere.—Claudio Carvalho, Rio de Janeiro, Brazil

Pierrot le fou

Pierrot le fou (1965)

Lucia Bosé

Claudine Auger

The poet Jean Cocteau is lost in space-time. He has been in the 18th century and is now turning up at different moments in professor Langevin's life. The professor has invented some bullets, which travel faster than light. With one of them he kills Cocteau, who is resurrected as his old self, but is still caught in the space between fantasy and reality. At a gypsy camp a woman saves a photo out of the fire and restores it. On the photo Cocteau recognizes Cégeste from his film Orphée. He tears the photo into pieces and throws it into the sea. Immediately Cégeste himself jumps out of the water. He brings Cocteau to a rogatory commission led by Heurtebise and The Princess from the film Orphée. Cocteau admits that he has constantly attempted to enter a world which is not his own, a world that is beyond the limits of man, and that disobedience is like a religion for him. The commission imposes on him the sentence of life. In a hall inside some stone ruins the goddess Athena kills Cocteau with her spear. His friends assemble around his body, but he resurrects from death, and walks away along a small road. Cégeste comes out from a rock and draws Cocteau into it, because they don't belong to life on earth.—Maths Jesperson {maths.jesperson1@comhem.se}

Testament of Orpheus

Testament of Orpheus (1960)

Marlon Brando

Maria Schneider

Catherine Breillat

While looking for an apartment, Jeanne, a beautiful young Parisienne, encounters Paul, a mysterious American expatriate mourning his wife's recent suicide. Instantly drawn to each other, they have a stormy, passionate affair, in which they do not reveal their names to each other. Their relationship deeply affects their lives, as Paul struggles with his wife's death and Jeanne prepares to marry her fiance, Tom, a film director making a cinema-verite documentary about her.—Erich Schneider

Last Tango in Paris

Last Tango in Paris (1972)

Jeanne Moreau

Jean-Luc Godard

Seemingly in constant trouble at school, 14-year-old Antoine Doinel returns at the end of every day to a drab, unhappy home life. His parents have little money and he sleeps on a couch that's been pushed into the kitchen. His parents bicker constantly and he knows his mother is having an affair. He decides to skip school and begins a downward spiral of lies and theft. His parents are at their wits' end, and after he's stopped by the police, they decide the best thing would be to let Antoine face the consequences. He's sent to a juvenile detention facility where he doesn't do much better. He does manage to escape however.—garykmcd

The 400 Blows

The 400 Blows (1959)

Maggie Cheung

Nathalie Richard

Alex Descas

French filmmaker René Vidal was once a renowned director, but most see his career on a quick downward slide based on his last several films. In Paris, he is just starting to film his latest movie, a remake of Les vampires (1915), and has hired Hong Kong based Chinese actress Maggie Cheung as the title lead, "Irma Vep" (an anagram for "vampire"), despite she knowing no French and she not being an obvious choice to most. Maggie has never worked with Vidal before and knows little about his movies, but many of his primarily French crew are part of his regular stable. As such, Maggie may become isolated among the cast and crew, unless there are those who bring her into their English conversations, they who may have somewhat ulterior motives in doing so. There are also factions within the cast and crew, who, based on their history, have a poisoned sense of what is going on. With Vidal, he is dealing with some personal issues while he tries to regain his film making form. He may transfer his thoughts of Irma Vep to Maggie, who he hired because he too sees her as strong and sexy like the skin-tight latex clad Irma. And Maggie may take her research for the comic bookish character to an extreme.—Huggo

Irma Vep

Irma Vep (1996)

Gérard Depardieu

David Svoboda

In New York, the French director of the World Bank Mr. Devereaux is a pervert and womanizer, partying and participating in gang bangs with women. When he tries to rape the hotel housekeeper in his room, the woman reports to the police. Devereaux is arrested, affecting also the life of his wife Simone.—Claudio Carvalho, Rio de Janeiro, Brazil

Welcome to New York

Welcome to New York (2014)

35 YIFY Movies Found

5.4 / 10

Action
Comedy

7.4 / 10

Action
Drama

6.9 / 10

Action
Adventure

5.7 / 10

Action
Comedy

6.7 / 10

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7 / 10

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6.5 / 10

Action
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7.4 / 10

Action
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8 / 10

Action
Comedy

7.4 / 10

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Crime

7.2 / 10

Action
Biography

6.8 / 10

Action
Drama

8 / 10

Action
Crime

7 / 10

Action
Comedy

5.6 / 10

Action
Crime

35 YIFY Movies Found

5.4 / 10

ActionComedy

7.4 / 10

ActionDrama

6.9 / 10

ActionAdventure

5.7 / 10

ActionComedy

6.7 / 10

ActionDrama

7 / 10

ActionComedy

6.5 / 10

ActionDrama

7.4 / 10

ActionComedy

8 / 10

ActionComedy

7.4 / 10

ActionCrime

7.2 / 10

ActionBiography

6.8 / 10

ActionDrama

8 / 10

ActionCrime

7 / 10

ActionComedy

5.6 / 10

ActionCrime

Action
Comedy

Action
Drama

Action
Adventure

Action
Comedy

Action
Drama

Action
Comedy

Action
Drama

Action
Comedy

Action
Comedy

Action
Crime

Action
Biography

Action
Drama

Action
Crime

Action
Comedy

Action
Crime