Juliette Binoche

Fabrice Luchini

Valeria Bruni Tedeschi

Didier Després

Summer 1910. Several tourists have vanished while relaxing on the beautiful beaches of the Channel Coast. Infamous inspectors Machin and Malfoy soon gather that the epicenter of these mysterious disappearances must be Slack Bay, a unique site where the Slack river and the sea join only at high tide. There lives a small community of fishermen and other oyster farmers. Among them evolves a curious family, the Bréfort, renowned ferrymen of the Slack Bay, lead by the father nick-named "The Eternal", who rules as best as he can on his prankster bunch of sons, especially the impetuous Ma Loute, aged 18. Towering high above the bay stands the Van Peteghems' mansion. Every summer, this bourgeois family - all degenerate and decadent from inbreeding - stagnates in the villa, not without mingling during their leisure hours of walking, sailing or bathing, with the ordinary local people, Ma Loute and the other Bréforts. Over the course of five days, as starts a peculiar love story between Ma Loute and the young and mischievous Billie Van Peteghem, confusion and mystification will descend on both families, shaking their convictions, foundations and way of life.—Memento Films

Slack Bay

Slack Bay (2016)

Lou de Laâge

Antonio Folletto

Giorgio Colangeli

The play is set in Sicily in the year 2005. Few days after the sudden loss of her young son, Giuseppe, Anna receives a phone call from Jeanne, his girlfriend from Paris. Jeanne asks whether Giuseppe is home, thus showing she does not know he died; she announces her arrival in Sicily, where she was supposed to spend her Easter holiday with him. Anna just replies that Giuseppe is not home and that Pietro, the house factotum, will go to the airport to pick her up. Jeanne finally arrives in the night to the countryside villa on Mt. Etna of Giuseppe, where Anna still lives.
After having avoided meeting Jeanne for a while, Anna finally gets to know her on the following day. In order to justify both the absence of Giuseppe and the mourning atmosphere of the house, where many relatives and friends dressed in black have showed up to pay a visit, Anna makes up that her brother died shortly ago. Jeanne is sorry for having come on such a tragic moment and proposes to leave back to Paris immediately. Anna, however, invites her to remain in the estate: she is not able to tell her the truth and to let the last 'living part' of her son go. Furthermore, she seems willing to know more about Jeanne and Giuseppe, given that her son was very taciturn:in fact, the only things Anna knows about the young girl are the personal messages she has left on Giuseppe's answering machine after his death. The two women, then, start 'waiting for Giuseppe's return', which is 'expected' on Easter's eve. Thus, they start know one another better, walking in the countryside, having sauna together and visiting the ancient Roman mosaics in Piazza Armerina.
While bathing in the lake close to the estate (the theme of the lake, is recurrent in Jeanne's dreams), Jeanne meets two young men, which she invites to the villa for dinner. Anna, Jeanne (who wears Giuseppe's favourite dress) and the two men appear to have a pleasant time, but the dinner is interrupted by the factotum Pietro. Anna joins him in a separate room, where he - not approving Anna's lie and her use of Giuseppe's phone - incites her to disclose the truth to the French girl. The woman, however, prefers to postpone this moment and gives him some days of holiday; before going away, however, Pietro secretly leaves Giuseppe's phone in Jeanne's bedroom. When Anna comes back to the dining room, she finds Jeanne dancing with one of the guest on the notes of Leonard Cohen's "Waiting for the miracle". Anna looks upset and leaves; Jeanne, however, was flirting neither with the dancing guest (who, in fact, had proclaimed himself homosexual during the dinner) nor with the other one, whom she refuses to kiss.
The following day is finally Easter's eve. Anna finally tells Jeanne a partial truth: Giuseppe is not going to come back and see her, because he wants to leave her. As a matter of fact, Anna just made up this lie with the few things she had learned on her son's relation: she knew he was jealous, that he had been angry at Jeanne because she had had a sort of flirt with someone else on the previous summer (information Anna got from the messages Jeanne left on Giuseppe's answering machine) and that their relation was undergoing a bad period. Anna tries to comfort Jeanne, ambiguously telling her that she has to let him go forever and that she will start a new life. Jeanne announces that she will leave on the subsequent day.
In the night, Anna has a vision that Giuseppe has come home: she talks to him and she imagines joins with him the typical Easter procession of the town; when the statue of mourning Mother Mary (a sculpture which Jeanne had partially seen on her arrival) is unveiled, however, Anna regains consciousness that Giuseppe is gone. Meanwhile, at home, Jeanne finally notices Giuseppe's phone in her room and understands from Anna's personal messages on the answering machine that he is dead.
In the morning, Anna enters Jeanne's bedroom to say farewell. Ambiguously, she finally seems to tell her that Giuseppe is dead ('This house will be empty after you leave'), but in turn Jeanne remains silent, not revealing she really knows the truth. The two women hug each other tight, and Jeanne finally leaves.

L'attesa

L'attesa (2015)

Michael Haneke

Florence Loiret Caille

Féodor Atkine

Jean, a farm lad, wants to escape his silent father; he runs to Paris to his older brother, Georges, who's away covering the war in Kosovo. Angry, he throws a bag of half-eaten pastry into a beggar's lap. Amadou, a young Franco-African, berates him. The police arrive, arrest Amadou and deport the beggar. Georges's girlfriend Anne is upset; it colors her relationship with Georges when he returns from the war. Separate lives intersect for the one moment, around the pastry bag, and all are altered. We follow each as repercussions of the incident play out. Deaf children bookend the film pantomiming words, feelings, and situations: what they are expressing?—

Code Unknown

Code Unknown (2000)

Samuel L. Jackson

Brendan Gleeson

Connie Chiume

Can the deep wounds of Apartheid be healed through reconciliation? Anna Malan (Binoche) and Langston Whitfield (Jackson) must both question their sense of identity, where they belong and their personal responsibility. From renowned director John Boorman (Excalibur, Deliverance).

In My Country

In My Country (2004)

Guillaume Canet

Olivia Ross

Nadine Leon Gobet

Set in the Parisian publishing world, an editor and an author find themselves in over their heads, as they cope with a middle-age crisis, the changing industry and their wives.

Non-Fiction

Non-Fiction (2018)

Pierre Pessemesse

Maître Bitoun

Johnny Aldama

Set against Paris' oldest bridge, the Pont Neuf, while it was closed for repairs, this film is a love story between two young vagrants: Alex, a would be circus performer addicted to alcohol and sedatives and Michele, a painter driven to a life on the streets because of a failed relationship and an affliction which is slowly turning her blind. The film portrays the harsh existence of the homeless as Alex, Michele and Hans, an older vagrant survive on the streets with their wits. As they both slowly get their lives back together, Michele becomes increasingly dependent on Alex as her vision deteriorates further. Fearing that Michele will leave him if she receives a new medical treatment Alex attempts to keep Michele practically a prisoner. The streets, skies and waterways of Paris are used as a backdrop to the story in a series of stunning visuals which dominate the film.—Anonymous

The Lovers on the Bridge

The Lovers on the Bridge (1991)

Stellan Skarsgård

Lena Olin

Daniel Day-Lewis

Tomas is a doctor and a lady-killer in 1960s Czechoslovakia, an apolitical man who is struck with love for the bookish country girl Tereza; his more sophisticated sometime lover Sabina eventually accepts their relationship and the two women form an electric friendship. The three are caught up in the events of the Prague Spring (1968), until the Soviet tanks crush the non-violent rebels; their illusions are shattered and their lives change forever.—Dan Hartung

The Unbearable Lightness of Being

The Unbearable Lightness of Being (1988)

Armelle Leroy-Rolland

Nicole Faurite

Daniele

Winter, 1915. Confined by her family to an asylum in the South of France - where she will never sculpt again - the chronicle of Camille Claudel's reclusive life, as she waits for a visit from her brother, Paul Claudel.

Camille Claudel 1915

Camille Claudel 1915 (2013)

Andrea Laurenzi

Angelo Barbagallo

Adrian Moore

James Miller has just written a book on the value of a copy versus the original work of art. At a book reading, a woman gives him her address, and the next day they meet and take a country-side drive to a local Italian village. Here, they discuss various works of art found in the town, and also the nature of their relationship - which gets both more revealed and concealed as the day progresses.—napierslogs

Certified Copy

Certified Copy (2010)

Louis-Do de Lencquesaing

Daniel Auteuil

Nathalie Richard

Set in France, Georges is a TV Literary Reviewer and lives in a small yet modern town house with his wife Ann, a publisher and his young son Pierrot. They begin to receive video tapes through the post of their house and family, along side obscure child-like drawings. They visit the police with hope of aid to find the stalker, but as there is no direct threat, they refuse to help. As the tapes become more personal, Georges takes it upon himself to figure out who is putting through his family through such horror. A true Michael Haneke Classic.—Jodie Norton

Caché

Caché (2005)

Ethan Hawke

Catherine Deneuve

Ludivine Sagnier

Fabienne is a star; a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.—Producer

The Truth

The Truth (2019)

François Civil

Swann Arlaud

Anaïs Demoustier

Anne (Juliette Binoche), a well-off, Paris-based mother of two and investigative journalist for ELLE, is writing an article about student prostitution. Her meetings with two fiercely independent young women, Alicja (Joanna Kulig) and Charlotte (Anais Demoustier), are profound and unsettling, moving her to question her most intimate convictions about money, family and sex.—Tine Byrckel

Elles

Elles (2011)

Gérard Depardieu

Nicolas Duvauchelle

Isabelle, Parisian artist, divorced mother, is looking for love, true love at last.

Let the Sunshine In

Let the Sunshine In (2017)

Julie Delpy

Irène Jacob

Jean-Louis Trintignant

Valentine is a young model living in Geneva. Because of a dog she ran over, she meets a retired judge who spies his neighbours' phone calls, not for money but to feed his cynicism. The film is the story of relationships between some human beings, Valentine and the judge, but also other people who may not be aware of the relationship they have with Valentine or/and the old judge. Redemption, forgiveness and compassion...—Yepok

Three Colors: Red

Three Colors: Red (1994)

Julie Gayet

Zbigniew Zamachowski

The first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. 'Blue' is the story of Julie who loses her husband, an acclaimed composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew, free of personal commitments, belongings, grief or love. She intends to numb herself by withdrawing from the world and living completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heal Julie and draws her back to the land of the living.—Anonymous

Three Colors: Blue

Three Colors: Blue (1993)

Francis Coffinet

Jerzy Nowak

In the second entry in Kieslowski's Three Colours trilogy, Polish immigrant Karol Karol (Zamachowski) finds himself out of a marriage, a job and a country when his French wife, Dominique (Delpy), divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikolah (Gajos) to smuggle him back to their homeland.

Three Colors: White

Three Colors: White (1994)

Lyna Khoudri

Sofie Hoflack

Yassine Fadel

SPOILER: A young girl from a modest Russian family studies classical ballet. After many difficulties, she succeeds as a young woman to enter the prestigious Bolchoi. However she turns to modern dance, then improvisation, then choreography. The movie includes beautiful dances from acclaimed choreographer Angelin Preljocaj.—Teyss

Polina

Polina (2016)

Scarlett Johansson

Michael Pitt

Takeshi Kitano

In the near future, humans are augmented with cybernetic improvements to traits such as vision, strength and intelligence. Augmentation developer Hanka Robotics establishes a secret project to develop an artificial body, or "shell", that can integrate a human brain rather than an AI. The sole survivor of a terrorist attack which killed her parents, Mira Killian is chosen as the test subject after her body is damaged beyond repair. Over the objections of her designer Dr. Ouelet, Hanka Robotics CEO Cutter decides to use Killian as a counter-terrorism operative. A year later, Killian has attained the rank of Major in the anti-terrorist division Section 9 commanded by Chief Daisuke Aramaki, working alongside operatives Batou and Togusa.—Paramount Pictures

Ghost in the Shell

Ghost in the Shell (2017)

Clive Owen

Adam DiMarco

Mackenzie Cardwell

A flamboyant English teacher (Clive Owen) and a new, stoic art teacher (Juliette Binoche) collide at an upscale prep school. A high-spirited courtship begins and she finds herself enjoying the battle. Another battle they begin has the students trying to prove which is more powerful, the word or the picture. But the true war is against their own demons, as two troubled souls struggle for connection.—Anonymous

Words and Pictures

Words and Pictures (2013)

Emily Blunt

Steve Carell

Britt Robertson

Single father Dan Burns dedicates his life to his children, but one day he meets Marie at a bookstore. They get to know each other, but then Dan finds out that Marie is actually dating his brother, Mitch.—Marisa_Gabriella

Dan in Real Life

Dan in Real Life (2007)

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