Antonino Faà di Bruno

Jacqueline Bisset

Marcello Mastroianni

Jean-Louis Trintignant

Police commissioner Santamaria is investigating the murdering of the ambiguous architect Mr. Garrone. The investigations soon drive him into the Torino's high society. Santamaria suspect Anna Carla and at the same time falls in love for her. Lello is the lover of Massimo, a homosexual platonic friend of Anna Carla. He is following another direction in order to find out the truth, and his results are confusing the Policeman. But another murdering happens...—1felco

The Sunday Woman

The Sunday Woman (1975)

Michel Piccoli

Philippe Noiret

James Campbell

Having organised a lavish gastronomic seminar right under everyone's noses, grizzled friends and members of the professional bourgeoisie--chef Ugo, a restaurant owner; international libertine Marcello, an Alitalia pilot; refined Michel, a successful television producer; and sheltered Philippe, a venerable magistrate--gather for a weekend of debaucherous fun at a Parisian villa. As truckloads of the finest meat and wine arrive, the four companions prepare for a Romanesque banquet; however, something is missing. And before long, three elegant prostitutes join the eclectic quartet of hungry epicures. Now the stage seems set for a magnificent, unrestrained, Bacchanalian feast. After all, the extravagant hedonists are bent on carrying out their morbid secret plan to the letter. But how do you eat an elephant? One bite at a time.—Nick Riganas

The Big Feast

The Big Feast (1973)

Raffaella Carrà

Annie Girardot

Kenneth Kove

The story of exploited textile factory workers in Turin, Italy at the turn of the century and their beginnings of their fight for better working conditions. Professor Sinigaglia (Marcello Mastroianni) is sent by (presumably) the Socialists to help them organize their strike and give form to their struggle.—alfiehitchie

The Organizer

The Organizer (1963)

Claudia Cardinale

Barbara Steele

Madeleine Lebeau

Guido is a film director, trying to relax after his last big hit. He can't get a moment's peace, however, with the people who have worked with him in the past constantly looking for more work. He wrestles with his conscience, but is unable to come up with a new idea. While thinking, he starts to recall major happenings in his life, and all the women he has loved and left. An autobiographical film of Fellini, about the trials and tribulations of film making.—Colin Tinto

8½ (1963)

Sophia Loren

Mara Marilli

Alberto Castaldi

Domenico, a successful businessman, with an eye for the girls, begins an affair with Filumena when she is 17 years old. She becomes a prostitute, but also becomes the mistress of Domenico. He eventually sets her up in an apartment, and she works for him in his various businesses. She secretly bears three children, who are raised by nannies. Domenico starts planning to marry a young employee. Filumena tricks him into marriage by pretending to be dying. Domenico annuls the marriage. Filumena then tells him of the three children. She says that one of the children belongs to Domenico, but will not say which one is his. You start to believe that all of the children could be his, and Domenico then marries Filumena again, this time willingly.—Steve Jordan

Marriage Italian Style

Marriage Italian Style (1964)

Karina Verlier

Donatella Damiani

Ettore Martini

Marcello is in the compartment of an Italian train, facing forward, when the mineral water of the woman seated across from him starts falling toward him. He catches the bottle and makes eye contact, then follows her when she leaves the compartment. For a few moments she finds him attractive too. Then suddenly she gets off the train and starts walking through a field. Marcello follows her, loses her, and finds himself in a large hotel surrounded by women. A feminist conference is taking place and he tries to escape.—Dale O'Connor

City of Women

City of Women (1980)

Adriano Celentano

Lex Barker

Yvonne Furneaux

In 1959/1960 Rome, Marcello Rubini (Marcello Mastroianni) is a writer and journalist, the worst kind of journalist--a tabloid journalist. His job is to try to catch celebrities in compromising or embarrassing situations. He tends to get quite close to his subjects--especially when they're beautiful women. Two such subjects are local heiress Maddalena (Anouk Aimee), and Swedish superstar-actress Sylvia (Anita Ekberg), with both of whom he has affairs despite being engaged to Emma (Yvonne Furneaux), a clingy, insecure, nagging, melodramatic woman. Despite his extravagant, pleasure-filled lifestyle, he is wondering if maybe a simpler life wouldn't be better.—grantss

La Dolce Vita

La Dolce Vita (1960)

Ursula Andress

Elsa Martinelli

George Wang

A campy futuristic tale where people hunt one another for sport. In this film, Victim and Hunter run around Italy trying to score a kill in front of the movie crews they arranged so they could make commercials from the footage.—

The 10th Victim

The 10th Victim (1965)

Alvaro Vitali

Sydne Rome

Roman Polanski

After escaping from a gang of perverts, innocent and beautiful Nancy, an American hitchhiker, flees to the sun-kissed summer villa of the lascivious elderly millionaire, Joseph Noblart, nestled somewhere in the Amalfi Coast. But, there, too, an endless array of eccentrics awaits the statuesque, blue-eyed beauty. There's Alex, a lecherous former procurer with peculiar tendencies; a German nurse enchanted by the work of Friedrich Nietzsche; a pair of tanned lesbians; a pianist with arthritis, and a stunning nudist girl. What is going on behind the mansion's doors?—Nick Riganas

What?

What? (1972)

Isabelle Adjani

Joe Spinell

David Jones

Vinny is obsessed with famous actress Jana Bates and is determined to have her star in his movie. He travels to the Cannes Film Festival in France to try and convince her. Unfortunately, he goes about things in a rather unprofessional manner and people invloved with Jana Bates begin to disappear.—Josh Pasnak

The Last Horror Film

The Last Horror Film (1982)

50 YIFY Movies Found

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50 YIFY Movies Found

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ActionBiography

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