Juliet Stevenson

Rutger Hauer

Mark Bennington

Max von Sydow

Mother Teresa (Juliet Stevenson), recipient of the Nobel Peace Prize, is considered one of the greatest humanitarians of modern times. Her selfless commitment changed hearts, lives, and inspired millions throughout the world. This movie is told through personal letters she wrote over the last forty years of her life and revealed a troubled and vulnerable woman who grew to feel an isolation and an abandonment by God. The story is told from the point of view of Vatican Priest Father Celeste van Exem (Max Van Sydow), charged with the task of investigating acts and events following her death. He recounts her life's work, her political oppression, her religious zeal, and her unbreakable spirit.

The Letters

The Letters (2014)

William Smith

Steven McChattie

Lane Bradbury

Only a few people still live in New York City in 2012. They are organized in gangs with their own turfs. One of them is led by Baron, another one by Carrot, and they are constantly at war with each other. Baron's gang is more peaceful and have developed seeds that can germinate despite the virus plague. The lone ranger Carson is hired by Bishop for protection.—Mattias Thuresson

The Ultimate Warrior

The Ultimate Warrior (1975)

Philippe Noiret

Jacques Perrin

Vittorio Gassman

As his first assignment, lieutenant Drogo is sent to an isolated fortress on the borders of a desert and of a range of high mountains. The mission of the garrison is to prevent a possible incursion by the fearsome Tartars, coming from beyond the desert. Some fellow officers are eagerly awaiting an attack; some no longer want to believe in it; others take advantage of the vague threat to further their career. All of them are sacrificing everything -- health, youth, friends, family -- for a distant military ideal: leading the defence against the onslaught of the enemy. But in the vast emptiness surrounding the fortress, nobody has ever sighted the Tartars...—Eduardo Casais

The Desert of the Tartars

The Desert of the Tartars (1976)

Clément Harari

Knut Husebø

Marga Pettersson

The Swedish 19th century engineer S. A. Andrée sets out to become the first man on the north pole. His idea is to launch a polar expedition using a hydrogen balloon, together with two friends. The balloon, "The Eagle", takes off from Svalbard in 1897, but the three men are not heard of again.—Tommy Sjöblom

The Flight of the Eagle

The Flight of the Eagle (1982)

Lars von Trier

Udo Kier

Barbara Sukowa

An American of German descent arrives in post-war Germany 1945. His uncle gets him a job on the Zentropa train line as a sleeping car conductor. The American's wish is to be neutral to the ongoing purges of loyalists by the Allied forces and do what he can to help a hurting country, but he finds himself being used by both the Americans and the influential family that owns the railroad. After falling in love with the railroad magnate's daughter, he finds that he can't remain neutral and must make some difficult choices.—Ed Sutton

Europa

Europa (1991)

Elliott Gould

Bibi Andersson

Ingmar Bergman

About the early years of the 70's in Ingmar Bergman's professional and private life. "The Touch" (1971) and more.

Ingmar Bergman (1972)

Emmanuelle Seigner

Marie-Josée Croze

Mathieu Amalric

Forty-three year old Elle magazine editor Jean-Dominique Bauby - Jean-Do to his friends - awakens not knowing where he is. He is in a Berck-sur-Mer hospital, where he has been for the past several weeks in a coma after suffering a massive stroke. Although his cognitive facilities are intact, he quickly learns that he has what is called locked-in syndrome which has resulted in him being almost completely paralyzed, including not being able to speak. One of his few functioning muscles is his left eye. His physical situation and hospitalization uncomfortably bring together the many people in his life, including: Céline Desmoulins, his ex-lover and mother of his children; Inès, his current lover; and his aged father who he calls Papinou. Among his compassionate recuperative team are his physical therapist Marie, and his speech therapist Henriette. Henriette eventually teaches him to communicate using a system where he spells out words: she reads out the letters of the alphabet in descending order of their use in the French language, and he blinks his functioning left eye when she reaches the appropriate letter. Although frustrating at start, he learns to communicate effectively but slowly using this method, so much so that with the help of Claude, a full time translator, he decides on the monumental and seemingly impossible task to keep to his pre-injury commitment of writing a book, changing its focus to life in his current state.—Huggo

The Diving Bell and the Butterfly

The Diving Bell and the Butterfly (2007)

George Sanders

George Segal

Robert Helpmann

Two British agents are murdered by a mysterious Neo-Nazi organization in West Berlin. The British Secret Service sends agent Quiller to investigate. Soon Quiller is confronted with Neo-Nazi chief "Oktober" and involved in a dangerous game where each side tries to find out the enemy's headquarters at any price.—Dirk Bauer

The Quiller Memorandum

The Quiller Memorandum (1966)

Sheila Reid

In a small Swedish town, physician Andreas Vergerus and his wife Karin Vergarus have a loving yet somewhat pedestrian fifteen year marriage which has spawned two now early teen children. They befriend visiting Jewish-American archaeologist David Kovac who is working on a dig of an old church site. Admitting to her that he fell in love with her the first time he laid eyes on her at the hospital on the day that her mother passed away, Karin easily succumbs to David's advances, she never having cheated on Andreas before. Although David transforms, having a passive-aggressive nature in their relationship including bouts of physical violence against her, Karin ends up falling in what she believes is love with David in he representing what is missing with Andreas, while she still remains loyal to Andreas and their marriage. Andreas is aware of something concerning David which may provide some answers as to David's behavior toward Karin, which become a little more clear when Karin meets Sara.—Huggo

The Touch

The Touch (1971)

Sylvester Stallone

Michael Caine

Michael Cochrane

In World War II, a group of Nazi officers come up with a propaganda event in which an all-star Nazi team will play a team composed of Allied prisoners of war in a soccer (football) game. The prisoners agree, planning on using the game as a means of escape from the camp.—John Vogel

Victory

Victory (1981)

Ingrid Thulin

Naima Wifstrand

When 'Vogler's Magnetic Health Theater' comes to town, there's bound to be a spectacle. Reading reports of a variety of supernatural disturbances at Vogler's prior performances abroad, the leading townspeople (including the police chief and medical examiner) request that their troupe provide them a sample of their act, before allowing them public audiences. The scientific-minded disbelievers try to expose them as charlatans, but Vogler and his crew prove too clever for them.—Tad Dibbern

The Magician

The Magician (1958)

Gunnel Lindblom

With the exception of his elderly housekeeper Miss Agda who he treats almost like a surrogate platonic wife, widowed seventy-eight year old Dr. Isak Borg, a former medical doctor and professor, has retreated from any human contact, partly his own want but partly the decision of others who do not want to spend time with him because of his cold demeanor. He is traveling from his home in Stockholm to Lund to accept an honorary degree. Instead of flying as was the original plan, he decides to take the day long drive instead. Along for the ride is his daughter-in-law Marianne, who had been staying with him for the month but has now decided to go home. The many stops and encounters along the way make him reminisce about various parts of his life. Those stops which make him reminisce directly are at his childhood summer home, at the home of his equally emotionally cold mother, and at a gas station where the attendants praise him as a man for his work. But the lives of other people they encounter almost mirror his own, including hitchhikers Sara, Viktor and Anders - who remind him of his cousin Sara who he was going to marry, himself and his irresponsible brother Sigfrid who Sara eventually married - a bickering married couple Sten and Berit Alman, and Marianne and her husband and Isak's son Evald, whose marriage is as strained as was his own.—Huggo

Wild Strawberries

Wild Strawberries (1957)

Harriet Andersson

Gunnar Björnstrand

Lars Passgård

Martin, a respected doctor, his wife Karin, Karin's seventeen year old brother Minus, and widowed father David of Karin and Minus' have convened at the family's summer home on an island off the coast of Sweden to celebrate David's return from the Swiss Alps, where he was substantially completing his latest novel. The family has long lived a fantasy that they are a loving one, with David's extended absences being the cause of many of the family's problems. Without that parental guidance, Minus is at a confused and vulnerable stage of his life where he is a bundle of repressed emotions, most specifically from not feeling loved by his father and concerning the opposite sex. He is attracted to females as a collective but does not know how to handle blatant female sexuality, especially if it is directed his way. A month earlier Karin was released from a mental institution. Her doctor has told Martin that the likelihood that she will fully recover from her illness is low, although she has functioned well since her release. In his love for her, Martin has vowed to himself to see her through whatever she faces. As Karin begins to lose grip on reality, Minus is the one most directly affected, although it does bring out the issues all the men are facing in regard to their interrelationships.—Mio

Through a Glass Darkly

Through a Glass Darkly (1961)

Lars Lind

Inga Landgré

Three women in a maternity ward reveal their lives and intimate thoughts to each other, where they face the choice of keeping their babies or offering them for adoption.

Brink of Life

Brink of Life (1958)

Liv Ullmann

Gertrud Fridh

An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories.—Fredrik Klasson

Hour of the Wolf

Hour of the Wolf (1968)

Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets Anna, who is grieving the recent deaths of her husband and son. She appears zealous in her faith and steadfast in her search for truth, but gradually her delusions surface. Andreas and Anna pursue a love affair, but he is unable to overcome his feelings of deep humiliation and remains disconnected. Meanwhile, the island community is victimized by an unknown person committing acts of animal cruelty.—Nancy Dowling

The Passion of Anna

The Passion of Anna (1969)

Birgitta Valberg

Axel Düberg

During civil war, two musicians retreat to a rural island to farm. They are apolitical; a neighbor sometimes gives them a fish; wine is a luxury. They love each other, but there are problems: the war upsets Jan, he is weepy, too sensitive; Eva wants children, he does not. The war suddenly arrives: rebels attack, neighbors die. When the other side restores order, Jan and Eva are arrested as collaborators. After frightening and roughing them up, the local colonel releases them; then he begins appearing at their farmhouse: to talk or to pursue Eva? He gives her money. The rebels return; chaos ensues. Jan becomes violent and murderous; they flee. Can they escape? If so, to what?—

Shame

Shame (1968)

Allan Edwall

Ingmari Hjort

On a cold winter's Sunday, the pastor of a small rural church (Tomas Ericsson) performs service for a tiny congregation; though he is suffering from a cold and a severe crisis of faith. After the service, he attempts to console a fisherman (Jonas Persson) who is tormented by anxiety, but Tomas can only speak about his own troubled relationship with God. A school teacher (Maerta Lundberg) offers Tomas her love as consolation for his loss of faith. But Tomas resists her love as desperately as she offers it to him. This is the second in Bergman's trilogy of films dealing with man's relationship with God.—

Winter Light

Winter Light (1963)

A Knight and his squire are home from the crusades. Black Death is sweeping their country. As they approach home, Death appears to the knight and tells him it is his time. The knight challenges Death to a chess game for his life. The Knight and Death play as the cultural turmoil envelopes the people around them as they try, in different ways, to deal with the upheaval the plague has caused.—John Vogel

The Seventh Seal

The Seventh Seal (1957)

Per Oscarsson

Trevor Howard

A man named Salem escapes from an insane asylum where he was confined for an axe-murder. Falsely convicted under a plea of "guilty due to insanity", he does not plan to let his sister and her husband forget that they were responsible for the murder of a farmhand and for his cruel imprisonment in the asylum.—alfiehitchie

The Night Visitor

The Night Visitor (1971)

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