Michael Caine

Shirley MacLaine

Peter Sellers

Paul Frees

Seven mini-stories of adultery: "Funeral Possession", a wayward widow at her husband's funeral; "Amateur Night", angry wife becomes a streetwalker out of revenge; "Two Against One", seemingly prudish girl turns out otherwise; "Super Simone", wife vainly attempts to divert her over-engrossed writer husband; "At the Opera", a battle over a supposedly exclusive dress; "Suicides", a death pact; and "Snow", would-be suitor is actually a private detective hired by jealous husband.—Herman Seifer

Woman Times Seven

Woman Times Seven (1967)

Liz Fraser

Virginia McKenna

Leslie Phillips

Jean (Virginia McKenna) and Matt (Bill Travers) are a struggling married couple, with Matt trying to scrape out a living as a writer. Out of the blue, they receive a telegram informing them that Matt's long-lost uncle has died and left them his business - a cinema in the town of Sloughborough. They pack their bags and travel to Sloughborough expecting to sell the cinema to gain a huge inheritance. However, they discover the cinema is falling apart and is run by a comically incompetant staff who seem to have worked there forever. They set out with a plan to sell it, but things don't quite go as planned.—Col Needham

Big Time Operators

Big Time Operators (1957)

Charles Chaplin

Edna Purviance

Jack Henderson

This is a parody of two "Carmen"s, Bizet's opera and a movie (1915) starring Geraldine Farrar. Smugglers come ashore. Their leader sends the gypsy Carmen to lure Don Jose (called Darn Hosiery) away so they can get the contraband to town. There are grand swordfights, deaths, returns to life.—Ed Stephan

A Burlesque on Carmen

A Burlesque on Carmen (1915)

Tracy Reed

Elke Sommer

Rose Hill

Ballon household: Benjamin Ballon and his wife Madame Ballon, Henri Lafarge the head Butler and his wife Madame Lafarge the Cook, Miguel Ostos the Head Chauffeur, Maria Gambrelli the third maid, Pierre the second Chauffeur and his wife Dudo the head Maid, Georges the Gardener and his wife Simone the second Maid, Maurice the second Butler. Affairs: Monsieur Ballon and Maria, Maria and Miguel, Henri and Dudo, Madame Ballon and Henri, Pierre and Simone. Who killed who: Madame Ballon accidentally shot Miguel because she suspected her husband of having an affair with Maria and wanted to kill him. Madame LaFarge killed Georges because he threatened to break up with her. Simone killed Dudo to eliminate her because she was in the way of her affair with Pierre. Monsieur Ballon killed Henri because he was having an affair with his wife. Blackmailers: Georges blackmailing Monsieur Ballon (Seen leaving Maria's room). Maurice blackmailing Madame Ballon. (Seen leaving Maria's room).—Bert Weissensee

A Shot in the Dark

A Shot in the Dark (1964)

Christopher Lee

Raquel Welch

John Cleese

Sir Guy Grand (Peter Sellers) adopts homeless bum Youngman (Sir Ringo Starr) to be heir to his obscene wealth, and immediately begins bringing him into the intricacies of the family business, which is to prey upon people's greed by use of the vast holdings of the Grand empire. They leave no stone unturned as sporting events, restaurants, art galleries, and traditional pheasant hunts turn into lurid displays of bad manners and profiteering. Things climax at the social event of the season, the inaugural voyage of the new pleasure cruiser, "The Magic Christian".—Ed Sutton

The Magic Christian

The Magic Christian (1969)

John Clive

Omar Sharif

Julie Andrews

Charles Dreyfus (Herbert Lom) escapes from the mental asylum and tries to kill Chief Inspector Jacques Clouseau (Peter Sellers). He doesn't succeed at first, so he takes on another strategy, namely to build a Doomsday machine and demand that someone else kills Jacques Clouseau, or Dreyfus will use the machine to wipe out whole cities and even whole countries. With about twenty-six assassins from all over the globe on his tail, Clouseau decides to find Dreyfus alone and put him back in the mental asylum.—Lars J. Aas

The Pink Panther Strikes Again

The Pink Panther Strikes Again (1976)

Billie Whitelaw

Martita Hunt

Joan Sims

Mr. Topaze ('Peter Sellers') is an unassuming school teacher in an unassuming small French town who is honest to a fault. He is fired when he refuses to give a passing grade to a bad student, the grandson of a wealthy baroness. Castel Benac (Herbert Lom), a government official who runs a crooked financial business on the side, is persuaded by his mistress, Suzy (Nadia Gray), a musical comedy actress, to hire Mr. Topaze as the front man for his business. Gradually, Topaze becomes a rapacious financier who sacrifices his honesty for success and, in a final stroke of business bravado, fires Benac and acquires Suzy in the deal. An old friend and colleague, Tamise (Michael Gough) questions him and tells Topaze that if what he now says and practices indicates there are no more honest men.—Les Adams

I Like Money

I Like Money (1961)

Ed Bishop

Stanley Kubrick

Humbert Humbert forces a confrontation with a man, whose name he has just recently learned, in this man's home. The events that led to this standoff began four years earlier. Middle aged Humbert, a European, arrives in the United States where he has secured at job at Beardsley College in Beardsley, Ohio as a Professor of French Literature. Before he begins his post in the fall, he decides to spend the summer in the resort town of Ramsdale, New Hampshire. He is given the name of Charlotte Haze as someone who is renting a room in her home for the summer. He finds that Charlotte, widowed now for seven years, is a woman who puts on airs. Among the demonstration of those airs is throwing around the name of Clare Quilty, a television and stage script writer, who came to speak at her women's club meeting and who she implies is now a friend. Those airs also mask being lonely, especially as she is a sexually aggressive and liberated woman. Humbert considers Charlotte a proverbial "joke" but decides to rent the room upon meeting Charlotte's provocative daughter, Dolores Haze - more frequently referred to as Lolita - who he first spots in a bikini tanning in the back yard. He is immediately infatuated with Lolita, with who he becomes obsessed in a sexual manner despite her age, she being just into her teens. He will also learn that Charlotte has the exact same feelings for him. While Charlotte does whatever she can to be alone with Humbert, Humbert does the same with Lolita. As the summer progresses, Humbert, based on the circumstances, decides to enter into a relationship with Charlotte just to be near Lolita. In that new arrangement, Humbert has to figure out how to achieve his goal of being with Lolita with Charlotte out of the way. As things begin to go Humbert's way, he is unaware that Charlotte is not the only thing standing in his way between him and Lolita, that other thing being Lolita's possible interest in other boys, and other members of the male sex, young or old, who may have their own designs on Lolita.—Huggo

Lolita

Lolita (1962)

Johnny Carson

Edward Asner

Sammy Davis Jr.

This experimental film looks at the world and more specifically the effect that humankind has had on the landscape and the environment. Without narration or story, the film shows the world in a pristine condition and untouched: blue skies, beautiful landscapes, and endless vistas. The human-made world is much less appealing. Essentially a montage using a variety of film techniques to provide a visually stunning variety of images.—garykmcd

Koyaanisqatsi

Koyaanisqatsi (1982)

John Mills

Nanette Newman

In 1818, England, a tontine i(lottery) is established for 20 boys by their parents. Each parent put £1000 into the pot, the winner being the last surviving boy, will receive all the money (the total, £100,000.00 - (equal to over £12m today). The group dwindles until only 2 elderly brothers are left by1882. One brother's watched by his nephews who'll keep him alive at all costs. The other lives in ill health and poverty - the only support is his perpetually confused grandson. A deliciously hysterical black comedy.—John Vogel

The Wrong Box

The Wrong Box (1966)

Peter Falk

James Cromwell

Maggie Smith

Despite not knowing him, the world's most famous detectives can't pass up the offer of a "dinner and murder" invitation from wealthy Lionel Twain (Truman Capote). Each has no idea until their arrival at Two Two Twain who else will be in attendance. Those detectives are: amateur sleuths and New York City socialites Dick (David Niven) and Dora Charleston (Dame Maggie Smith), accompanied by their pet terrier, Myron; Belgian detective Monsieur Milo Perrier (James Coco), accompanied by his chauffeur, Marcel (James Cromwell); Shanghainese Inspector Sidney Wang (Peter Sellers), accompanied by his Japanese adopted son, Willie Wang (Richard Narita); frumpish Brit Miss Jessica Marbles (Elsa Lanchester), accompanied by her invalid nurse, Miss Withers (Estelle Winwood); and San Francisco gumshoe Sam Diamond (Peter Falk), accompanied by his femme fatale sidekick, Tess Skeffington (Eileen Brennan). The dinner part of the invitation runs into problems due to the non-communication between Twain's blind butler, Jamesir Bensonmum (Sir Alec Guinness), and Twain's new deaf-mute and non-Anglophone cook, Yetta (Nancy Walker). On the murder side, the guests initially believe Twain will try to kill each of them. However, Twain eventually announces his rationale for the gathering: that one of the people at the dinner table will be murdered before midnight, and that Twain will consider himself the greatest detective if his guests, who are now trapped in the house until dawn, cannot figure out who committed the murder, that person also at the dinner table. If one does figure out who committed the crime, he or she will be the recipient of one million dollars and the exclusive rights to the story. So the guests anxiously await the stroke of midnight, with those still alive after that time trying to figure out motive and the opportunity to murder before the rise of dawn, and before the murderer has the opportunity to strike again on one or all of them.—Huggo

Murder by Death

Murder by Death (1976)

Angela Lansbury

John Fiedler

Merrie Spaeth

Henry Orient (Peter Sellers) is a madly egocentric and overly amorous avant-garde concert pianist who is hilariously pursued all around New York City by two fourteen-year-old fans. The girls, Valarie "Val" Campbell Boyd (Tippy Walker) and Marian "Gil" Gilbert (Merrie Spaeth) chase a harassed Henry all over the city, thwarting his afternoon liaisons with a married woman and leaving utter chaos behind them - until Val's sexually promiscuous mother, Isabel (Dame Angela Lansbury), appears on the scene to put a stop to the girls' shenanigans.—alfiehitchie

The World of Henry Orient

The World of Henry Orient (1964)

Robert Webber

Frank Williams

To prove that he still is strong and powerful, Philippe Douvier decides to kill Chief Inspector Jacques Clouseau. Once Clouseau's death has been announced, the former Chief Inspector, Charles Dreyfus, feels much, much better and is released from the mental hospital. Jacques Clouseau tries to take advantage of his "death" and goes under cover with Cato to find out who tried to assassinate him.—Lars J. Aas

Revenge of the Pink Panther

Revenge of the Pink Panther (1978)

Peter Lorre

Humphrey Bogart

Gina Lollobrigida

A quartet of international crooks (Peterson, O'Hara, Ross, and Ravello) are stranded in Italy while their steamer is being repaired. With them are the an English couple, the Dannreuthers. The six are headed for Africa, presumably to sell vacuum cleaners but all is not as it seems. They are joined by others who apparently have similar designs.—Ed Stephan

Beat the Devil

Beat the Devil (1953)

Christopher Plummer

Catherine Schell

Carol Cleveland

That famous jewel, The Pink Panther, has once again been stolen and Inspector Jacques Clouseau (Peter Sellers) is called in to catch the thief. The Inspector is convinced that "The Phantom" has returned and utilizes all of his resources, himself and his oriental manservant, to reveal the true identity of "The Phantom".—Graeme Roy

The Return of the Pink Panther

The Return of the Pink Panther (1975)

Claudia Cardinale

Robert Wagner

Capucine

In this first film of the beloved comic series, dashing European thief Sir Charles Lytton (David Niven) plans to steal a diamond, but he's not the only one with his eyes on the famous jewel known as the "Pink Panther." His nephew George (Robert Wagner) also aims to make off with the gem, and to frame Charles for the crime. Blundering French police inspector Jacques Clouseau (Peter Sellers) intercedes, but finds his career and his freedom jeopardized.—FilmsNow

The Pink Panther

The Pink Panther (1963)

Vin Scully

Claudine Longet

Denny Miller

Blocked from Hollywood after unwittingly levelling the set of General Fred Clutterbuck's latest war epic, bumbling Indian actor Hrundi V. Bakshi can now kiss his brief career in the movie industry goodbye. Having burned his bridges, Bakshi instead mistakenly receives an invitation to Clutterbuck's exclusive dinner soiree at his magnificent, hi-tech mansion. As the welcome intruder merrily rubs shoulders with the unaware host's hand-picked guests, Bakshi has his first-ever sip of alcohol and soon picks up where he left off. Now, only God knows how this well-thought-out gathering will end. But one thing is for certain: this will be a night to remember.—Nick Riganas

The Party

The Party (1968)

John Leyton

Richard Attenborough

Naive Stanley Windrush (Ian Carmichael) returns from the war, his mind set on a successful career in business. Much to his own dismay, he soon finds he has to start from the bottom and work his way up, and also that the management, as well as the trade union, use him as a tool in their fight for power.

I'm All Right Jack

I'm All Right Jack (1959)

James Earl Jones

Slim Pickens

Jack Creley

Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all out nuclear war with the Soviets. Against Turgidson's wishes, Muffley brings Soviet Ambassador Alexi de Sadesky into the War Room, and get his boss, Soviet Premier Dimitri Kisov, on the hot line to inform him of what's going on. The Americans in the War Room are dismayed to learn that the Soviets have an as yet unannounced Doomsday Device to detonate if any of their key targets are hit. As Ripper, Mandrake and those in the War Room try and work the situation to their end goal, Major T.J. "King" Kong, one of the B-52 bomber pilots, is working on his own agenda of deploying his bomb where ever he can on enemy soil if he can't make it to his intended target.—Huggo

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Hal Ashby

Fredric Lehne

Simple-minded gardener Chance has spent all his life in the Washington D.C. home of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run-in with a limousine, he ends up a guest of Eve and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider.—Scott Renshaw

Being There

Being There (1979)

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