Ella Shepherd

Aron Rudd

Pierre Scot

Luca Molinari

Virtual technologies and human touch interaction blend when scientist Max Bernholm discovers that by connecting himself to a computer server he can achieve "the human feel." This allows users of the program, known as "The Generator," to experience the same feelings that the human subjects were experiencing when connected to their computer systems. Leander, the captain of the subjects was brought in as a kid and trained to make other people's dreams or fantasies come true within the virtual world. However when Max, testing his newest technology of mind control, starts to lose control, Leander and his girlfriend Natalia are drawn into a hazardous game. The only chance to stop Max depends on Leander gambling with his life, but if he succeeds, he could save not only his own life, but the lives of his loved ones.—Rudy Carpio

The Generator

The Generator (2017)

Bassac

Gabriel Gabrio

Olive Pierre

Fabre

The narrative revolves around a farming village where only three inhabitants remain, but they are told that if only one of them, Panturle, manages to find a wife, the village will be able to prosper again

Harvest

Harvest (1937)

Noémie Schmidt

Céline Esperin

Guillaume Watrinet

Pierre Cassignard

An elderly curmudgeon lets out a room in his large apartment rent-free to a young student - on condition that she does everything in her power to ruin his son's marriage.

The Student and Mister Henri

The Student and Mister Henri (2015)

Pierre Dux

Sacha Vierny

Poetic and aesthetic visit of a large polystyrene factory.

The Song of Styrene

The Song of Styrene (1958)

Maggie Cheung

Jean-Pierre Léaud

Nathalie Richard

Alex Descas

French filmmaker René Vidal was once a renowned director, but most see his career on a quick downward slide based on his last several films. In Paris, he is just starting to film his latest movie, a remake of Les vampires (1915), and has hired Hong Kong based Chinese actress Maggie Cheung as the title lead, "Irma Vep" (an anagram for "vampire"), despite she knowing no French and she not being an obvious choice to most. Maggie has never worked with Vidal before and knows little about his movies, but many of his primarily French crew are part of his regular stable. As such, Maggie may become isolated among the cast and crew, unless there are those who bring her into their English conversations, they who may have somewhat ulterior motives in doing so. There are also factions within the cast and crew, who, based on their history, have a poisoned sense of what is going on. With Vidal, he is dealing with some personal issues while he tries to regain his film making form. He may transfer his thoughts of Irma Vep to Maggie, who he hired because he too sees her as strong and sexy like the skin-tight latex clad Irma. And Maggie may take her research for the comic bookish character to an extreme.—Huggo

Irma Vep

Irma Vep (1996)

Lauren Holly

Lizzie Boys

Gabriel LaBelle

Taylor St. Pierre

A woman known only as "The Neighbor" lures a man to her secluded woodland home. Drugged, the man stumbles outside to a car. Clad in a welding mask and protective suit, the neighbor shoots out the car window with a shotgun, allowing a zombie to climb inside and eat the man.Teenager Jason leaves behind his arguing parents to go on a cabin retreat with his best friend Colin, Colin's father Roger, Roger's girlfriend Lisa, and Colin's sister Summer, whom Jason has a crush on. The group stops at a café where Jason briefly observes the neighbor interacting with two drunken young men.While Roger and Lisa remain at the cabin getting drunk together, the three teens explore the woods. Jason, Colin, and Summer come upon the neighbor's house, where they find several cars parked outside covered in black goo, as well as a barrel full of melted personal items. The trio hides when the neighbor returns home with the two young men from the café.From outside, the three teens spy on the other trio. Jason, Colin, and Summer are shocked when they see the two men collapse after drinking drugged wine. They then flee when Colin and Summer see the neighbor feeding the men to her two captive zombie children Quentin and Alicia.Colin impulsively throws a rock that breaks a car window. The neighbor comes outside to investigate the noise and seemingly spots the three teens as they race back to their cabin.Jason, Colin, and Summer frantically try to explain what they saw to Roger, who is too drunk to take their claims seriously. Roger instead takes an ax from Jason and decides to investigate the alleged cannibalism for himself. Colin stays behind with Lisa while Jason and Summer accompany Roger.Roger, Jason, and Summer explore the neighbor's house, but find it empty. Meanwhile, the neighbor comes to the other cabin and unleashes her zombie husband Harold. Harold devours Lisa while Colin is in the bathroom.Roger drinks drugged wine left out on a table and falls unconscious. Unable to carry him, Jason and Summer look for a place to safely stash Roger. Jason opens a floorboard hatch but, because of the smell from the room below, decides to put Roger in a closet under the stairs instead.Another closet door rattles. Summer opens it and Jason immediately swings his ax, only to find that the person on the other side is a bound and gagged prisoner. Gushing blood, the duct-taped man hops into a hallway. A zombie suddenly tackles and begins eating the man. The zombie turns its attention toward the teens, but falls into the floorboard hatch.The duct-taped man turns into a zombie. Jason and Summer throw him down the hatch too.Jason and Summer hide from the neighbor and her zombie husband when they cross paths in the forest. Jason and Summer return to their cabin, where they discover Lisa transforming into a zombie. While the two of them impale Lisa with a fireplace poker, Colin blows Lisa's head apart with a shotgun.Jason is compelled to tell the siblings that he lies about where he lives because his parents are wealthy, but he is ashamed of their incessant bickering. Jason mentions how envious he is of the love that Roger, Colin, and Summer have as a family despite how much they tease and prank each other.Resolving to rescue Roger, the three teens suit up and arm themselves with items from an equipment shed. When they arrive at the other cabin, the neighbor releases several zombies to attack. Jason, Colin, and Summer fight their way inside.The two zombie children break out of their locked room and shamble down the hallway. At the same time, Roger recovers and exits the stairway closet. While Roger has a heart-to-heart moment with Colin, Jason and Summer kill the zombie kids.The neighbor returns and is horrified to see her children dead. Roger fights the neighbor, who gravely wounds Roger before retreating outside. The three teens begin escorting Roger to a car, but the neighbor reappears and kills Roger with a shotgun blast from behind.Jason, Colin, and Summer scatter in the ensuing commotion. The neighbor begins stalking Summer. Jason suddenly runs over the neighbor with a truck. Colin then uses a sledgehammer to crush the neighbor's head as she continues taunting the teens while dying on the ground.Jason, Colin, and Summer collect Roger's body and drive away in a truck. Jason takes a call from his parents on his cellphone.

Dead Shack

Dead Shack (2017)

Bernard Fresson

André Luguet

Pierre Richard

Michel Piccoli

Stanislas Hassler blazes the development of modern art in his gallery, packed with works of surprising shapes, colours and textures, and where exhibitions turn into media events. Gilbert Moreau is one of the artists whose sculptures are on display in the gallery. His wife, Josée, is intrigued by the stern Stanislas, who devotes his free time to photography in an apartment that highlights his sophisticated artistic tastes. But besides enlarged pictures of calligraphic samples, Stanislas is amassing a collection of photographs that reveal a disturbed character. So why would Josée endanger her mature relationship with Gilbert for the morbid observation of Stanislas's hidden personality?—Eduardo Casais

Woman in Chains

Woman in Chains (1968)

Jean-Luc Godard

Anne Wiazemsky

Jean-Pierre Gorin

Yves Afonso

In Godard and Gorin's free interpretation of the Chicago Eight trial, Judge Hoffman becomes Judge Himmler (who doodles notes on Playboy centerfolds), the Chicago Eight become microcosms of French revolutionary society, and Godard and Gorin play Lenin and Karl Rosa, respectively, discussing politics and how to show them through the cinema.—Josh Martin

Vladimir and Rosa

Vladimir and Rosa (1971)

George S. Patton

Jim Thorpe

Duke Kahanamoku

Pierre de Coubertin

Using the surviving film materials from the Olympic Games held in Stockholm 1912 created at the time by a single production company, Svensk-Amerikanska Filmkompaniet these images, often misunderstood and consequently misused as historical records The production undertook a scene-by-scene analysis of each surviving shot using historical records to reconstruct a chronological sequence of images that would tell the story of these Olympic Games. After 4K digital scanning in Burbank , CA by Warner Bros. Motion Picture Imaging Chris Rodmell edited the material into a new chronological record of events from over a century before. The creation and addition of intertitles with newly written text, allows us to finally and accurately contextualize the images. The Criterion Blu-Ray edition comes with a musical accompaniment by Donald Sosin, thus brings the second dimension to what is a true testament to the technical quality of the original materials and the skillfulness of those who captured them.—AJW

The Games of the V Olympiad Stockholm, 1912

The Games of the V Olympiad Stockholm, 1912 (2017)

Antonio Banderas

Golshifteh Farahani

Pierre Niney

Nicholas Farrell

Marcelino Sanz de Sautuola y de la Pedrueca, in 1868, accidentally discovered Paleolithic paintings with the help of a hunter named Modesto Cubillas inside Altamira's caves, located in Cantabria, northern Spain. Trying to expose their discovery to the academic world so that they could study the paintings, Sautuola incurred the scepticism and discredit of all experts, who claimed that the caves were false and the paintings made by Sautuola himself, in an effort to get rich. Looking for the truth, Sautuola spent the rest of his life fighting to prove that those paintings were real, trying to restore his innocence from the accusations of falsehood launched against him.—Chockys

Finding Altamira

Finding Altamira (2016)

Jacques Tati

Jean-Pierre Zola

Adrienne Servantie

Lucien Frégis

Monsieur Hulot's brother-in-law is the manager of a factory where plastics are manufactured. His nephew grows up in a house where everything is fully automated and the boy is raised in a similar fashion. To take away the influence of the uncle on his son, his brother-in-law gets Hulot a job in his factory.—Leon Wolters

My Uncle

My Uncle (1958)

Tim Roth

Kitty Courbois

Paul Rhys

Jean-Pierre Cassel

It's the late nineteenth century. Adult Dutch brothers Vincent Van Gogh and Theo Van Gogh, living in Paris, lead differing lives despite having art as a connection. Vincent, who sticks to his principles which includes believing in God but not religion, wants to be a full time painter, living in squalor for his art. Theo, who works in an art gallery, lives for the moment, he selling art which he doesn't much like to lead a comfortable life. One other area of commonality between the brothers is easily succumbing to pleasures of the flesh. Theo does not sell Vincent's art, as he knows it is not in demand. Vincent's view of his brother does not change when he learns it is Theo, and not their father which he had previously thought, who is supporting him. Each brother is a tortured soul - in Vincent's case, it considered in some circles as madness - which affects how each deals with his respective life. Beyond the several sexual relationships each has, some key moments and more extended periods in each their lives over the few years prior to their respective deaths is presented, including: Theo's battle with a bout a syphilis, which affects how and if he can carry on with his sexual relationships; Theo's superiors allowing him to run his own gallery largely on commission, which further pushes him into the realm of selling art he doesn't like to survive; Vincent's period in Provence, where he largely spends with fellow painter Paul Gaugin, one of the few other of his contemporaries he truly admires; and Vincent's infamous self-mutilation of his left ear, leading to Theo's measures to help him over his emotional pain by having him under the care of Dr. Paul Gachet, while dealing with his own turbulent marriage to the former Jo Bonger. That turbulence is largely due to Vincent often being a third in their relationship. This presentation is preceding by showing the acclaim that Vincent is regarded with in current times.—Huggo

Vincent & Theo

Vincent & Theo (1990)

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