Harry C. Bradley

Joan Crawford

Samuel S. Hinds

Esther Ralston

Sadie McKee

Sadie McKee (1934)

Walter Huston

Karen Morley

Franchot Tone

Gabriel Over the White House

Gabriel Over the White House (1933)

Anne Nagel

Lon Chaney Jr.

Constance Bergen

Man Made Monster

Man Made Monster (1941)

Matt Willis

Bud Abbott

Janet Ann Gallow

King O'Hara (Cecil Kellaway) uses his horse-drawn, handsome Hansom Cab to drive the guys and dolls of Broadway around and about Central Park, and all is well and good until O'Hara's ailing horse comes up more than a little bit ill and, in fact, ups and dies after King's friend, taxicab driver Wilbur Hoolihan (Lou Costello), inadvertently but effectively by administering candy to the ailing animal. Some of the guys and dolls are more than somewhat upset, especially those citizens, who carry rods and get a lot of pointed questions from police officers, and who aren't among those most admired as upright citizens. So, Wilbur sets out to acquire a new horse to pull King's Hansom Cab through Central Park. Wilbur rescues a lost horse and gives it to KIng. But the new horse , unknown to all, is a famous race-hose named Tea Biscuit, and it is soon noticed that the horse has a lot more spirit and giddy-up than the horse he replaced. And it is not long before Tea Biscuit is entered in a famous horse-race in Saratoga - and complications arise.—Les Adams

It Ain't Hay

It Ain't Hay (1943)

Ray Corrigan

Patric Knowles

Anne Gwynne

After five men previously acquitted of various criminal charges are murdered by a mysterious avenger known as Dr. Rx, police Inspector Hurd and Sergeant Sweeney ask private investigator Jerry Church to help them on the case. He takes the case after talking to Dudley Crispin, a brilliant attorney who had defended three of the murdered men. Crispin gains an acquittal for his latest client, Zarini, but the latter falls dead in the courtroom. Jerry marries Kit Logan, who becomes frightened and persuades Jerry to quit the case. He stays however after Ernie Paul, suspected of the Zarini murder, threatens to "get" him if he does not stay on and clear Paul. Dr. Rx captures Jerry and attempts to frighten him into insanity by strapping him on an operating table, and pretending to exchange the detective's brain for a gorilla.—Les Adams

The Strange Case of Doctor Rx

The Strange Case of Doctor Rx (1942)

John Wayne

Oskar Homolka

Anna Lee

Bijou, a saloon singer with a reputation for inciting brouhahas, is one of several deportees from a south Pacific island to arrive at another U.S. protectorate, Boni Komba. She becomes very popular with U.S. navy men by performing at the 'Seven Sinners'. A navy Lieutenant is attracted to Bijou despite the Governor's machinations to keep them apart, and the competing affections of local mobster, Antro. Will the Lieutenant give up the navy for Bijou, and will he survive Antro's forces?—Gary Jackson

Seven Sinners

Seven Sinners (1940)

Kathleen Burke

Randolph Scott

Jane Darwell

Eric Gorman returns with his wife Evelyn from a trip to the Orient collecting zoo animals, having killed a member of his expedition who happened one day to kiss Mrs. Gorman. On board ship Evelyn meets Roger Hewitt, who falls in love with her. After delivering his animals to the zoo, Gorman plots a way to dispose of Hewitt using one of his latest specimens, then continues to use the zoo's non-human residents to do his beastly work.—Ron Kerrigan

Murders in the Zoo

Murders in the Zoo (1933)

Irene Tedrow

George Sanders

Moyna MacGill

In the small town of Corinth, New Hampshire, adult siblings Hester, Harry and Lettie are the elder generation of the Quincey family, they still living together in the family home. While their family was among the town founders, they, like many, lost most of their wealth during the depression, they only being able to keep the house. Harry, the household breadwinner in being a designer at the town's textile mill, is caught in the middle between the continuing squabbles of the three women of the household: widowed Hester still wants to feel useful around the house; Nona, their longtime housekeeper, will not tolerate any interference, especially by Hester, in what she sees as her responsibilities, including overseeing Harry's diet; and frail Lettie largely tends to her garden and reads poetry in the green room when not doting on Harry. In reality, Lettie, strong and strong-minded, is the manipulative one, mostly doing what it takes so that Harry will never leave her. Her manipulation has largely led to Harry being a milquetoast, unable or unwilling to think for himself. Things change when Deborah Brown arrives in town, she also working for the textile company in the New York City head office. Harry is immediately attracted to her, and while she attracts the attention of a few men in town, it isn't until Harry seems like he could lose her that he confesses his love and asks her to marry him, the proposal which she accepts. This move does not sit well with Lettie, who will not let another woman take Harry away from her without a fight. Harry's response, the measure which he takes when he learns of something Lettie did unilaterally affecting their household, does not turn out quite as expected, leading to all the players turning to their proverbial Plan B to get to their desired end goal.—Huggo

The Strange Affair of Uncle Harry

The Strange Affair of Uncle Harry (1945)

Ward Bond

Nat Pendleton

Apple Annie is an indigent woman who has always written to her daughter in Spain that she is a member of New York's high society. With her daughter suddenly en route to America with her new fiancé and his father, a member of Spain's aristocracy, Annie must continue her pretense of wealth or the count will not give his blessing. She gets unexpected help from Dave the Dude, a well-known figure in underground circles who considers Annie his good luck charm, and who obtains for her a luxury apartment to entertain the visitors - but this uncharacteristic act of kindness from a man with a disreputable reputation arouses suspicions, leading to complications which further cause things to not always go quite as planned.—Paul Donahue

Lady for a Day

Lady for a Day (1933)

William Smith

Carol Coombs

Barbara Hale

Peter Frye, typical American boy, is orphaned when his parents are caught in the London Blitz. He is not told of their fate, but shuttled from one selfish relative to the next, ending with "Gramp," a kindly ex-vaudevillean. Peter and Gramp, both fond of "Irish bulls," get along fine; but the morning after Peter finally learns he's an orphan, his hair spontaneously turns green! The absurd over-reactions of stupid people overturn his life as the story becomes a parable.—Rod Crawford

The Boy with Green Hair

The Boy with Green Hair (1948)

Robert Cummings

Victor McLaglen

Basil Rathbone

A crazed man escapes from prison to kill his wife's lover.

Rio (1939)

Ralph Bellamy

Clara Blandick

Charles Lane

Jane Palmer is suspected of insanity after squandering her inheritance, and a young psychiatrist, Dr. Enright, is assigned to her case. Posing as her chauffeur, he drives her out west to her rich grandmother, from whom Jane hopes to recoup her fortune. The grandmother refuses her money, but allows her to work the family's played-out gold mine. As part of his treatment, Enright "salts" the mine with gold and, unintentionally, brings on a gold-rush and a group of government assayers. They find the mine rich in mercury ore and new riches for Hope, who is now more interested in her "chauffeur."—Les Adams

Lady in a Jam

Lady in a Jam (1942)

Joan Bennett

Edna May Oliver

Bonita Granville

Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls' father is away serving as a minister to the troops. The family, headed by their beloved Marmee, must struggle to make ends meet, with the help of their kind and wealthy neighbor Mr. Laurence, and his high-spirited grandson Laurie.—Liza Esser

Little Women

Little Women (1933)

Jane Adams

Lock Martin

While in a train halted at a station, Nikki Collins witnesses a murder committed in a nearby building. When she goes to the police they think she's read one too many mystery novels. She then enlists a popular mystery writer to help with her sleuthing.—Daniel Bubbeo

Lady on a Train

Lady on a Train (1945)

Frances Fisher

Corey Allen

Tuesday Weld

HEAVY PETTING is a hilarious and salacious exploration of the sexual mores of the 50's as seen through the eyes of a generation that lived through the Sexual Revolution. Creative baby boomers-- including musician David Byrne, performance artist Spalding Gray, comedian Sandra Bernhard, radical activist Abbie Hoffman, and poet Allen Ginsberg-- candidly recall their sexual coming-f-age tales in intimate interviews. Joyously campy and refreshingly carefree, HEAVY PETTING blends humorous, unbelievable footage of unhelpful sex-ed films with classic snippets of THE WILD ONE and Elvis' hip gyrations, not to mention Bernhard talking about playing "doctor", always observant Ginsberg on a disastrous encounter with a girl, and Byrne on the childhood myths of masturbation. Eternal mysteries such as the female orgasm, the universal appeal of Marilyn Monroe, and the rituals of high school are laid bare by this lovable group of characters.—aitnyc@aol.com

Heavy Petting

Heavy Petting (1989)

Lionel Barrymore

Clark Gable

Myrna Loy

Jim Lane is a test pilot, whose professional life is dangerous, and whose personal life compensates for that danger by fast living and recklessness. As such, he lives from paycheck to paycheck, and is often in debt, but knows his lucrative job will eventually get him out of those debts. On a coast to coast record attempt speed flight, Jim's plane, the Drake Bullet (named after the company's owner), hits some mechanical problems and Jim is forced to make an emergency landing on a farmer's field in Kansas. The farm belongs to the Barton family, whose straight talking daughter, Ann Barton, falls for Jim, and visa versa. They impulsively decide to get married and live in New York. Jim's sidekick and mechanic, "Gunner" Morris, doesn't know if Jim and marriage go hand in hand, both because of the type of person he is and his profession. Ann too soon learns that she plays second fiddle to Jim's work, she referring to the sky as Jim's mistress. Ann also truly comes to understand the dangers of Jim's work, he who is often required to push the planes beyond their physical limits. With each flight, Ann fears that she will become a widow, as she has seen it before with the wives of Jim's colleagues. Can Jim and Ann's marriage survive the many pressures stemming from Jim's life as a test pilot?—Huggo

Test Pilot

Test Pilot (1938)

Frances Dee

Wynne Gibson

Stuart Erwin

A doctor who is also a "mentalist" confesses to a murder. The only problem is that the murder he's confessed to hasn't happened yet--although dead bodies are now starting to turn up all over the place. A reporter sets out to solve the "mystery".—frankfob2@yahoo.com

The Crime of the Century

The Crime of the Century (1933)

Richard Carlson

Margaret Sullavan

Dick Elliott

Pretty Rae Smith and handsome Walter Saxel meet, fall in love and make plans to marry. Unfortunately, their marriage plans get sabotaged when a jealous beau makes Rae miss the ceremony. The two meet many years later in New York, only now Walter is married. Refusing to be shut out of his life, Rae agrees to be Walter's mistress.—Daniel Bubbeo

Back Street

Back Street (1941)

George 'Spanky' McFarland

Henry Fonda

Henry Brandon

A feud, the origins of which can barely be remembered, has been boiling for decades between two sheltered mountain families, the Tollivers and the Falins. With plans to build a railroad through both families' land and mine coal deposits beneath it, enterprising outsider Jack Hale (Fred MacMurray) inadvertently becomes entangled in the region's politics. He soon captures the attention of the beautiful June Tolliver (Sylvia Sidney) and quickly becomes involved in a love triangle with her and her cousin Dave (Henry Fonda)—tonyman

The Trail of the Lonesome Pine

The Trail of the Lonesome Pine (1936)

Edward G. Robinson

Margaret Lindsay

Chris Cross, 25 years a cashier, has a gold watch and little else. That rainy night, he rescues delectable Kitty from her abusive boyfriend Johnny. Smitten, amateur painter Chris lets Kitty think he's a wealthy artist. At Johnny's urging, she lets Chris establish her in an apartment (with his shrewish wife's money). There, Chris paints masterpieces; but Johnny sells them under Kitty's name, with disastrous and ironic results.—Rod Crawford

Scarlet Street

Scarlet Street (1945)

41 YIFY Movies Found

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