Laraine Day

Samuel S. Hinds

Lionel Barrymore

Ann Doran

It is a week before Dr. Kildare's wedding to pretty Nurse Mary Lamont. The hospital is a-buzz with preparation for the big day. Good old Dr. Gillespie, despite fatigue, has agreed to help a prominent orchestra conductor regain his hearing. But soon tragedy strikes . . . will the hospital ever be the same?—Thomas McWilliams

Dr. Kildare's Wedding Day

Dr. Kildare's Wedding Day (1941)

Angelo Rossitto

Martha Raye

Jean Porter

Ole and Chick are making a movie, but the director is not satisfied. So he brings them to a young writer, who outlines them an absurd story. They have to support Jeff and Kitty in setting up a musical revue in their garden and want to bring it up on Broadway. If Jeff is successful he can marry Kitty. But there is his rich friend Woody, who also loves Kitty, Chick's sister Betty, who's in love with a false Russian count, and detective Quimby. They all make the thing very complicated for Ole and Chick. After some mistakes they think that Kitty isn't the right girl for Jeff and they start sabotaging the show, but the Broadway producer is impressed and signs the contract. That's the story the writer tells them. For this he's sued by the director.—Stephan Eichenberg

Hellzapoppin'

Hellzapoppin' (1941)

Jack Carson

Frances Gifford

Ann Miller

Terry Randall, rich society beauty, has decided to see if she can break into the Broadway theatre scene without her family connections. She goes to live in a theatrical boarding house and finds her life caught up with those of the other inmates and the ever-present disappointment that theatrical hopefuls must live with. Her smart-mouth roommate, Jean, is approached by a powerful producer for more than just a role. And Terry's father has decided to give her career the shove by backing a production for her to star in, in which she's sure to flop. But his machinations hurt more than just Terry.—Kathy Li

Stage Door

Stage Door (1937)

John Wayne

Louise Allbritton

Randolph Scott

Charles 'Pittsburgh' Markham rides roughshod over his friends, his lovers, and his ideals in his trek toward financial success in the Pittsburgh steel industry, only to find himself deserted and lonely at the top. When his crash comes, he finds that fate has dealt him a second chance.—Jim Beaver

Pittsburgh

Pittsburgh (1942)

Helen Walker

Lionel Stander

James Stewart

In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. McNeal to look into the case. For some time, McNeal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong.—Rod Crawford

Call Northside 777

Call Northside 777 (1948)

Nat Pendleton

Young Dr. Kildare is still being trained at General Hospital by old, crusty Dr. Gillespie. This time, he tries to rehabilitate Gregory Lane, a brain surgeon depressed over losing too many patients (and incidentally Kildare's romantic rival for nurse Mary Lamont). Lane's losing streak takes a new turn when one of his patients survives...but seems to be insane. Or is the man's strange obsession with Friday the clue to a mystery? To find out, Kildare must take a terrible risk.—Rod Crawford

Dr. Kildare's Strange Case

Dr. Kildare's Strange Case (1940)

Bela Lugosi

Irene Ware

Boris Karloff

A wealthy judge coaxes the brilliant but eccentric neurological surgeon Dr. Vollin (Lugosi), who also has an obsessive penchant for Edgar Allen Poe, out of retirement to save the life of his daughter, a dancer crippled and brain damaged in an auto wreck. Vollin restores her completely, but also envisions her as his "Lenore," and cooks up a scheme to kidnap the woman and torture and kill her fiance' and father in his Poe-inspired dungeon. To do his dirty work, Vollin recruits a wanted criminal (Karloff), and turns him into a hideous monster to guarantee his subservience.—Kevin Rayburn

The Raven

The Raven (1935)

Jon Hall

Lon Chaney Jr.

Maria Montez

Upon discovering his fiancée Tollea has been kidnaped, Ramu and his friend Kado set out for a Pacific isle where all strangers are to be killed on arrival and the inhabitants, who are frequently sacrificed to an angry volcano god, worship the cobra. The island is ruled over by Tollea's evil twin Naja, the Cobra Woman, who, besides having designs on her new prisoner Ramu, also desires to eliminate any competition from her benevolent sister.—Doug Sederberg

Cobra Woman

Cobra Woman (1944)

Ward Bond

Frank Hagney

The inventor of a new top-of-the-line burglar alarm system is kidnapped by a gang in order to get him to help them commit robberies.

Night Key

Night Key (1937)

Jean Arthur

Stenographer Alice Sycamore is in love with her boss Tony Kirby, who is the vice-president of the powerful company owned by his greedy father Anthony P. Kirby. Kirby Sr. is dealing a monopoly in the trade of weapons, and needs to buy one last house in a 12-block area owned by Alice's grandfather, Martin Vanderhof. However, Martin is the patriarch of an anarchic and eccentric family where the members do not care for money but for having fun and making friends. When Tony proposes to Alice, she states that it would be mandatory to introduce her simple and lunatic family to the snobbish Kirbys, and Tony decides to visit Alice with his parents one day before the scheduled get-together. There is an inevitable clash of classes and lifestyles: the Kirbys spurn the Sycamores and Alice breaks with Tony, changing the lives of the Kirby family.—Claudio Carvalho, Rio de Janeiro, Brazil

You Can't Take It with You

You Can't Take It with You (1938)

Acquanetta

Evelyn Ankers

John Carradine

Paula the ape woman (Acquanetta) is alive and well, and running around a creepy old sanitarium run by the kindly Dr. Fletcher (J. Carrol Naish), also reverting to her true gorilla form every once in a while to kill somebody.

Jungle Woman

Jungle Woman (1944)

Glenn Strange

In Nome, Alaska, miner Roy Glennister and his partner Dextry, financed by saloon entertainer Cherry Malotte, fight to save their gold claim from crooked commissioner Alexander McNamara.

The Spoilers

The Spoilers (1942)

Brian Donlevy

Kent, the unscrupulous boss of Bottleneck has Sheriff Keogh killed when he asks one too many questions about a rigged poker game that gives Kent a stranglehold over the local cattle rangers. The mayor, who is in cahoots with Kent appoints the town drunk, Washington Dimsdale, as the new sheriff assuming that he'll be easy to control. But what the mayor doesn't know is that Dimsdale was a deputy under famous lawman, Tom Destry, and is able to call upon the equally formidable Tom Destry Jr to be his deputy. Featuring a career reviving performance from Marlene Dietrich as bar singer Frenchie, which could well have been the inspiration for Madeline Kahn's "Blazing Saddles" character, Lili Von Schtupp.—Mark Thompson

Destry Rides Again

Destry Rides Again (1939)

Audrey Long

Tom Fadden

A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.

Pardon My Sarong

Pardon My Sarong (1942)

Bud Abbott

Charles Lane

Lou Costello

On "'Bronco' Bob Mitchell Night" at the Greater New York Benefit Rodeo, newspaper columnist Martin Manning tells his friends that Bob will not show up, as he has exposed the singing cowboy and author as a fraud. Bob, whose only experience with the West comes from the books he writes, foils the reporter, however, by successfully mounting a horse for the very first time in his life and singing to the appreciative throng. Later, peanut and hot dog vendors Duke and Willoughby accidentally set a bull loose backstage, and rodeo rider Anne Shaw is forced to save Bob when he falls off his horse directly in front of the wild animal. Anne is injured in the rescue, costing her a chance at the rodeo's $10,000 grand prize and the much needed publicity for her father's dude ranch in Arizona. She returns home to Gower Gulch, only to discover that Bob has been on the train with her, having made reservations at her father's "Lazy S" ranch. Duke and Willoughby end up in Gower Gulch as well, and when Willoughby mistakenly becomes engaged to Indian girl Moonbeam, the two escape to the "Lazy S," where they are hired on as cowboys by ranch foreman Alabama Brewster. Meanwhile, Manning enters Bob in the local charity rodeo, so the writer convinces Anne to train him to become a real cowboy. Later, the local Indians abduct Duke and Willoughby during a barbecue, and they tell Willoughby to prepare for his wedding to Moonbeam. Meanwhile, Anne and Bob discover their true feelings for each other when he falls off his horse while learning to trick ride, and confirm their love on a moonlight ride. Afraid of his prospective in-laws, Willoughby, meanwhile, dreams that he is sent to "Dr. Ha-Ha's Sanitarium," which is fully staffed by Indians. Later, Bob is approached by crooked bookmaker Ace Henderson, who tells him that Anne's father has placed a $1,000 bet on the "Lazy S" team in the state rodeo championship. Bob agrees to take over Mr. Shaw's bet, and he is given ten to one odds. Ace later tells Alabama that the rodeo has been "fixed," but when the ranch foreman refuses to go along with the plot, he is abducted by Ace's henchmen. When the day of Frontier Day Celebration/State Rodeo Championship finally arrives, Duke and Willoughby tell Anne that Bob has bet against the "Lazy S" team. Thinking the worse, she leaves him behind at the ranch, but Bob manages to get a ride from his two accusers to the rodeo. Along the way, the three are ambushed by Ace's men, and Bob is taken prisoner. Bob and Alabama escape from Ace's hideout, but Alabama is wounded. Meanwhile, Duke and Willoughby are chased through the wilderness by Moonbeam's tribe. They finally elude the angry Indians, find Bob and Alabama and arrive at the rodeo just in time for Bob to win the bronco riding contest. After the "Lazy S" wins the rodeo competition, Bob and Anne are reunited, and Willoughby escapes his "bow and arrow" wedding by having Duke disguise himself as Moonbeam.

Ride 'Em Cowboy

Ride 'Em Cowboy (1942)

Jean Brooks

Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in basic training. To their dismay, the company's drill instructor is none other than the cop who was all set to run them off to the hoosegow in the first place! The boys end up having a whale of a time getting under the skin of their humourless nemesis.—Alfred Jingle

Buck Privates

Buck Privates (1941)

Lillian Randolph

Milburn Stone

Cyril Delevanti

Unhappily married Scott Henderson spends the evening on a no-name basis with a hat-wearing woman he picked up in a bar. Returning home, he finds his wife strangled and becomes the prime suspect in her murder. Every effort to establish his alibi fails; oddly no one seems to remember seeing the phantom lady (or her hat). In prison, Scott gives up hope but his faithful secretary, "Kansas," doggedly follows evanescent clues through shadowy nocturnal streets. Can she save Scott in time?—Rod Crawford

Phantom Lady

Phantom Lady (1944)

Harry C. Bradley

Gary Cooper

Charles Laughton

Tycoon John Glidden, dying but still vigorous, is so dissatisfied with his relatives and associates that, rather than will his money to any of them, he decides to give it away in million-dollar amounts to strangers picked from the city directory. He picks a meek china salesman, a prostitute, a forger, two ex-vaudevillians who hate road hogs, a condemned man, a mild-mannered clerk, a boisterous Marine, and an oppressed inmate of an old ladies' home.—Rod Crawford

If I Had a Million

If I Had a Million (1932)

Count Alucard finds his way from Budapest to the swamps of the Deep South after meeting Katherine Caldwell, of the moneyed Caldwell clan that runs a plantation called Dark Oaks. She's obsessed with occult matters. Who better to guide her through this supernatural world than Count Alucard, whose name no one bothers to spell backwards? No one, that is, except the wily Dr. Brewster, an old family friend. He'll join Professor Lazlo, a specialist in the occult, in fighting this "Alucard" and the woman he's influenced. Or has Katherine influenced him? Meanwhile, Katherine's fiancé, Frank Stanley, will find his courage and his sanity sorely tested when he accidentally shoots Katherine to death, yet finds that she goes on living.—J. Spurlin

Son of Dracula

Son of Dracula (1943)

Richard Long

Claudette Colbert

On their wedding night Bob informs his new bride Betty that he has bought a chicken farm. An abandoned chicken farm, to be exact, which is obvious when the two move in. Betty endures Bob's enthusiasm for the rural life, rustic inconveniences, and battling nature, but her patience is severely tested when glamorous neighbor Harriet Putnam seems to set her sights on Bob.—Ron Kerrigan

The Egg and I

The Egg and I (1947)

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