Jack Nicholson

Sandra Knight

Boris Karloff

Jonathan Haze

France, 18th century. Lieutenant Andre Duvalier (Jack Nicholson) has been accidentally separated from his regiment. He is wandering near the coast when he sees a young woman (Sandra Knight) and asks her for directions to Coldon, where he hopes to rejoin his regiment. But the woman doesn't answer, doesn't even greet him and walks away. Eventually she takes him towards the sea, where she disappears in rough water. Andre loses consciousness while trying to follow her, and is attacked by a bird and awakes in a house where an old woman (Dorothy Neumann) claims never to have seen the woman. After he leaves, he sees the woman again, and while trying to follow her, is saved by a man from certain death. Andre learns that in order to help the girl, he must go to castle of Baron Von Leppe (Boris Karloff), and when he arrives, Andre sees the woman looking out of a window. However, Baron Von Leppe is old and seems reluctant to let Andre in. He claims there's no woman in the castle, but shows Andre a painting which does indeed portray her. Andre learns that she is the Baroness, who died twenty years ago. What is the baron's secret?—Arnoud Tiele (imdb@tiele.nl) and subs111

The Terror

The Terror (1963)

James Robertson Justice

Sam Kydd

Sandra Dorne

John Crawford

American agent faces an engrossing moral dilemma when he is parachuted into France to eliminate a suspected traitor in the French Resistance.

Orders to Kill

Orders to Kill (1958)

Magdalena Lamparska

Roma Gasiorowska

Sandra Drzymalska

Piotr Adamczyk

In their pursuit of the perfect Christmas, well-known characters accompanied by some new faces happen to experience tiny miracles. The adventures they come across help them realize that the most important things in life--hope, acceptance and family--are within their reach and that real love is the best Christmas present.—themoviedb

Letters to Santa 2

Letters to Santa 2 (2015)

Sandra Bullock

Ryan Reynolds

Jennifer Love Hewitt

Lisa Edelstein

A look at Betty White's life and career features behind-the-scenes clips of her work on television and comments from her friends and co-stars.

Betty White: First Lady of Television

Betty White: First Lady of Television (2018)

Matthew Lillard

Christina Ricci

Dave Sheridan

Sandra Taylor

Set in the world of a Renaissance Faire, "All's Faire in Love" is a light-hearted romp, a romantic camp comedy, falling somewhere between "Shakespeare In Love" and "Meatballs". After years of performing together, a rag-tag theatre troupe is about to lose its prime gig at Ye Olde Times Renaissance Faire when the Faire's owner threatens to hand over their stage to a rival troupe of conceited, classically-trained Shakespearean actors. The gonzo group must revive their act and find help from an unexpected source - their two new backstage hands, a young actor and actress who must overcome all manner of subterfuge and opposition to prove their worth, win the day, and - perhaps - fall in love.

All's Faire in Love

All's Faire in Love (2009)

Sandra Schneider

Tanja Riedinger

Yvonne Gutsche

A German documentary with English subtitles following a team of German horse trainers starting to rescue and train US Mustang horses. Through this rehabilitation programme the team attempts to find a new way to promote the Mustang breed in Europe and help the horses welfare in the US.

Aus Liebe zum Mustang

Aus Liebe zum Mustang (2017)

John Zaremba

John Ashley

Charlotte Portney

The movie opens on a scene at night with a man kissing a woman on a sidewalk. Suzie Lawler (Tally Todd) rebuffs her lothario, so he storms off in his car. As Suzie turns to walk home she sees the visage of a cavewoman in a nightgown. She screams, not recognizing her girlfriend, Trudy Morton (Sandra Knight). Trudy is dazed and confused. She has black bushy eyebrows and thick dark teeth. We zoom in on her face as the title is shown. Credits roll in white font over a black background.Trudy wakes up in her bed. She thought she had a nightmare and is relieved it is over. Her uncle, Carter Morton (Felix Locher) enters and reminds her, "It's late dear. I thought you had a date for tennis." She confesses she didn't sleep well, "It seems so real, as though it actually happened." Carter dismisses himself and Trudy gets ready for her tennis date. Oliver Frank (Donald Murphy) waits downstairs for his collaborator to start work. Carter unlocks the door to the lab. An impatient Oliver reminds Carter again, "If you'd let me have a key I could have begun work an hour ago." Carter argues with Oliver over their approach. Finally Carter asks point-blank, "Oliver, do you want to quit? Say so. Just say you quit and go." They don their lab coats, Carter resigned to be stuck with Oliver Frank until this line of research is completed. His goal is a formula that wipes out all disease in mankind, "Man will be ageless." Oliver throws cold water on Carter's dream, "I'm afraid you're on the wrong track. Your formula may work on internal cells, but it causes violent disfigurement to sensitive exposed skin areas."At the tennis courts, Suzie tells her boyfriend, Don (Harold Lloyd, Jr.) and Trudy's boyfriend, Johnny Bruder (John Ashley) about the monster woman she saw the evening before. Trudy arrives and is told about Suzie's horror story. Trudy warns, "Nightmares are nothing to laugh about. I had one myself, last night." The story intrigues Trudy and she asks for more details. Trudy begs off playing tennis, obviously upset. Johnny asks Trudy what's the matter. She tells Johnny, "It's as though Suzie and I had the exact same dream." She recounts the evening's events. She stayed home, had some fruit punch with Oliver Frank, felt tired, and then went to bed.Carter pronounces his latest test as no good. Of course, Oliver tells him, "Well, I could have told you that. Even if it did work it would have only been temporary." Carter has to remind him of their working relationship. Elsu (Wolfe Barzell), the gardener, interrupts to tell Carter he has completed some household chore. Carter suspects Elsu is a spy. Oliver suggests throwing out the latest test formula, but Carter overrules him, "I'm sure if I could get some Digenerol as a catalyst, it would work." He promises to get some from the Rockwell Labs, but Oliver cautions him not to do anything that brings police scrutiny. Trudy is in the living room reading Screen Stars magazine. Elsu comes in and presents her a flower. She is uneasy and repelled by the unwanted attention from the gardener. Uncle Carter throws him out. Elsu encounters Oliver on his way out. Oliver asks, "Tonight?" Elsu quietly replies, "There will be an automobile accident." He chuckles and promises to get it. Carter leaves to get his Digenerol, leaving the unctuous Oliver to paw at Trudy. She rebuffs his attentions with a cute remark about her plans for the evening, "In the pool for a swim. And I'd suggest you take a cold shower." Oliver returns to the lab door, and using a key he had made, starts work on a body. Elsu arrives, letting himself in through a secret entrance behind a bookcase. He is carrying a bundle wrapped in a towel. Oliver tells him he needed an entire head, not the part he secured. It is revealed that Oliver's real last name is actually Frankenstein. He instructs Elsu to return the body to the storage room. Judy swims in the pool as Oliver mixes up a potion. He offers her some "fruit punch" as a peace offering. He convinces her to drain her glass. She immediately gets woozy and heads for her bedroom. She starts to transform before she falls into bed. Transformation complete she gets up and sees her reflection in her makeup mirror. She lunges at Oliver in the doorway. By now her eyes are bugged out and her skin wrinkled and leathery. Oliver used too much of the formula.Police Lt. Boyle (John Zaremba) is on the phone in his office. He is taking a report from a man reporting a monster woman wearing a bathing suit. Boyle tells Police Detective Bill Dillon (Robert Dix) about the call. Boyle gets another call from a woman reporting the same monster in a bathing suit. The pair go to investigate. Oliver and Elsu prepare an antidote to give Trudy. Boyle and Dillon check on the woman (Charlotte Portney) who reported the creature. Her face is scratched and bloody. After she finishes her story, Boyle pulls his gun and searches for the creature. They spot Trudy and fire their weapons at her. She runs and topples some trash cans. The commotion draws Oliver with his antidote. Oliver captures Trudy. The next morning the local newspaper headline screams, "Woman Monster Menaces City!" Carter asks Oliver about the story. He is incredulous, telling Oliver, "Rubbish. Like the myths and the legends of the Dark Ages. These are headlines to sell newspapers my boy." The mention of Frankenstein gets a rise out of Oliver. Carter shows Oliver his new acquisition, a bottle of Digenerol. Trudy wakes, now back to normal, but still wearing her one piece bathing suit.Mr. Rockwell (Voltaire Perkins) is in Boyle's office to report a robbery at Rockwell Labs. He explains that, "That drug is very dangerous. It degenerates tissues and cells. In the wrong hands it could seriously disfigure anyone who might take it internally." He intimates it may be the cause of the monster. Carter and Oliver are working when Elsu enters the lab via the bookcase entrance. To distract attention, Oliver bumps Carter, who drops the bottle of Digenerol, breaking it. Carter is furious. Suzie rings the doorbell at the Morton residence. Oliver answers the door. Suzie inquires about Trudy. She walks around back where Trudy is on the chaise by the pool. She shows Trudy the paper and monster story. Suzie gets mad when Trudy claims to be the monster. Jealous, Suzie figures to even the score by getting involved with Oliver Frank. Little does she know how dangerous this will be for her. Johnny arrives as Suzie departs. Suzie starts her seduction of Oliver by making a date for 8:00 that evening. Trudy begs Johnny to believe her story.Suzie meets with Oliver that evening. He comes on too strongly for her and gets his face slapped for his efforts. He is furious and threatens to kill her. She decides to call the date off, but Oliver won't take no for an answer. She reveals she wasn't supposed to go out and no one knows she's with Oliver. His demeanor changes from angry to maniacal. "Where can we get the brain," he asks himself, "I need a brain. I need a brain." Suzie runs down the road. Oliver follows in his car. He strikes and kills his victim. Oliver and Elsu carry her body into the lab. She is wrapped in a blanket. He tells Elsu he intends to graft Suzie's head on the other body. He tells the corpse, "Tonight you'll be alive again, you vixen." As he and Elsu finish their work, Johnny and Trudy arrive home from their date. Judy thinks she hears someone in the lab and checks. They finish up and Elsu proclaims the creation, "Frankenstein's Daughter." Trudy tries to sleep but hears electrical equipment downstairs. She calls to her uncle Carter. She phones Johnny at home to report noises. She locks her bedroom door and goes to sleep.Boyle and Dillon meet on another report of a burglary at the Rockwell Labs. More Digenerol was stolen by an elderly man. Carter arrives home in a sorry state. He is winded and calls weakly for his niece while clutching his chest in pain. He calls again, then collapses on the stairs. Oliver and Trudy both respond to the old man's cries for help. Oliver's creation (Harry Wilson) wakes and moves its' hands and arms. It gets up off the gurney and wanders around the lab. We zoom in on creatures face and bandage covered head. Half the face resembles ground meat, the "good half" a very ugly man in lipstick. The neck bolts glint in the dim light from the lab equipment. It wanders out of the lab into the entry of the house. We can clearly see the rubber suit, and black rubber gloves on its hands. Coiled electrical wires run from the neck to the wrists. It tears off the curtain on the front door, breaks a window and pulls the door open to escape. Oliver and Trudy respond to the commotion. They enter the lab and Oliver mumbles, "Then she's alive."Two workmen at the Associated Storage Company are loading crates. Mack (George Barrows) is working late and complains about his burnt dinner. His supervisor (Bill Coontz) hears a noise and investigates. He is carrying a crowbar for protection. The monster approaches him. He backs up and strikes the monster with his crowbar. It strikes back sending the warehouseman running for the door. The monster catches him and crushes his body in the closing door. Mack finds his coworker dead, and immediately calls the police.Before Bill Dillon can leave for the evening, Lt. Boyle gets a phone call and tells him to stick around. The warehouseman reports the crime. The pair go to investigate. Carter and Trudy sit and talk in the living room. Oliver and Elsu return after looking for their creation. There is a knock at the door and Trudy, expecting Johnny, answers it. Oliver's creation returns home. Trudy screams and faints. Elsu explains, "I told you she'd come back. She needs to be revitalized." Oliver helps Trudy to her feet just as Johnny arrives. They help Trudy to the living room. Oliver tries to convince Trudy, then Johnny, she saw nothing. Johnny tells Trudy that Suzie has disappeared. Elsu sits, with now now chained creature, in it's room. Oliver gives his creation an injection.Trudy has the gang over for a barbeque, Page Cavanaugh and his trio perform "A Special Date" musical number. Trudy and Johnny prepare dinner for the gang. Don scares Trudy with a rubber monster mask. His punishment is to sing. Oliver plans Carter's demise. He taunts Carter, then starts to strangle him when the police conveniently arrive at the house. Boyle questions Carter and Oliver about the Lab break-in. Oliver tells Boyle that Carter broke in to the lab and stole the Digenerol. Boyle leaves with Carter, not under arrest, but wanted for more questioning. Oliver and Elsu continue to work on their monster, but Elsu is starting to get cold feet. He feels the experiment was successful and is now over. Johnny and Trudy set the date for their wedding. Oliver gleefully tells Trudy her uncle was arrested. After Johnny departs to get his father, a lawyer, to see Carter and the police, Oliver makes his move on Trudy. He proudly reveals his real identity as Oliver Frankenstein, and boasts, "And while your uncle was wasting his time on a trivial experiment, I was completing a masterful one." She rebuffs him and he drags her to the lab to see his creation. She faints and Oliver and Elsu place her on the gurney. "You've always treated me as a monster, Trudy. Now you're going to be one," he tells her. Elsu objects to his plans for Trudy, and threatens to go to the police. Oliver orders his monster to kill Elsu. Trudy wakes and exits the lab as Elsu meets his fate.Johnny meets with Boyle. Boyle tells him that Carter had a relapse and is in the police ward of the hospital. The doctor will only let him meet with his lawyer. Trudy arrives at Boyle's office and reports the monster and Oliver's true identity and Elsu's death. A phone call reveals that Carter has died. Boyle and Dillon pay a visit to the Morton home. They question Oliver and ask for his identification. Boyle knows Oliver is lying, so Dillon stays and waits for the gardener to return to question him. Boyle returns to headquarters. Dillon walks upstairs when he hears a noise, then back down to see Oliver secret himself into the lab. He follows Oliver to the back room behind the bookcase. He pulls his gun and enters the monster's room. Oliver and the creature are waiting. Oliver proudly tells Dillon that he's looking at Suzie Lawler, then laughs explaining that, "She's not as pretty as she was." He releases the monster and orders it to kill the detective, which it does. Trudy and Johnny drive to the Morton residence. Trudy answers the phone. Boyle asks about Dillon. Trudy sees the lab door open, and the pair investigate. They spot the secret entrance and explore. The monster struggles to escape its' shackles and succeeds. It walks downstairs and chases Johnny and Trudy into the lab. Oliver is waiting for them. He tells them that Dillon and Elsu are dead at the hands of his creation. He threatens, "You know Trudy, you escaped me once, but I don't think you can do it again." He orders the monster to kill the pair. Oliver tries to escape but the arrival of Boyle thwarts his attempt. While Johnny fends off the monster using the gurney, Boyle shoots it from the window. A flask of acid thrown by Johnny at the monster misses its intended target, but hits Oliver. His melted face is shown before he hits the floor screaming in agony. The monster goes to check on its master. Johnny and Trudy embrace as they watch the monster accidently set itself on fire. It screams as it tries to extinguish the flames. Johnny and Trudy meet Boyle in the foyer and tell him the monster is on fire in the lab. Boyle witnesses the death throes of the creature now fully engulfed in flames. It burns like a tire fire. Boyle tells the pair, "It's all over now. I'll call the department." They exit the house.Johnny and Trudy are by the pool. Trudy towels off her fiancé. Don stops by with the newspaper, anxious to have them read the story. Johnny it not interested and tells him to leave. Don falls into the pool. We close with Johnny and Trudy kissing and telling Don once again, "You can leave anytime."

Frankenstein's Daughter

Frankenstein's Daughter (1958)

Jon Bernthal

Vincent D'Onofrio

Viola Davis

Released from prison after serving a sentence for a violent crime, Ruth Slater (Bullock) re-enters a society that refuses to forgive her past. Facing severe judgment from the place she once called home, her only hope for redemption is finding the estranged younger sister she was forced to leave behind.

The Unforgivable

The Unforgivable (2021)

Paloma Kwiatkowski

Sandra Mae Frank

Marlee Matlin

Munro Chambers

Four brilliant university students are forced to confront themselves in terrifying ways when their quantum physics experiment leads to an entangled parallel existence that leaves them questioning who they are and what is real.

Multiverse

Multiverse (2019)

Simone Hage

Arien Aguilar

Magie der Wildpferde

Magie der Wildpferde (2019)

Kai-Chung Cheung

Sandra Kwan Yue Ng

Hoi-Pang Lo

Siu-Ho Chin

Su Huawei was born with cerebral spasms due to jaundice and was unable to stand and walk normally. And Su Ma did not give up, not only helped her son to stand up, but also discovered his running talent, until Su Huawei was selected by the disabled track and field team and won the Paralympic championship.

Zero to Hero

Zero to Hero (2021)

Julia Artamonov

Dewy Kunetz

Sandra Poitoux

Hugues Njiba-Mukuna

Sophia Antipolis: a technopole on the French Riviera, a place where dreams should come true. But fear and despair lurk beneath the surface. Under a deceitful sun, five lives map out the haunting story of a young woman: Sophia.

Sophia Antipolis

Sophia Antipolis (2018)

Sandra Prinsloo

Sean Cameron Michael

Chantel Herman

Deon Lotz

After a string of life-changing revelations, a beloved parking attendant pieces a new plan together and chases her dream of traveling the world.

Angeliena

Angeliena (2021)

Dan Stevens

Sandra Hüller

Hans Löw

Henriette Richter-Röhl

In order to obtain research funds for her studies, a scientist accepts an offer to participate in an extraordinary experiment: for three weeks, she is to live with a humanoid robot, created to make her happy.

I'm Your Man

I'm Your Man (2021)

Fania Noël

Khan Rachel

Sandra Sainte Rose Fanchine

Nass

OUVRIR LA VOIX (SPEAK UP/MAKE YOUR WAY) is a film about francophone European black women from the diaspora. OUVRIR LA VOIX (SPEAK UP/MAKE YOUR WAY) showcases art performances and compelling storytelling from those who are usually spoken of or spoken for. The film focuses on our common experience related to our minority status in predominantly White ex-colonial countries, while highlighting the great diversity of our Afropean communities. OUVRIR LA VOIX (SPEAK UP/MAKE YOUR WAY) aims at bringing to light our existence at the crossroad of multiple discriminations that go way beyond our "black women" status. OUVRIR LA VOIX (SPEAK UP/MAKE YOUR WAY) is a statement from francophone European black women so as to why we choose to reclaim the narrative.

Speak Up

Speak Up (2017)

Chris O'Donnell

Doreen Mantle

Noah Reid

Reporter Ernest Hemingway is an ambulance driver in Italy during World War I. While bravely risking his life in the line of duty, he is injured and ends up in the hospital, where he falls in love with his nurse, Agnes von Kurowsky.—JG

In Love and War

In Love and War (1996)

Bobbie Eakes

Kristen Renton

William Mark McCullough

Sandra Ellis Lafferty

Southern lawyers Andrew McGrath and Angie Lawrence have been seeking the keys to their past and their future most of their lives. Unbeknownst to either of them each has the piece to the puzzle the other is seeking. Through the words of a young girl written in a journal well over a 150 years ago, found by accident, both Angie and Andrew begin the journey of unraveling their history. The last thing they expected to discover was mystery and murder along the way. Neither of them were expecting the brutality they would encounter or the love that grew from it. They quickly realize they must overcome the past if they have any hope for a future together.—Author Deborah Robillard

The Crickets Dance

The Crickets Dance (2020)

Miranda Richardson

Shane MacGowan

Kathy Burke

Alex (Al Pillay) is a disgruntled server at a snobby exclusive restaurant who falls on hard times. Forced to deal with the contempt and disgust of the upper class, Alex and cohorts attempt to go on a rampage. Meanwhile, General Karpov (Dave Beard) and Spider (Lemmy) plot to involve the inept anarchists in their plans to derail the Prime-Minister-to-be's campaign.—Jeff Mercer

Eat the Rich

Eat the Rich (1987)

Sandra Dee

Ken Curtis

Jack Elam

Zachery Bagley

A little girl gets lost in the wilds of Utah.

Lost

Lost (1983)

Sandra Guldberg Kampp

Sidse Babett Knudsen

Joachim Fjelstrup

Sofie Torp

After the accidental death of her mother, Ida moves in with her aunt Bodil and her three sons, who are already grown up but all still live at home: Jonas, Mads and David. Ida has had little contact with her aunt and cousins until now. This does not stop Bodil from welcoming her niece with open arms. David, Jonas and Mads also immediately take their cousin to their hearts. Ida soon notices, however, that the exuberant cordiality also has a downside. The family sticks together, but the three sons are controlled by their mother, because they are all in the service of the family business: Bodil runs a nightclub and lends money on a large scale on the side. Her sons are responsible for collecting money, if necessary by force. It doesn't take long before Ida is also drawn into Bodil's machinations. But things don't go as smoothly as expected.

Wildland

Wildland (2020)

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