Tilda Swinton

Udo Kier

Anastasia Kudelka

Werner Funke

There will be no other end to the world: fierce battles full of hatred and love for incest and wealth.

Egomania: Island Without Hope

Egomania: Island Without Hope (1986)

Jeremy Davies

John Pirruccello

James Urbaniak

Anxious to use artificial life to improve the world, Rosetta Stone, a bio-geneticist creates a Recipe for Cyborgs and uses her own DNA in order to breed three Self Replicating Automatons, part human, part computer named Ruby, Olive and Marine. The SRA's act as 'portals' on the Internet, helping users to fulfill their dreams. The SRA's are nourished through touch. Because they were bred only with Rosetta's DNA, they need the balance of an Y chromo or male sperm to survive. Rosetta projects seduction scenes from movie clips onto Ruby, which absorbs as she sleeps. The SRA'S can not distinguish dreams from reality. Ruby acts out these scenes in real life with the men and shares her spoils with her sisters. However, Ruby's encounters suffer from impotence and unexplained rashes. Fearing a bio-gender war, the FBI sends in Agent Edward Hopper to solve the mystery. Puzzled, he turns for help from a private cyber detective. The men recover. Ruby falls in love and becomes impregnated by Sandy, a xerox shop worker. The characters struggle to find love in a world that no longer needs sex to reproduce, a world that is changing and is populated with people who use provisional identities and are seen through virtual selves and a world where love is the only thing that makes things real.—wayne@wildstrawberryfilms.com

Teknolust

Teknolust (2002)

Bill Paterson

Patrick Bauchau

Ruby Baker

A robot messenger (Tilda Swinton) is sent to earth to appeal to humans to live in peace. Originally designed to go to MIT, by mistake she ends up in Amman, Jordan during the Black September riots of 1970. Sullivan, a British journalist, (Bill Paterson) comes to her aid when she is found wandering without papers following a bombing and grants her refuge in his hotel room. But there she tells him she is a robot, sent as a peace envoy from another planet. He is not sure whether to believe her story or not, but finds her unusual view of the world appealing. They examine the human condition in a series of incredibly insightful and entertaining conversations.

Friendship's Death

Friendship's Death (1987)

Agustín Almodóvar

Carlos García Cambero

Miguel Almodóvar

A woman watches time passing next to the suitcases of her ex-lover (who is supposed to come pick them up, but never arrives) and a restless dog who doesn't understand that his master has abandoned him. Two living beings facing abandonment.

The Human Voice

The Human Voice (2020)

John Hurt

Beverly D'Angelo

Elizabeth Hurley

10 short pieces directed by 10 different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (Vivaldi, Bach, Wagner), and is an interpretation of the particular aria.—Ed Sutton

Aria

Aria (1987)

Billy Zane

Toby Jones

Toby Stephens

Young nobleman Orlando is commanded by Queen Elizabeth I to stay forever young. Miraculously, he does just that. The film follows him as he moves through several centuries of British history, experiencing a variety of lives and relationships along the way, and even changing sex.—Phythian

Orlando

Orlando (1992)

Sean Bean

Dexter Fletcher

Nigel Terry

Fictionalized biopic of famed 17th century Italian painter Michelangelo Merisi de Caravaggio. As a young man, he gained the support of Cardinal Del Monte and Caravaggio proceeded to develop a new style of painting giving a more realistic view of the world in which he lived. He also begins love affairs with one of his models, Ranuccio as well as with Ranuccio's girlfriend Lena. Their relationship leads to murder and deceit.—garykmcd

Caravaggio

Caravaggio (1986)

Tom Hanks

Denzel Washington

Alba Rohrwacher

Over two decades ago, Emma left Russia to follow Tancredi Recchi, the man who had proposed to her. Now a member of a powerful industrial Milanese family, she is the respected mother of three: two sons, Edoardo who is engaged to Eva and Gianluca that are businessmen and their lesbian daughter Elisabetta that lives in Nice. Emma, although not unhappy, feels confusedly unfulfilled. One day Edoardo becomes partner in a restaurant with Antonio, a talented chef and Edoardo's friend and Emma has a love affair with him. It does not take long before she embarks on a passionate affair with the sensuous young man. When Edoardo discovers the affair of his mother there is a tragedy that will affect the Recchi family.

I Am Love

I Am Love (2009)

Madonna

Lily Aldridge

Britney Spears

For the first time in history, the tables have turned on men. In the past, "Witch-Hunt" was associated with women, but now it is associated with men. In an effort to protect our children, society has started to isolate men. This documentary explores the pedophilia hysteria and how all men are viewed as potential pedophiles. How did society come to such a conclusion and what are the political and social consequences? Have men really become victims of modern sexism, or is the increase in sexism justified? Are All Men Pedophiles?—Jan-Willem Breure

Are All Men Pedophiles?

Are All Men Pedophiles? (2013)

Ágnes Kamondy

Kati Lázár

Gyula Pauer

One night Maloin, a switchman at a seaside railway station situated by a ferry harbor, witnesses a terrible event. He is just watching the arrival of the last ferry at night from his control room on top of a high iron traverse from where he can see the whole bay. Suddenly he notices that the first of the disembarking passengers, a tall thin figure (a certain Brown as it will turn out later) leaves the harbor, but not on the usual route: after getting through customs, he goes around the dock and then withdraws into a dark corner, waiting. Opposite him, in front of the ship, another man soon appears and throws a suitcase towards the man on the shore. He goes and picks it up, then waits in an dark corner for the other man to join him. When he arrives, however, they begin to quarrel and finally, in the course of the vehement fight, due to a hit that turns out to be fatal, the shorter one falls in the water and sinks, clutching the suitcase in his hand. Maloin is watching the scene, astonished. In a state of fear and shock, he opens the door of his control room, but the sharp and loud creaking sound disturbs and frightens away the murderer. Brown is forced to flee before being able to fish out the suitcase from the water. After the murderer disappears down one of the streets behind the harbor, Maloin cautiously climbs down from his cabin to the shore. When he realizes that there is nothing he can do for the victim, he dredges up the suitcase. He takes it up to his control room and opens it: it is packed with money. He is dazzled. He does not go either to call the police or fetch the murderer; he just stares at the pile of money. He simply cannot believe his eyes. Then, after meticulously drying and counting the banknotes, he hides the suitcase in his closet and locks it. At dawn, when his colleague arrives, he acts as if nothing had happened. He returns home on his usual route. Nevertheless, this path is not the same anymore;—Juliusz Kossakowski

The Man from London

The Man from London (2007)

Kate del Castillo

Eugene Byrd

Bruno Bichir

Julia is a drunk. She loses her job in real estate and at an A.A. meeting meets a neighbor, Elena, an addled Mexican woman who talks about having lots of money and a plan to kidnap her own son from the boy's grandfather, a wealthy businessman. Elena wants Julia's help. Julia says yes with her own plan to do this alone. Following Elena's plan, Julia manages to grab the boy, Tom, who's about 10. Now what? She asks for a ransom. Tom's grandfather and his money are connected directly to Mexican drug trafficking, so Julia is up against long odds. Will anyone make it out alive?—

Julia

Julia (2008)

Two billion years ahead of us, a future race of humans finds itself on the verge of extinction. Almost all that is left in the world are lone and surreal monuments, beaming their message into the wilderness.

Last and First Men

Last and First Men (2020)

Bill Murray

Gael García Bernal

A solitary man who does not speak Spanish is an underground courier. Two men who are both thuggish and philosophical send him to Madrid with cryptic instructions. Over the course of a few days, he receives his instructions from a series of distinctive individuals who provide words of philosophy or of warning and also give him a matchbox with a tiny piece of paper, which he reads then eats, accompanied by espresso served in two cups. He is quiet, self-contained, focused on his work. He has rules. He encounters and at times transmits a violin, diamonds, a guitar, and a map. Is he a smuggler? Merely an independent conduit? Or, something else?—

The Limits of Control

The Limits of Control (2009)

Toyah Willcox

Andrew Logan

Michael Clark

The home movies of Derek Jarman, chronicling his life.

Arena Glitterbug

Arena Glitterbug (1994)

Tom Burke

Richard Ayoade

Ariane Labed

Julie (Honor Swinton Byrne) is a young film student living in London. She comes from a privileged background and wants to make a film about a young boy and his mother in Sunderland, though has trouble articulating exactly what it's going to be to her professors. She spends her days going to class and attending parties with her film school friends. When her roommate moves out, she has a nice apartment all to herself.She meets Anthony (Tom Burke), an older man who works in the government, and the two have tea. Anthony has to leave town for work, but when he returns he asks if he can stay with Julie. She agrees, and quickly, the two are spending all their time together. Eventually, they sleep together - Julie notices bruises on his arm, but he insists it's nothing.The two continue seeing each other, with Julie focusing less and less on school and her friends. The two meet each other's families - Anthony's from a more working class background, and Julie's parents Rosalind (Tilda Swinton) and William (James Spencer Ashworth) from a more posh background, with William and Anthony getting into a spirited political debate. As Anthony and Julie continue to date and live together, Anthony is constantly asking Julie to borrow money, which she never questions - she in turn keeps asking Rosalind to borrow money, saying it's for film equipment for school.The couple has two of Anthony's friends over for dinner, including the pretentious Patrick (Richard Ayodade). He questions Julie about what she and Anthony really have in common, and when Julie is confused, he casually explains because Richard is a habitual heroin user and Julie doesn't seem to do drugs at all. Julie is shocked and horrified but continues living with Anthony, still in love with him. At one point she returns home from school to find their apartment robbed, and is devastated to have lost so many of her most precious things.Richard decides to take Julie to Italy, who is thrilled as she has never been - but the dawning realities of her relationship keep hitting her. Once home, she confronts Anthony about stealing from her, feeling extremely violated and distrustful. But in the manner he always does, Anthony spins the conversation back to her and she ends up apologizing for not understanding him. She still remains suspicious and questions him when he goes out on whether he scored, and even follows him sometimes - but he always denies. He continues borrowing money from her and she continues giving it.One evening, Anthony does not come home, and Julie finds out he's been arrested. In the apartment she discovers heroin and needles. When he returns, she angrily kicks him out. Freed of Anthony, she dives back into her film school work, and her friends who have noticed her being distant for so long are happy to have her seemingly present again. She begins dating other people. At one point, Anthony's mother calls to ask if she has seen him, but she tells her she hasn't. Eventually, she gets a letter from Anthony, and agrees to meet him for another tea. The two easily slide back into their familiar chemistry, and he moves back in and the two resume dating.It's mostly good between them, but at one point Julie catches Anthony in the middle of a violent fit and cowers, trembling. Meanwhile, Rosalind has decided to return to school herself, and is staying at Julie's place for a spell. One night, Anthony doesn't return home - Julie leaves a note for him outside of the apartment telling him not to worry about waking them and that he can buzz anytime. The next morning, the phone rings, and Rosalind takes the call. She tells Julie that Anthony overdosed on heroin and was taken to the hospital but has died. Julie is in shock and adrift. She returns to film school and goes back to work on her film, no longer the innocent young girl she once was. She looks outside, directly into the camera, stoic and hardened.

The Souvenir

The Souvenir (2019)

Karl Johnson

Michael Gough

Sally Dexter

While not amongst the action himself or being discussed by others, Ludwig Wittgenstein narrates the story of and editorializes about his life. Born in 1889 in Vienna to a family of privilege, he was a precocious child and was considered a prodigy. He was educated in Vienna and Manchester, before settling into a career as a philosopher at Cambridge University, where he had associations with such luminaries as Bertrand Russell and John Maynard Keynes. He is considered one of the greatest philosophers of his time, his work which was largely on the association between philosophy and logic, philosophy and mathematics, and philosophy and language. However, he spent his entire life trying to disentangle himself from his privileged upbringing and education by simplifying his life, as he disliked philosophy as a subject. This mission was largely without success. His story is also told within the context of his homosexuality.—Huggo

Wittgenstein

Wittgenstein (1993)

Laurence Olivier

Alex Jennings

A movie with no spoken dialogue, it is set against the music and lyrics of Benjamin Britten's "War Requiem" which includes poetry by World War I soldier Wilfred Owen reflecting the horrors of war. There is no linear story or dialogue. It's imagery reflects Owen's story, that of other soldiers, and a nurse during World War I. It also includes actual footage of contemporary wars, including World War II, Vietnam, and Angola.—Michel Rudoy

War Requiem

War Requiem (1989)

Vernon Dobtcheff

Philip MacDonald

A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to flee them. Two men who are lovers marry and are arrested by the powers that be. The men are mocked and pilloried, tarred, feathered, and beaten. Loose in this contemporary world of electrical-power transmission lines is also Jesus. The elements, particularly fire and water, content with political power, which is intolerant and murderous.—

The Garden

The Garden (1990)

Dakota Johnson

Chloë Grace Moretz

Mia Goth

Susie Bannion is a young American ballerina who travels to Berlin to study dancing at Madame Blanc's Markos Tanz Company, one of the world's most renowned schools. On her first day, one of the students who had been recently expelled from the school is murdered. As this appalling happening does not seem to be an isolated occurrence, the brilliant new student soon begins to suspect that the school might be involved in the homicide. Her mistrust heightens when Sarah, one of the girls at the school, tells her that before she was killed, Pat confided to her that she knew and guarded a terrifying secret.—Domingo Alvarez

Suspiria

Suspiria (2018)

Ray Winstone

Annabelle Apsion

Kate Ashfield

Suddenly, moody 15-year-old Tom, and his 18-year-old sister Jessie find themselves relocated from the hustle and bustle of urban London to the sullen silence of wind-swept rural Devon, at a little but neat cottage in the middle of nowhere. Dad is caring and kind, and very much in love with Mum, who has just given birth. However, an accidental glimpse of a disturbing and well-hidden family secret brings Tom face-to-face with shock, denial, and--ultimately--rage. What mystery could be so appalling that it threatens to bring everyone in the family to their knees?—Nick Riganas

The War Zone

The War Zone (1999)

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