Arielle Dombasle

Gilles Arbona

Jean-Claude Leguay

Michel Auclair

Walter is told by his boss, Sara, to deliver an urgent letter to Henri de Corinthe. On the way he finds a beautiful woman he had been eying in a nightclub, lying in the road, bound up. He takes her to a villa to get a doctor, and ends up being locked in a bedroom with her. While she is making love to him, he has visions of surrealistic images from René Magritte's paintings. In the morning, the girl, Marie-Ange, has vanished, the villa looks derelict, and his neck is bleeding. Was it all just a nightmare?—Will Gilbert

The Beautiful Prisoner

The Beautiful Prisoner (1983)

Fanny Ardant

Marine Vacth

Louis Garrel

Maïwenn

A woman has a close bond with her beloved Algeriann grandfather, who protected her from a toxic home life as a child; his death triggers a deep identity crisis as tensions between her extended family members escalate, revealing new depths of resentment and bitterness.—Canon y mus

DNA (2020)

Alan Hale Jr.

Guinn 'Big Boy' Williams

James Brown

Gary Cooper

Major Lex Kearney, dishonorably discharged from the army for cowardice in battle, has actually volunteered to go undercover to try to prevent raids against shipments of horses desperately needed for the Union war effort. Falling in with the gang of jayhawkers and Confederate soldiers who have been conducting the raids, he gradually gains their trust and is put in a position where he can discover who has been giving them secret information revealing the routes of the horse shipments.—Doug Sederberg

Springfield Rifle

Springfield Rifle (1952)

Isabel Jewell

Lee Tracy

Jean Harlow

Louise Beavers

Lola Burns is at the top of the pile in Hollywood. But life ain't easy, what with her father and brother always hanging around for handouts, and devious studio publicity honcho Space Hanlon cooking up endless lurid newspaper stories. Makes a girl want to give up pictures.—Jeremy Perkins {J-26}

Bombshell

Bombshell (1933)

Myrna Loy

Blanche Friderici

Kay Johnson

Mary Duncan

Thirteen women who were schoolmates send to a swami for their horoscopes, unaware that half-Asian Ursula is using her hypnotic powers over the swam and them to lead them or their families to their deaths. It seems that she went to school with them but their bigotry forced her to leave, and now she is exacting her revenge. Will she be stopped in time to save Laura's son Bobby?—Robert Tonsing

Thirteen Women

Thirteen Women (1932)

Christopher Dingli

Don Bridges

Frank Fazio

John McCullough

An exploration of contemporary relationships shown through four anthological stories set in Melbourne, Berlin, Malta and New York. In Corpore tackles the consequences of love, sex and betrayal.

In Corpore

In Corpore (2020)

Celeste Corcoran

Sydney Corcoran

Patrick Downes

David Filipov

Gripping documentary focusing on the 2013 Boston Marathon bombing (Boston, Massachusetts, U.S.A.) it's victims and their lives in the aftermath. Follows specific people and their experiences as they adapt and recover from their injuries. Includes behind-the-scenes details of the hunt for the bombers. Graphic photos of the bombing scene and resultant injuries. Comprehensive photodocumentary.

Marathon: The Patriots Day Bombing

Marathon: The Patriots Day Bombing (2016)

Brinke Stevens

Nicole Lasala

Ryan Boudreau

Rob Roy

After finding a vintage spirit board in their parent's basement, a group of teens conjure an undead relative, who stalks them from beyond the grave.

The Ouija Possession

The Ouija Possession (2016)

Sharrie McCain

Michael J. Patterson

Nytia Nikole

Thomas Leahy Jr.

Londyn and James are a gun slinging couple who enforce the law of the land by taking out anyone who would do their city harm. The sound of their name sends chills down peoples' spines, and no one dares to challenge them or their underground operations. When their lifelong friend is murdered, their world turns upside down. Londyn and James vow to find the killer and make them pay, turning justice into vengeance. In their quest for the truth, they uncover secrets greater than they ever imagined, threatening to destroy everything they love, including each other.

Londyn & James

Londyn & James (2019)

Jennifer Gibson

Tara Yelland

Ron Lea

Sean Tucker

Based on the bestselling novel by Jason F. Wright, it tells the story of reporter Hope Jensen, who uncovers the remarkable secret behind the "Christmas Jars" - glass jars filled with coins and bills anonymously left for people in need. Christmas Jars is a phenomenon with a reach far beyond that of a typical novel, as it created a new tradition that has changed the lives of many people in their time of need all over the country.

Christmas Jars

Christmas Jars (2019)

George Kennedy

William Schallert

Kirk Douglas

Carroll O'Connor

In order to free his best friend Paul Bondi from jail, cowboy Jack Burns gets himself imprisoned only to find out that Bondi does not want to escape. Thus Burns breaks out on his own and is afterwards being chased in the mountains by sheriff Johnson with a helicopter and jeeps.—Volker Boehm

Lonely Are the Brave

Lonely Are the Brave (1962)

Raven Stewart

David Reale

Farrah Aviva

In the approach to Christmas, Brie Traverston, an art director with a New York City media firm, is given a last minute three week assignment due Christmas Eve of designing a magazine spread on Christmas weddings, her making partner at the firm riding on how well she does. The client, Isabella Elias, is flying in Paris based photographer Eddie Chapman for the assignment. The issue for Brie in doing a good job on this assignment: Eddie is her NYU college sweetheart, who she has not seen in seven years since that Christmas he announced he had been accepted into the Masters program in photography in Paris, when she was expecting him to ask her to marry him. Despite their vow to each other at that time to reconnect following her graduation from NYU in a year, they, out of circumstance, never did reconnect until now. While Brie wants to keep her and Eddie's relationship strictly professional, she admits to herself and her assistant Megan Hocking that she still has feelings for him. Brie may get her Christmastime heart broken once again with Eddie if the rumors are true that he and Isabella are a couple and on the verge of their own happily-ever-after.—Huggo

Merry Matrimony

Merry Matrimony (2015)

Kate McKinnon

Birva Pandya

Marcus Craig

Kaden Stephen

Ms. Frizzle's class sees every show on a pop star's New Year's Eve tour, learning about time zones as they attend all her concerts on the same night.

The Magic School Bus Rides Again In the Zone

The Magic School Bus Rides Again In the Zone (2020)

Isabelle Huppert

Gérard Depardieu

Brigitte Fossey

Jeanne Moreau

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: whether it's cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She's on her own search for seemingly unattainable sexual pleasure.—

Going Places

Going Places (1974)

Sally Forrest

Michael Pate

Charles Laughton

Boris Karloff

The wicked Alain, Sire de Maletroit (Laughton), plots elaborate revenge against his younger brother Edmund (Cavanagh). Twenty years previously, Alain's lover left him for Edmund and they ran away to marry; she died in childbirth. Alain imprisoned Edmund in the dungeon of the family manor, and convinced his young niece Blanche that her father was dead. When Blanche reaches adulthood, Alain plans to make her life miserable by marrying her off to a well-born cad, Denis de Beaulieu (Wyler). But Denis and Blanche fall in love and try to escape, leading to a deadly confrontation with Alain in his dungeon deathtrap.—balkaster

The Strange Door

The Strange Door (1951)

Susan Anspach

Stevan Larner

Audrey Heningham

Maria Zeheri

Filmmaker William Greaves is shooting a series of screen tests in New York City's Central Park for the two leads of a feature length movie, with the working title of "Over the Cliff". Simultaneously, he has a documentary filmmaking crew filming the behind the scenes making of the movie. In addition to seeing these two sets of footage (the film and the film of the film), the viewer also sees footage of a third film crew filming the these two in relation to what is happening overall as they film in the park while real life goes on around them, which in Bill's mind is part of the realism of the movie. "Over the Cliff" itself has no plot and no full script but only a working concept of sexuality being the movie's theme and snippets of scripted dialogue. This unstructured approach is to give the movie a sense of realism. The actors imply as much, but many of the crew, discussing in Grieves-less bullpen sessions, believe Greaves is unfocused and inept at what he is doing, while a minority believe his experimental process will yield a special and great end product.—Huggo

Symbiopsychotaxiplasm: Take One

Symbiopsychotaxiplasm: Take One (1968)

Evan King

Anthony Taylor Lopez

Pamela Denise Weaver

Kevin Machate

A Brother in the Catholic Church must choose between his vow of chastity and the man he loves.

Brotherly Love

Brotherly Love (2017)

Steve Buscemi

Shannon Baker

Terence Macartney-Filgate

A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In "Take 2 1/2," Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film's progress. Then, 35 years later, Greaves brings back to Central Park those actors and some of the original crew (plus others) to film a reunion of the characters Alice and Freddie. We watch scenes of these characters and discussions among the actors and crew. Greaves explores and dramatizes the dialectic in the creative process.—

Symbiopsychotaxiplasm: Take 2 1/2

Symbiopsychotaxiplasm: Take 2 1/2 (2005)

Ruby Dee

Louise Archambault

St. Clair Bourne

William Greaves

Documentary spanning the career of independent Black American filmmaker William Greaves, with particular emphasis on the experimental production Symbiopsychotaxiplasm: Take One (1968).

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