Amy Smart

Mark-Paul Gosselaar

Martin Roach

Benjamin Ayres

Starring Amy Smart (Just Friends, The Butterfly Effect) and Mark-Paul Gosselaar (Franklin & Bash, Saved by the Bell, NYPD Blue), 12 Dates of Christmas is a romantic comedy that follows Kate (Amy Smart), a young woman who re-lives the same first date on Christmas Eve over and over again. In an attempt to win back her ex-boyfriend on Christmas Eve, Kate ends up ruining her blind date with Miles (Mark-Paul Gosselaar), a handsome guy she's been set up with. In a strange twist of fate, Kate is given the chance to re-live Christmas Eve twelve times! Kate decides to embrace what Christmas Eve has given her -- a loving family, great friends and Miles, who turns out to be a great guy! However, just as she seems to think she has gotten it right, the clock strikes midnight and Kate must live Christmas Eve once again. Under these weird new circumstances, Kate learns to take risks and enjoy what she's been given. Thanks to the gift of Christmas Eve, Kate finds happiness by finally trusting fate.—A V Butler

12 Dates of Christmas

12 Dates of Christmas (2011)

Regina Hall

Josh Gad

Carmen Electra

Arielle Kebbel

For three college guys, it's senior year and the co-ed experience has left them high and dry. Their solution: A road trip to Mardi Gras, where beautiful babes are happy to lift their shirts and open containers are always welcome. But after dressing in drag, breaking into Carmen Electra's hotel room, starring in a scandalous sex show and accidentally exploding a feces bomb in a swank hotel lobby, will the Mardi Gras magic kick in and their wildest fantasies come true?—Vito

Mardi Gras: Spring Break

Mardi Gras: Spring Break (2011)

Mila Kunis

Rick Moranis

Eve Gordon

Bug Hall

Wayne Szalinzki, a wacky, absent-minded inventor, is back again but only this time he decides to use his infamous shrinking machine just one more time. His wife, Diane, asks him to get rid of the Tiki Man, a large tiki sculpture. He refuses to get rid of it so he decides to restart the machine and reduces it to pocket-size. However, the machine is accidentally activated and Wayne ends up shrinking himself and his brother, Gordon. Meanwhile, when Gordon's wife, Patti, and Diane were going on a vacation they come back when Patti suddenly realizes she forgot Mitch's medicine for his potassium deficiency. When they're about to leave, they decide to sneak into the attic and surprise their husbands, but the machine is activated once again, and they're shrunk as well. So the adults must be very brave of disgusting household insects the size of dinosaurs and more in their biggest adventure to get their children's attention.—Anthony Pereyra

Honey, We Shrunk Ourselves!

Honey, We Shrunk Ourselves! (1997)

Björn Andrésen

Ellen Dorrit Petersen

Peter Christoffersen

Kenneth M. Christensen

Louise and Kasper, a Danish-Norwegian couple, live in an isolated villa in the middle of the forest away from modern life, technology and even electricity. Louise's biggest dream is to become a mother but she is unable to have children. She finally decides, out of desperation, to seal a pact with her Romanian maid, Elena. Elena accepts to bear Louise's child as a surrogate mother in exchange for a large amount of money. The life growing inside of her is taking shape too fast, affecting the lives of everyone like an evil force. Paranoia and horror set in around the inevitable birth...

Shelley

Shelley (2016)

Mads Sjøgård Pettersen

Éva Magyar

Renate Reinsve

An old sanatorium is deteriorating in an isolated forest in the mountains. The elderly janitor is still living there to ensure that no one access the dangerous building. Five contract workers have taken on the task of tracking the huge building for hazardous waste before it's demolished. Over 300 rooms and kilometres of pipelines have to be screened in three days. They realize that the job is more than a search for asbestos and mercury when they encounter the building's frightening past. Water is gushing from the old pipes, and brings the work to a halt. An attempt to close the water intake leads them to the dark cellar, where they discover the horrible secrets from the sanatoriums past. You can demolish a building, but never remove the past.—Brio Flint

Dark Woods II

Dark Woods II (2015)

Hugo Eccles

Anthony Partridge

'Oil in the Blood' is a documentary feature film on the contemporary custom motorcycle culture. It's not a film about motorcycles, it's a film about motorcycle people.The philosophy of individualism is embedded in motorcycling. The desire to be different, unique, is at the root of the motorcyclist's imagination. Modifying, customising, changing bikes is at the very heart of the biker.The new wave custom scene as it is today, is a thriving subculture sitting on the edge of the mainstream motorcycle world, where individuals and groups of friends are busily chopping and building bikes in their sheds and kitchens; where single- proprietor micro- businesses are creating bespoke motorcycles for fuel hungry customers. Old forgotten motorcycles and models are being brought back to life - unfashionable, ugly ducklings turned into often preening peacocks. Old skills that were once disappearing are being learnt and mastered by a new generation, where the pride comes from graft and not purchasing power.Since the earliest days of motorcycling bikers have tinkered, modified, improved and bastardised their machines. Motorcycles were born in the sheds of maverick engineers. It's in the very DNA of motorcycling.Custom genres have developed through the decades, from the post war GIs civilianising their wartime steeds - bobbers; 50s ton up boys stripping their bikes to the bare minimum to go faster - cafe racers; 60s bike gangs chopping up their old Harleys - choppers; street bikes being adapted for the off road - scramblers; stock bikes being purposed for the dirt oval - trackers; two-strokes being tuned to within a carb jet of a seizure - crotch rockets. This current scene is where all these subcultures collide, the common ground where these specific genres meet and meld.The scene is a paradox where analogue values are promoted through the digital world. A movement that harks back to old school values only made possible through the online portal of social media. A truly international movement where a builder is Tasmania can be exchange ideas with an engineer in Finland, being inspired by a bike in Argentina, creating a truly global community driven by the internet, a world curated by bloggers and website hosts.Motorcycling has witnessed a revitalisation, some would say a rebirth, through this burgeoning culture. Young people are engaging with motorcycling once again. There has been a massive influx of women into motorcycling. New wave custom culture is a very modern phenomenon, a new generation with new values, thankfully free of the old tribalism and misogyny that plagued previous generations.Standards of design and engineering continue to surge forward, with better and bolder bikes being created as builders continue to hone their skills and push forward their imaginative boundaries. The manufacturers have engaged with builders, facilitated and collaborated on projects, and helped individual builders direct and fine-tune their small businesses.We've witnessed a revitalisation of the motorbike. The motorcycling industry has finally started listening to bikers, and the wider motorcycle culture is benefiting. Motorbikes have become cool again.'Oil In The Blood' has filmed at all the major international contemporary custom motorcycle shows, shot modified Harley Davidsons in the Sahara, flat track racing in dusty bowls and indoor arenas, ice racing in Wisconsin and in the Alps, the American Wall of Death in the Texas sun. The film shows dozens of cool custom bikes being ridden through the urban streets, the twisting mountain roads, through the rolling green countryside and the scorched flat plains.The film contains over two hundred interviews with bike builders, riders, journalists, artists and racers, the very heartbeat of this culture, communing with like-minded souls in Britain, Europe, Japan, Australia, The Far East, Africa and the US. 'Oil In The Blood' makes sense of this anarchic and seductive culture, where dreams are played out on two wheels.

Oil in the Blood

Oil in the Blood (2019)

Ben Kingsley

Elisabeth Shue

Alexis Bledel

Amy Irving

Winnie Foster has everything a young woman could desire. She comes from a well-bred, wealthy, and respected family. She dresses in the finest clothes and is afforded every opportunity to refine herself. But Winnie finds that the heat of summer is not nearly as stifling as her gilded cage. She longs for freedom, for adventure. She escapes one morning to explore the woods surrounding her family's home, and encounters the Tucks, a close-knit family with a mysterious past that begs the question: If you could live forever, would you? And just when Winnie believes she has answered that question for herself, a mysterious man looking to profit from the source of the Tuck's immortality that will have her question her life, her desires, and what is the right thing to do. And in the end, learns, that death is not what is to be feared, but an unlived life.—Alyssa B.

Tuck Everlasting

Tuck Everlasting (2002)

Thomas Hedengran

Matti Boustedt

Ralf Beck

Urban Bergsten

In the late viking age a missionary, travelling with a group of soldiers, vanishes somewhere in a vast border forest in the northern parts of Sweden. A rescue party is sent out to find them, but inside the dark woods there is something waiting for them. Something dark and ancient.

Draug

Draug (2018)

Rachel Alvis

Benjamin Baker

Bryce Bates

Lucas Bigham

For a select group of young men, video gaming isn't just a hobby, it's a job. To be a professional gamer, you need a competitive drive, tactical skill, and creativity. With increasingly larger prizes and six figure player salaries, e-sports is on the rise as a career. Good Game follows a new kind of athlete, the StarCraft 2 division of team Evil Geniuses, as they compete around the world to take the top prizes in the biggest tournaments. But between injuries, exhaustion, and egos, those who start at the top might not stay there for long. New superstars are waiting to take the spotlight, and wanting to succeed sometimes just isn't enough.—Anonymous

Good Game

Good Game (2014)

Hiroko Fuji

Jô Shishido

Hiroki Matsukata

Harumi Sone

While Hirono is in prison, his rival Takeda turns his own crime organization into a political party, whose two executives stir up new tensions in their thirst for power.

Final Episode

Final Episode (1974)

Sam Elliott

Cloris Leachman

Ariana Richards

Mark Rolston

Jessica, the daughter of an impoverished farmer, still believes in Santa Claus. So when she comes across a reindeer with an injured leg, it makes perfect sense to her to assume that it is Prancer, who had fallen from a Christmas display in town. She hides him in her barn and feeds him cookies, until she can return him to Santa. Her father finds him and decides to sell him to the butcher, not for venison chops, but as an advertising display.—

Prancer

Prancer (1989)

Abby Corrigan

Lindsay Ayliffe

Chip Lane

Leon Pridgen

A tragedy sets into motion a complex betrayal between two brothers, while exposing a secret no one wants to face.

Chasing Grace

Chasing Grace (2015)

Dermot Mulroney

Diane Lane

Patrick Fabian

Christopher Plummer

Preschool teacher Sarah Nolan (Diane Lane), divorced for eight months, is still grieving the end of her marriage. Although she didn't see it as being perfect, she probably would have stuck it out as what she saw as the "for better or worse" obligation of the wedding vows, that is if her ex-husband, Kevin, didn't end it for what ended up being leaving her for a younger woman. She is urged by her over-supportive family, comprised of her many siblings, their partners, and her widowed father, to get back into the dating scene, something she has been reluctant to do in not feeling ready. As such, her most proactive sister in the matter, Carol (Elizabeth Perkins), sets her up on an Internet dating site. Within her less than prepared state, Sarah does go along with meeting men by the means offered to her. Beyond especially her female siblings, Sarah is given unique perspectives on the whole issue of dating and commitment by her father, Bill (Christopher Plummer), who is exploring dating after losing who was the love of his life in Sarah's mother, thrice divorced Dolly (Stockard Channing), one of Bill's conquests, who he meets on-line, and Sarah's gay teaching colleague, Leo (Brad William Henke), who she sees as being in the most committed loving relationship with his partner Eric (Victor Webster) of anyone she knows. Of the men she meets, Sarah makes what she believes is a connection with two, albeit awkward in both cases. One is Bob Connor (Dermot Mulroney), the divorced father of one of her students, her hesitance in dating him only because of crossing the professional/personal line. The other is custom wooden boat builder Jake Anderson (John Cusack), who too was pushed into trying on-line dating by his best friend/divorce lawyer Charlie (Ben Shenkman), who wants Jake solely to get some action despite Jake wanting his love life to be more like Lara and Yuri in Doctor Zhivago (1965). Much of what happens between Sarah and the two men is based on what stage they are in post-divorce dating life, but is also dependent on how much Sarah is willing to take a chance on each, which may also include her and the respective man just not meshing at a given point in time, and her making a wrong decision in the process based on what she sees as the prospects.—Huggo

Must Love Dogs

Must Love Dogs (2005)

Tenoch Huerta

Paola Lara

Juan Ramón López

Nery Arredondo

Estrella is 10 years old and has 3 wishes: The first one, that her missing mother comes back and it happens. Her mother returns but she is dead and follows Estrella everywhere. Petrified, Estrella tries to escape from her by joining a gang orphaned by violence. Soon she realizes that dead are never left behind and when you are in the middle of brutality and violence, wishes never come true the way you want them to be.—Tania Benitez

Tigers Are Not Afraid

Tigers Are Not Afraid (2017)

Mary McDonnell

Emmy Rossum

James Badge Dale

Steven Bauer

Nola (Emmy Rossum) leaves her abusive stepfather and blows as fast as a tornado, out of Kansas, for New York City to follow the faint trail of her biological dad, whom she's never known. With nothing more to go on than a nickname, Nola has readied herself for the impossible search, with the dream of also making it as a singer/songwriter. After a cold night spent in Central Park, Nola lands a job at an East Village diner owned by an eccentric and mysterious woman named Margaret (Mary McDonnell), who runs an escort service. Margaret recognizes in Nola a fellow outsider. She soon offers Nola a place in her extended family that includes: Ben (James Badge Dale), the diner's cook and part-time law student; tabloid columnist Leo (Steven Bauer); and a transvestite named Wendy (Michael Cavadias), who is one of Margaret's "girls." Nola comes to see that, while the City may be daunting in many respects, it is also --- quickly --- disarmingly welcoming, and takes her up as one of its own.

Nola

Nola (2003)

Himanshu Rai

Charu Roy

Seeta Devi

Enakashi Rama Rao

A historical romance set in the Mughal Empire. Selima (Enakshi) is a princess-foundling raised by a potter and loved by her brother, Shiraz (Rai). She is abducted and sold as a slave to Prince Khurram, later Emperor Shah Jehan (Roy), who falls for her, to the chagrin of the wily Dalia (Seeta Devi). When Selima is caught with Shiraz, the young man is condemned to be trampled to death by an elephant. A pendant reveals Selima's royal status and she saves her brother, marries the prince and becomes Empress Mumtaz Mahal while Dalia is banned for her machinations against Selima. When Selima dies (1629), the emperor builds her a monument to the design of the now old and blind Shiraz, the Taj Mahal. The film contains a number of passionate kissing scenes.—Sujit R. Varma

Shiraz

Shiraz (1928)

Sarita Choudhury

Jake Weber

Patricia Clarkson

Wendy (Patricia Clarkson), a self-absorbed New York book critic, is shocked to reality by the sudden end of her marriage. Always dependent on her husband for driving, she must now learn to take the wheel on her own. Her instructor Darwan (Ben Kingsley) is a Sikh Indian who watches with alarm as his pupil falls apart at the seams. He himself is contemplating an arranged marriage with a woman he has never met. As these two lives intersect, both will change in unpredictable ways.—Anonymous

Learning to Drive

Learning to Drive (2014)

Eiza González

Milla Jovovich

Emma Roberts

Awkwafina

In an undetermined future, society has divided into two sub-types: upper-class or "Uppers", and the rest of the world, mid- and lower-class, named "Lowers". Uma is a privileged young woman who is adamantly against marrying another Upper, Son. Instead, she falls in love with a working-class young man named Markus, so she is sent to Paradise Hills, a school for young ladies located on a remote island in the middle of the ocean. Waking up in Paradise not knowing how she arrived there, she soon meets other students: Amarna, a pop-star who was sent after she decided to sing her own songs against the will of the company that controls her records; Chloe, a plus-sized young lady whose parents want turned thin and compliant; and Yu, a Lower whose aunt and uncle sent her there after she refused to inherit the family business. Then Uma meets the eccentric Duchess, Paradise Hills' headmistress, who tries to convince Uma to marry up, like her mother wishes. Uma soon suspects a hidden purpose behind all the facility's luxuries. Its elegant staging and the daily sessions of make-up, hairdressing, etiquette, and therapy are not working on any of her classmates either. While Amarna and Uma concoct a plan to escape, Uma is shocked when Markus appears as part of Paradise Hills' staff. Amarna, who had started feeling attracted to Uma, feels bitter about this. Finally, alerted by Amarna about their dinners being laced with a sleep-inducing substance, Uma manages to investigate Paradise Hills at night and discovers the bone-chilling truth: the island is a giant control room to analyze the students' behavior and appearance so they can be replicated by Lower women hired to replace the Uppers after the original women are killed. With time running against her, Uma and the rest of her girl gang must find a way to survive before they are up next.—Agencies

Paradise Hills

Paradise Hills (2019)

Jane Seymour

Jack Bannon

Parker Stevenson

Ellen Travolta

Happy, beautiful and independent, Veronica enjoys being a mistress. No commitment, no strings and she never has to be vulnerable. She has carefully laid every brick in the walls of the fortress surrounding her heart. She's safe and having a great time. However, there is one person who knew her heart before those walls were erected, her best friend Brandon, who has stood by her for too many years to count. And while Veronica has tried to keep her feelings at bay, he is the one who holds the key that opens her Pandora's box of emotions.—Showtime

Mistrust

Mistrust (2018)

Kae Alexander

Alexandra Roach

Emma Rigby

Tom Palmer

Laura and Ryan are perfect for each other: they both love Meryl Streep, have been totally destroyed by previous relationships, and have no idea what they are supposed to do tonight. They also both know that they need to pretend to be completely different than how they've ever been previously, if they want to get it right this time. How badly can a second date really go? What is there to lose? Ryan and Laura are about to find out.

2nd Date Sex

2nd Date Sex (2019)

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